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structural
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Published: 01 October 2021
Example 20. Structural and subordinate imperfect consonances (IC); primary and secondary leading tones (LT).
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in Feeling Meter: Kinesthetic Knowledge and the Case of Recent Progressive Metal
> Journal of Music Theory
Published: 01 October 2021
Example 11. Structural Disorder, “Someone to Save” (0:00–1:02). For clarity, snare ghost notes are not shown in the transcription.
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in Feeling Meter: Kinesthetic Knowledge and the Case of Recent Progressive Metal
> Journal of Music Theory
Published: 01 October 2021
Example 11. Structural Disorder, “Someone to Save” (0:00–1:02). For clarity, snare ghost notes are not shown in the transcription.
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Journal Article
Journal of Music Theory (2001) 45 (1): 119–143.
Published: 01 April 2001
...Gordon Sly 2001 © Yale University, New Haven, Connecticut 06520 2001 SCHUBERT’S INNOVATIONS
IN SONATA FORM:
COMPOSITIONAL LOGIC AND
STRUCTURAL INTERPRETATION*
Gordon Sly
In his 1927 monograph “Franz Schubert,” Donald...
Journal Article
Journal of Music Theory (2004) 48 (2): 337–354.
Published: 01 October 2004
...Heather Platt Peter H. Smith Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in His Werther Quartet Indiana University Press, 2005: ix+325 pp. ($49.95 cloth) 2004 © Yale University, New Haven, Connecticut 06520 2004 Agawu, Kofi. 1997 . “Analyzing Music under...
Journal Article
Journal of Music Theory (2006) 50 (2): 181–210.
Published: 01 October 2006
...Lauri Suurpää This study examines interactions among form, Schenkerian voice-leading structure, and certain dramatic features in two Mozart expositions: the second movement of the G-minor symphony, K. 550, and the opening movement of the G-minor string quintet, K. 516. The analyses frequently...
Journal Article
Journal of Music Theory (2006) 50 (1): 103–110.
Published: 01 April 2006
...David Temperley My discussion of Bach's chorale prelude “Das alte Jahr vergangen ist” centers on its key structure: the hierarchical arrangement of keys in the piece and the relationships between them. In the course of this discussion, I make a number of observations about the nature of key...
Journal Article
Journal of Music Theory (2013) 57 (2): 193–243.
Published: 01 October 2013
... . Translated by Newlin Dika . New York : Free Press of Glencoe . Said Edward . 1978 . Orientalism . New York : Pantheon . Schoenberg Arnold . [1948] 1969 . Structural Functions of Harmony . Edited by Stein Leonard . New York : W. W. Norton . ———. 1967...
Journal Article
Journal of Music Theory (2012) 56 (2): 225–283.
Published: 01 October 2012
... discussed. Tonal Structures in Bellini
William Rothstein
Abstract The operas of Vincenzo Bellini (1801–35) exhibit compositional traits that, in North American
scholarship, have generally been associated with German composers, especially Wagner...
Journal Article
Journal of Music Theory (2017) 61 (2): 201–242.
Published: 01 October 2017
..., beyond elucidating aspects of structural organization that have been overlooked in his music, the article suggests ways of formally defining aspects of his style. What this study adds to our understanding of Boulez’s music from this period is a theoretical framework that explains the functional role...
Journal Article
Journal of Music Theory (2022) 66 (2): 223–253.
Published: 01 October 2022
...Ben Duinker Abstract This article explores the notion of interpretive difficulty in contemporary music, treating it as a structural, tangible aspect of analysis. Interpretive difficulty comprises any challenge a performer may encounter—physical, cognitive, emotional, specific to a musical passage...
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in Flipped, Broken, and Paused Clave : Dancing through Metric Ambiguities in Salsa Music
> Journal of Music Theory
Published: 01 April 2021
Figure 5. Phrase structure and hypermetric analysis of Grupo Niche's “Cali pachanguero.”
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in Flipped, Broken, and Paused Clave : Dancing through Metric Ambiguities in Salsa Music
> Journal of Music Theory
Published: 01 April 2021
Figure 5. Phrase structure and hypermetric analysis of Grupo Niche's “Cali pachanguero.”
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Published: 01 October 2022
Example 6. Excerpt from p.1 of Mani.Δίκη , detailing a “sound-structure” that periodically reappears in different orderings.
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Journal Article
Journal of Music Theory (2012) 56 (2): 169–223.
Published: 01 October 2012
...Panayotis Mavromatis This article presents a general-purpose formalism for modeling musical syntax as a probabilistic musical grammar. The formal probabilistic framework offers a precise yet flexible characterization of musical style as structure and process. Moreover, the grammar can be built...
Journal Article
Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
...Christopher Brody All theories of structure in tonal music must balance the competing claims to priority of multiple musical parameters. Most prominently, the study of tonal form has long concerned itself with how to reconcile the at times contradictory demands of thematic design and tonal...
Journal Article
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
...Brian Moseley In his late compositions Webern exhibited a predilection for many types of cyclic organization, involving intervals, motives, contours, and twelve-tone rows; in particular, cyclic row organization provided Webern a means of serial structure beyond the row. Much as the twelve-tone...
Journal Article
Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
...Alan Dodson This is an analytical study on metrical structure in Chopin's Mazurka op. 17/4 (complete) and excerpts from his Mazurkas opp. 59/2 and 63/3, and on the effects of expressive details in Paderewski's recordings upon that structure. The methodology is based mainly on Harald Krebs's theory...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2015) 59 (2): 235–271.
Published: 01 October 2015
... of Morley's balletts reveals four primary “Englishing” techniques. First, Morley establishes and confirms tonic more thoroughly than the Italians do. Second, the dominant chord plays a larger role in Morley's balletts, often yielding predictive statement-response phrase structures. Third, Morley uses pre...
Journal Article
Journal of Music Theory (2015) 59 (2): 273–320.
Published: 01 October 2015
... and the emergence of a group structure, whose generators—named transpositio and transformatio —are also characteristic musical motions and relations. The proposed analytical methodology is probed in a couple of short pieces of Bartók's Mikrokosmos and in the third movement of his Piano Sonata. The article argues...
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