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Journal Article
Journal of Music Theory (2023) 67 (2): 356–368.
Published: 01 October 2023
... galant musicians into an identical conceptual model based in hexachordal solmization: ( sol )– fa – mi . . . ( sol )– fa – mi . While this template highlights the parallelism between the Meyer's two pairs of events and the schema's network structure, it can also be imagined as a flat model, perhaps...
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Journal Article
Journal of Music Theory (2020) 64 (2): 147–201.
Published: 01 October 2020
...Megan Kaes Long At the beginning of the seventeenth century English composers used only a handful of keys: they combined five keynotes (G, A, C, D, and F) with the three signatures documented in English solmization theory (♮,♭, and♭♭). By the end of the century English theorists described eighteen...
Journal Article
Journal of Music Theory (2024) 68 (1): 141–148.
Published: 01 April 2024
... .” Music Theory Online 28 , no. 1 . Long Megan Kaes . 2020 . Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century . New York : Oxford University Press . Long Megan Kaes . 2022 . “ This Is Your Brain on Hexachordal Solmization .” History of Music Theory...
Journal Article
Journal of Music Theory (2020) 64 (2): 241–281.
Published: 01 October 2020
... pitch class transpositions show the scales and melodies that prolong third-related harmonies also participate in their own third relations. Copyright © 2020 by Yale University 2020 diatonic modes pitch class Franz Schubert solfège solmization I am grateful to Julian Hook for his...
Journal Article
Journal of Music Theory (2000) 44 (1): 45–79.
Published: 01 April 2000
... in a tenor f-mi which in turn
affects the solmization, in order to affect the interval content, of the can-
tus line, since the first dyad would become a dissonance unless the can-
tus c′ is sung mi.43 The unison g in bar 22 forms an articulation of the
poetic line end and satisfactorily closes a phrase...
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in The Solfeggio Tradition: A Forgotten Art of Melody in the Long Eighteenth Century
> Journal of Music Theory
Published: 01 October 2023
Example 1. Partial paraphrase of Gjerdingen ( 1988 : 26, example 2-11), the opening melody of Mozart's Piano Sonata K. 283, first movement, as a Meyer schema and network of relations, with hexachordal solmization syllables added by the reviewer.
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Journal Article
Journal of Music Theory (2021) 65 (2): 239–285.
Published: 01 October 2021
...: solmization syllables, diatonic and chromatic semitones, the Greek genera, the mollis / durus opposition, and the like. 42 This suggests a rich area of future research, especially in the erotically charged Italian madrigal. This article also provides a framework for singers and ensemble directors...
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Journal Article
Journal of Music Theory (2013) 57 (2): 373–381.
Published: 01 October 2013
... would expect to find in a compre-
hensive pedagogy of musica plana: tonal system, solmization, interval theory,
and modal classification. (In addition, many of the manuscripts end with
substantial tonaries.) Based on the provenance of a number of these manu...
Journal Article
Journal of Music Theory (2022) 66 (2): 262–272.
Published: 01 October 2022
... of this discipline—since Baragwanath ( 2020 ) would do that—Gjerdingen presents the main technical aspects of the Neapolitan solfeggio, such as the use of solmization syllables, and defends the idea that it was in this fundamental discipline where students acquired style. Hence by singing these exercises, students...
Journal Article
Journal of Music Theory (2001) 45 (1): 73–118.
Published: 01 April 2001
....”: in Florilegium Historiale: Essays Presented to Wallace K. Ferguson . ed. J. G. Rowe and W. H. Stockdale (Toronto: Toronto University Press, 1971 ). Perkins, Leeman L., “Prenez sur moi: Reflections on Canons, Catholica, and Solmization.” Musica Disciplina 44 ( 1990 ), 119 –83. Strohm, Reinhard...
Journal Article
Journal of Music Theory (2013) 57 (2): 287–320.
Published: 01 October 2013
... of the octave. Often the syntagmatic conception
is broken down into smaller, discreet units, or intervallic patterns, the latter
often related to solmization syllables. Gasparini, for example, teaches unfig-
ured basses in this way. The intervallic patterns increase...
Journal Article
Journal of Music Theory (2009) 53 (2): 255–304.
Published: 01 October 2009
... by which these accidentals
arise are, in many cases, entirely diatonic, in that they can be understood
and solmized entirely within the extended gamut. However, I consider these
accidentals chromatic, in a sense closer to the modern one...
Journal Article
Journal of Music Theory (2022) 66 (1): 1–42.
Published: 01 April 2022
... of Guidonian solmization). 79 “Sciendum amantissimi quod cantus figuratus siue mensuratus est quaedam vocum fractio: vel leuitas ex contrapuncti grauitate edita” (Burzio 1487 , III.1: fol. f i v ). 80 “Primo enim non sic antiquitus ut modo: sed simplici quadam contrapuncti fractione tam...
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Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... reissued solfège textbook Scala di musica molto necessaria
per principianti (1595). In these solmization manuals, the first things taught were the
ascending and descending scales (portar la voce ascendendo, et descendendo; Scaletta 1595,
9). Then followed—likewise ascending and descending—diatonic...
