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Journal Article
Journal of Music Theory (2001) 45 (1): 119–143.
Published: 01 April 2001
...Gordon Sly 2001 © Yale University, New Haven, Connecticut 06520 2001 SCHUBERT’S INNOVATIONS IN SONATA FORM: COMPOSITIONAL LOGIC AND STRUCTURAL INTERPRETATION* Gordon Sly In his 1927 monograph “Franz Schubert,” Donald...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
...Peter H. Smith This article explores musical and theoretical issues raised by a particular type of parallel form that has been interpreted in two strikingly contradictory ways—either as a birotational type 2 sonata form or as a sonata form with a reversed recapitulation. Insights drawn from...
Journal Article
Journal of Music Theory (2011) 55 (2): 221–251.
Published: 01 October 2011
...Patrick Wood Uribe It is to A. B. Marx that we owe the first extended discussion of sonata form and a conception of it that has survived in classrooms and rehearsal halls to this day. At the same time, Marx’s Sonatenform and his treatment of it are beset with what seem to be serious flaws, chief...
Journal Article
Journal of Music Theory (2020) 64 (2): 203–240.
Published: 01 October 2020
...Peter H. Smith Form theorists have shown increasing interest in applying the methodologies of Caplin and of Hepokoski and Darcy to sonata forms of the nineteenth century. Many of these efforts proceed under the assumption that late eighteenth-century norms continued to influence Romantic sonata...
Journal Article
Journal of Music Theory (2014) 58 (1): 25–56.
Published: 01 April 2014
...Peter H. Smith Commentators have traditionally judged Schumann’s sonata forms negatively, despite recent positive reassessments. In the response to Schumann’s expositions, even two of his most insightful advocates, Linda Correll Roesner and Anthony Newcomb, portray Schumann’s designs as...
Journal Article
Journal of Music Theory (2013) 57 (2): 383–418.
Published: 01 October 2013
... ‘Concertante Rondo’ to ‘Lyric Sonata’: A Commentary on Brahms’s Reception of Mozart .” In Brahms Studies , ed. Brodbeck David , 111 – 38 . Lincoln : University of Nebraska Press . Davis Andrew Pollack Howard . 2007 . “ Rotational Form in the Opening Scene of Gershwin’s Porgy and Bess...
Journal Article
Journal of Music Theory (2019) 63 (2): 209–229.
Published: 01 October 2019
...Jonathan Guez Despite differences in critical alignment, epistemological underpinnings, and reportorial coverage, studies of sonata forms nevertheless tend to share one feature: they devote the least amount of space to recapitulations. Two presuppositions might explain this neglect: (1) the...
Journal Article
Journal of Music Theory (2006) 50 (2): 143–179.
Published: 01 October 2006
...-2Peter H. Smith Smith Example    Sonata 4 pageExpositions 2 of 2 of Schubert and Brahms 151 27 Basic Idea, tonic form Basic Idea, subdominant form dolce $ − Łý Łý Š − − ðý Łý Łý...
Journal Article
Journal of Music Theory (2016) 60 (1): 51–88.
Published: 01 April 2016
... Schumann concerto sonata form tonal pairing Schenkerian analysis late style Works Cited Abbate Carolyn . 2004 . “Music: Drastic or Gnostic?” Critical Inquiry 30 / 3 : 505 – 36 . Aldwell Edward Schachter Carl . 2011 . Harmony and Voice Leading . 4th ed. Boston...
Journal Article
Journal of Music Theory (2017) 61 (2): 171–200.
Published: 01 October 2017
... practice. Copyright © 2017 by Yale University 2017 sonata form big data recapitulation double return end-rhyme Works Cited Allsop Peter . 1999 . Arcangelo Corelli: New Orpheus of Our Times . Oxford : Oxford University Press . Bonds Mark Evan . 1988 . “ Haydn’s False...
Journal Article
Journal of Music Theory (2010) 54 (1): 25–36.
Published: 01 April 2010
... ask why it restricted its instrumental techniques so much (especially for the violin: just the occasional double or triple stop and a few pizzicati) and why it was so literal in its appropriation of classical sonata form. The 1803 “Kreutzer” Presto is a different animal, bold in its...
Journal Article
Journal of Music Theory (2006) 50 (2): 181–210.
Published: 01 October 2006
...Lauri Suurpää This study examines interactions among form, Schenkerian voice-leading structure, and certain dramatic features in two Mozart expositions: the second movement of the G-minor symphony, K. 550, and the opening movement of the G-minor string quintet, K. 516. The analyses frequently...
Journal Article
Journal of Music Theory (2013) 57 (1): 151–158.
Published: 01 April 2013
... this groundbreaking essay, which has stimu- lated considerable scholarly interest in and discussion of the notion of pro- cessual form since its publication. Schmalfeldt begins by citing Dahlhaus’s reading of the “Tempest” Sonata’s ambiguous opening as an epitome of form-as-process: is it an...
Journal Article
Journal of Music Theory (2017) 61 (1): 1–28.
Published: 01 April 2017
... piano sonatas and notes that, subsequent to Marx, theo- rists writing about form continued to focus primarily on the classical style. Indeed, the emergence of Formenlehre (doctrine of forms) in the late nine- teenth century was made possible by “the establishment...
Journal Article
Journal of Music Theory (2003) 47 (1): 41–101.
Published: 01 April 2003
... pc 8 occurs after the authentic cadence which properly ends the period. Haydn has managed here to override the formal divisions nor- mally created in a sonata-form exposition by the requisite modulation to the dominant (the kind of structural fragmentation his “monothematic” compositions were...
Journal Article
Journal of Music Theory (2020) 64 (2): 241–281.
Published: 01 October 2020
... . Audacious Euphony: Chromatic Harmony and the Triad’s Second Nature . New York : Oxford University Press . Curwen John . 1853 . The Standard Course of Lessons and Exercises in the Tonic Sol-Fa Method of Teaching Music . London . Dahlhaus Carl . 1986 . “ Sonata Form in...
Journal Article
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
... . Leuven : Leuven University Press . Hepokoski James A . 2009b . “Sonata Theory and Dialogic Form ”. In Musical Form, Forms, and Formenlehre: Three Methodological Reflections , edited by Caplin William E. Hepokoski James Webster James Bergé Pieter , 71 – 89 . Leuven...
Journal Article
Journal of Music Theory (2015) 59 (2): 273–320.
Published: 01 October 2015
.... © 2015 by Yale University 2015 Béla Bartók Mikrokosmos Piano Sonata polymodality polytonality diatonicism chromaticism scale theory rotational form Works Cited Antokoletz Elliot . 1984 . The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth Century Music...
Journal Article
Journal of Music Theory (2004) 48 (2): 337–354.
Published: 01 October 2004
... . “Brahms and Schenker: A Mutual Response to Sonata Form.” Music Theory Spectrum 16 : 77 -103. Struck, Michael. 1991 “New Evidence of the Genesis of Brahms's G major Violin Sonata, op. 78.” The American Brahms Society Newsletter 9/1 : 5 -7. Swafford, Jan. 1997 . Johannes Brahms: A...
Journal Article
Journal of Music Theory (2019) 63 (1): 35–70.
Published: 01 April 2019
... by Schneider’s contemporaries and direct predecessors shows that the Solo-Recapitulation trajectory does not appear in these pieces, suggesting that Schneider may have pioneered the approach. Copyright © 2019 by Yale University 2019 jazz Maria Schneider form corpus Works Cited...