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Journal Article
Journal of Music Theory (2000) 44 (2): 381–450.
Published: 01 October 2000
... Solo in Mozarts Klavierkonzerten . Tutzing: Hans Schneider. Scheibe, Johann Adolph. [1739] 1745 . Der critische Musicus . 2nd ed. Leipzig: B. C. Breitkopf. Facs. rpt. Hildesheim: G. Ohms, 1970. Sisman, Elaine. 1982 . “Small and Expanded Forms: Koch's Model and Haydn's Music.” Musical...
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Published: 01 October 2021
Example 35. Marenzio, “Solo e pensoso i più deserti campi,” Il nono libro de madrigali a cinque voci (1599), mm. 7–8.
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Published: 01 April 2023
Figure 18. Agogically accented notes from Miles Davis's first solo in Flamenco Sketches , composed by Davis and Bill Evans, depicted in scale degree versus onset beat performance space.
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Published: 01 April 2023
Figure 19. Agogically accented notes in three solos from Flamenco Sketches depicted in scale degree versus onset beat performance space: John Coltrane (a), Julian “Cannonball” Adderley (b), and Miles Davis's second solo (c).
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Published: 01 April 2023
Figure 19. Agogically accented notes in three solos from Flamenco Sketches depicted in scale degree versus onset beat performance space: John Coltrane (a), Julian “Cannonball” Adderley (b), and Miles Davis's second solo (c).
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Journal Article
Journal of Music Theory (2019) 63 (1): 35–70.
Published: 01 April 2019
... modifies the prototypical big-band arrangement by merging the solo section with the ensemble feature, resulting in a trademark “Solo-Recapitulation trajectory,” which creates a deep-level structure comprising three “Spaces.” “Space division criteria” capture how broad expectations for jazz performance...
Journal Article
Journal of Music Theory (2005) 49 (2): 209–239.
Published: 01 October 2005
....
Reflective thought processes call upon a soloist’s accrued individual
skill and facility; reactive ones are dynamic in nature and respond to an
immediate performance situation. Reflective thinking engages a soloist’s
ability to relate one moment of a solo to another, an activity requiring
both...
Journal Article
Journal of Music Theory (2023) 67 (1): 99–139.
Published: 01 April 2023
...Figure 18. Agogically accented notes from Miles Davis's first solo in Flamenco Sketches , composed by Davis and Bill Evans, depicted in scale degree versus onset beat performance space. ...
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Journal Article
Journal of Music Theory (2005) 49 (2): 277–299.
Published: 01 October 2005
... with less syncopated ragtime “pivoting”
• Introduction of “backbeats” or “change-steps” in the bass
the blues, and the ring shout. From the blues, stride took blue notes (or
bent tones) and used note clusters to approximate them. From solo piano
ragtime,2 stride took formal structures and basic...
Journal Article
Journal of Music Theory (2016) 60 (1): 51–88.
Published: 01 April 2016
... Joachim . 1993 . “Das Cellokonzert a-Moll op. 129 von Robert Schumann: Neue Quellen und Materialien.” In Schumann in Düsseldorf: Werke—Texte—Interpretationen , ed. Appel Bernhard , 249 – 64 . London : Schott . Galand Joel . 2000 . “The Large-Scale Formal Role of the Solo Entry...
Journal Article
Journal of Music Theory (2021) 65 (1): 107–137.
Published: 01 April 2021
... 10.1215/00222909-9124750_v65i1_jmt9124750_video7 Video 7. 6257968277001 myVideo7 10.1215/00222909-9124750_v65i1_jmt9124750_video6 Video 6. 6257970605001 myVideo6 Videos 6 – 9 present excerpts from a performance of the solo by Miyako Yoshida with the Royal Ballet (Tchaikovsky...
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Journal Article
Journal of Music Theory (2013) 57 (2): 193–243.
Published: 01 October 2013
...-centered orchestral sonorities
and more objective wind-centered combinations. In principle, Riemann asso-
ciates the tonic, dominant, and subdominant with the resonant full orchestra
rooted in the string-orchestra sonority. Solo and sectional woodwinds, in con...
Journal Article
Journal of Music Theory (2021) 65 (1): 139–169.
Published: 01 April 2021
..., and timbral. The casting is related loosely to the music's orchestration: two solo violins and four orchestral parts are matched by two principal ballerinas and eight corps de ballet dancers, representing two dancers to an orchestral part. 9 One male principal dancer appears only in the second movement...
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Journal Article
Journal of Music Theory (2006) 50 (2): 211–251.
Published: 01 October 2006
...
new material rather than recalling old (Copland’s Clarinet Concerto). There
are cadenzas in chamber music (Mozart’s Quintet for Piano and Winds in E≤
major, K. 452, III), solo sonatas (Beethoven’s Sonata in C major, op. 2/3, I),
symphonies (Beethoven’s...
Journal Article
Journal of Music Theory (2005) 49 (2): 241–275.
Published: 01 October 2005
... often means that it is well crafted, sophisti-
cated, and compelling.3
For the same reasons, it is not surprising to find similarly sophisticated
relationships in Evans’s improvised “solos.” Consider the first of his
improvised variations on the bridge, a portion of which is analyzed...
Journal Article
Journal of Music Theory (2017) 61 (2): 201–242.
Published: 01 October 2017
... . 2013 . “ Pierre Boulez, Domaines (1968), for Solo Clarinet .” Liner notes to Roger Heaton, The Inner Time: Contemporary Music for Clarinet . Clarinet Classics CC00067 . Quinn Ian . 2006 . “ General Equal-Tempered Harmony: Introduction and Part I .” Perspectives of New Music 44 / 2 : 114...
Journal Article
Journal of Music Theory (2004) 48 (2): 295–324.
Published: 01 October 2004
... on with their fugue as if nothing
had happened. I repeat it at regular intervals, here and here again.” Stra-
vinsky added, with his habitual grin, “You can eliminate these harp solo
interruptions, paste the parts of the fugue together, and it will be one
whole piece.” (Nabokoff 1949, 146)
Since...
Journal Article
Journal of Music Theory (2013) 57 (1): 87–118.
Published: 01 April 2013
...-1791 . Oxford : Oxford University Press . Pascall Robert . 1989 . “ Genre and the Finale of Brahms’s Fourth Symphony .” Music Analysis 8/3 : 233 – 45 . Rohr Deborah . 1997 . “ Brahms’s Metrical Dramas: Rhythm, Text Expression, and Form in the Solo Lieder .” Ph.D. diss...
Journal Article
Journal of Music Theory (2021) 65 (1): 39–80.
Published: 01 April 2021
... depict a range of circumstances in which salsa dancing occurs—social dance floors, staged performances, studio classes, and instructional videos—but with an overall emphasis on improvised, rather than choreographed, dance. 9 Of the physical configurations (solo, couple, team/group) in which salsa...
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Journal Article
Journal of Music Theory (2022) 66 (2): 223–253.
Published: 01 October 2022
... of preparation could ever truly reduce the physical difficulty of performing Mani.Δίκη. Certain aspects of interpretive difficulty can be learned or practiced away, but not all aspects can be. 37 16 Repertoire for solo percussion does not normally specify instrument disposition, indicating...
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