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solmization

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Journal Article
Journal of Music Theory (2020) 64 (2): 147–201.
Published: 01 October 2020
...Megan Kaes Long At the beginning of the seventeenth century English composers used only a handful of keys: they combined five keynotes (G, A, C, D, and F) with the three signatures documented in English solmization theory (♮,♭, and♭♭). By the end of the century English theorists described eighteen...
Journal Article
Journal of Music Theory (2020) 64 (2): 241–281.
Published: 01 October 2020
...), modal spelled pitch class transpositions show the scales and melodies that prolong third-related harmonies also participate in their own third relations. Keywords diatonic modes, pitch class, Franz Schubert, solfège, solmization Building on the group-theoretical ideas in David Lewin s (1987) seminal...
Journal Article
Journal of Music Theory (2000) 44 (1): 45–79.
Published: 01 April 2000
... in a tenor f-mi which in turn affects the solmization, in order to affect the interval content, of the can- tus line, since the first dyad would become a dissonance unless the can- tus c′ is sung mi.43 The unison g in bar 22 forms an articulation of the poetic line end and satisfactorily closes a phrase...
Journal Article
Journal of Music Theory (2021) 65 (2): 239–285.
Published: 01 October 2021
... discourse imbrues fundamental concepts in my approach: solmization syllables, diatonic and chromatic semitones, the Greek genera, the mollis / durus opposition, and the like. 42 This suggests a rich area of future research, especially in the erotically charged Italian madrigal. This article also...
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Journal Article
Journal of Music Theory (2013) 57 (2): 373–381.
Published: 01 October 2013
... would expect to find in a compre- hensive pedagogy of musica plana: tonal system, solmization, interval theory, and modal classification. (In addition, many of the manuscripts end with substantial tonaries.) Based on the provenance of a number of these manu...
Journal Article
Journal of Music Theory (2022) 66 (2): 262–272.
Published: 01 October 2022
... of this discipline—since Baragwanath ( 2020 ) would do that—Gjerdingen presents the main technical aspects of the Neapolitan solfeggio, such as the use of solmization syllables, and defends the idea that it was in this fundamental discipline where students acquired style. Hence by singing these exercises, students...
Journal Article
Journal of Music Theory (2001) 45 (1): 73–118.
Published: 01 April 2001
....”: in Florilegium Historiale: Essays Presented to Wallace K. Ferguson . ed. J. G. Rowe and W. H. Stockdale (Toronto: Toronto University Press, 1971 ). Perkins, Leeman L., “Prenez sur moi: Reflections on Canons, Catholica, and Solmization.” Musica Disciplina 44 ( 1990 ), 119 –83. Strohm, Reinhard...
Journal Article
Journal of Music Theory (2013) 57 (2): 287–320.
Published: 01 October 2013
... of the octave. Often the syntagmatic conception is broken down into smaller, discreet units, or intervallic patterns, the latter often related to solmization syllables. Gasparini, for example, teaches unfig- ured basses in this way. The intervallic patterns increase...
Journal Article
Journal of Music Theory (2009) 53 (2): 255–304.
Published: 01 October 2009
... by which these accidentals arise are, in many cases, entirely diatonic, in that they can be understood and solmized entirely within the extended gamut. However, I consider these accidentals chromatic, in a sense closer to the modern one...
Journal Article
Journal of Music Theory (2022) 66 (1): 1–42.
Published: 01 April 2022
.... . . . O hominis insitiam. o hominis iactantiam; Burzio 1487 , preface: fol. a ii r–v ). More anti-Ramos invective is found in, e.g., chaps. 15 and 18–20 (in defense of Guidonian solmization). 79 “Sciendum amantissimi quod cantus figuratus siue mensuratus est quaedam vocum fractio: vel leuitas ex...
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Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... reissued solfège textbook Scala di musica molto necessaria per principianti (1595). In these solmization manuals, the first things taught were the ascending and descending scales (portar la voce ascendendo, et descendendo; Scaletta 1595, 9). Then followed—likewise ascending and descending—diatonic...