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Published: 01 April 2023
Figure 4.5. The opening of Stravinsky's Rite of Spring presents a series of equipollent trichords. The neo-Riemannian J 2 transform preserves the perfect fourth. Once again, apply the perturbation before the other transformations. More
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Published: 01 April 2023
Figure 4.6. A reduction of mm. 4–6 of Rite of Spring , along with two recompositions that shift the parallel motion to other pairs of voices. This moves the position of the gapped quartal voicings. More
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Published: 01 April 2023
Figure 5.10. Measure 32 of Rite of Spring. More
Journal Article
Journal of Music Theory (2006) 50 (1): 141.
Published: 01 April 2006
... in spring 2009. With our accelerated production schedule, the prize for an article appearing in volumes 52 and 53 will be announced with the appearance of volume 53.2 in spring 2010. Successive prizes will be announced with the appearance of the last issue in odd-numbered years. The JMT...
Journal Article
Journal of Music Theory (2021) 65 (2): 287–323.
Published: 01 October 2021
... to this situation, and his communicative purpose is complex: he wants to calm Sieglinde's fear, and he also wants to convey his passion for her. He combines these objectives in his song by observing that the door was blown open by the break in the storm—which he equates with the arrival of spring—and making...
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Journal Article
Journal of Music Theory (2001) 45 (1): 144–150.
Published: 01 April 2001
... or another so-defined rubric. 4. For an overview of the sonatas composed during the Spring of 1816, and discus- sion of the first movement of the Violin Sonata, D. 408, see the author s, The Architecture of Key and Motive in a Schubert Sonata, Intégral 9 (1995): 67 89. 5. In this work, the recapitulation...
Journal Article
Journal of Music Theory (2006) 50 (1): 5.
Published: 01 April 2006
...DK © 2008 by Yale University 2008 Journal of Music Theory  50:1, Spring 2006 DOI 10.1215/00222909-2008-003  © 2008 by Yale University 5 ...
Journal Article
Journal of Music Theory (2008) 52 (1): 1.
Published: 01 April 2008
... of Music Theory is particularly delighted to offer this volume to Professor Fuller on the occasion of her being made an Honorary Lifetime Member of the Society for Music Theory at the society’s 2009 annual meeting in Montreal. —Ian Quinn Journal of Music Theory  52:1, Spring 2008 DOI 10.1215...
Journal Article
Journal of Music Theory (2007) 51 (1): 1.
Published: 01 April 2007
... authors’ prose when needed. —Ian Quinn Journal of Music Theory  51:1, Spring 2007 DOI 10.1215/00222909-2008-020  © 2009 by Yale University 1 ...
Journal Article
Journal of Music Theory (2000) 44 (1): 231–236.
Published: 01 April 2000
... by recent composers. Cross traces “Block Forms” in chapter two from Picasso to Stravinsky (Petrushka, the Rite of Spring, and the Symphonies of Wind Instruments), and thence to Varèse (Amériques), Messiaen (Cantéyodjayâ and Couleurs de la cité céleste), Stockhausen (Klavierstück IX and Momente), Tippett...
Journal Article
Journal of Music Theory (2010) 54 (1): 91–105.
Published: 01 April 2010
... theories of the voice can be usefully applied to the understanding of musical borrowing. Journal of Music Theory  54:1, Spring 2010 DOI 10.1215/00222909-2010-013  © 2010 by Richard Beaudoin 91 92 Journal of Music Theory I...
Journal Article
Journal of Music Theory (2007) 51 (1): 3–4.
Published: 01 April 2007
... Journal of Music Theory  51:1, Spring 2007 DOI 10.1215/00222909-2008-021  © 2009 by Yale University 3 4 Journal of Music Theory underpinnings of the history of music theory, these authors suggest many new avenues...
Journal Article
Journal of Music Theory (2011) 55 (1): 161–166.
Published: 01 April 2011
... introduces topics and any educational material geared toward such a readership demonstrates a clear difference of Journal of Music Theory  55:1, Spring 2011 DOI 10.1215/00222909-1219232  © 2011 by Allan F. Moore 161 162 Journal of Music Theory philosophy...
Journal Article
Journal of Music Theory (2006) 50 (1): 1–2.
Published: 01 April 2006
... to JMT. Amid all this change, one thing remains constant. The Journal of Music Journal of Music Theory  50:1, Spring 2006 DOI 10.1215/00222909-2008-001  © 2008 by Yale University 1 2 Journal of Music Theory Theory was founded at Yale...
Journal Article
Journal of Music Theory (2006) 50 (1): 3–4.
Published: 01 April 2006
... such as Robert P. Morgan’s “Disso- Journal of Music Theory  50:1, Spring 2006 DOI 10.1215/00222909-2008-002  © 2008 by Yale University 3 4 Journal of Music Theory nant Prolongations: Theoretical and Compositional Precedents” and Joseph...
Journal Article
Journal of Music Theory (2001) 45 (1): 119–143.
Published: 01 April 2001
...- ning with his early essays in the form and continuing through 1817, peak- ing in intensity with the extraordinarily imaginative and varied group of pieces composed in the spring of 1816.4 Following this is a lapse in his production of sonata forms that, with few exceptions, extends almost six years...
Journal Article
Journal of Music Theory (2022) 66 (1): 43–62.
Published: 01 April 2022
... portrayals of intervallic and chordal relations (most notably Vial [1767] ) than with organicist concepts. A more pertinent instance is found in William Pole's ( 1879 : 229) Philosophy of Music : “The common chord major consists of certain notes which spring naturally, in a compound sound, out of a certain...
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Journal Article
Journal of Music Theory (2006) 50 (1): 7–23.
Published: 01 April 2006
... the editorship and the legacy he left behind. Quotations from the author’s interviews with Forte are included. when the Journal of Music Theory debuted in the spring of 1957, found- ing editor David Kraehenbuehl (1923–97) aspired to elevate music theory beyond its contemporary...
Journal Article
Journal of Music Theory (2008) 52 (1): 9–12.
Published: 01 April 2008
... Theory  52:1, Spring 2008 DOI 10.1215/00222909-2009-008  © 2009 by Yale University 9 10 Journal of Music Theory Beneventinus,” 1:490; “Droardus Trecensis,” 5:637; “Gauterius de Castello Rainardi,” 7:191; “Itier, Bernardus...
Journal Article
Journal of Music Theory (2023) 67 (1): 1–70.
Published: 01 April 2023
...Figure 4.5. The opening of Stravinsky's Rite of Spring presents a series of equipollent trichords. The neo-Riemannian J 2 transform preserves the perfect fourth. Once again, apply the perturbation before the other transformations. ...
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