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solfège

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Journal Article

Modal Spelled Pitch Class, La-Minor Solfège, and Schubert’s Third Relations

Nathan L. Lam
Journal of Music Theory (2020) 64 (2): 241–281.
DOI: https://doi.org/10.1215/00222909-8550795
Published: 01 October 2020
... (letter names without accidentals) of the tonic, and the note in question. From there one can infer other information, such as scale degree, mode, and la -minor solfège. In the construction of modal spelled pitch class, la -minor solfège is of equal importance to do -minor solfège, and subsequent analyses...
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Journal Article

Child Composers in the Old Conservatories: How Orphans Became Elite Musicians

Roberto Cornacchioni Alegre
Journal of Music Theory (2022) 66 (2): 262–272.
DOI: https://doi.org/10.1215/00222909-9930925
Published: 01 October 2022
... and solfège , they were able to imagine the other voices within a schematic paradigm, rather than the open choice . Moreover, they were evaluated for recognizing which patterns could be well supported by those lines and for the “artistic” quality of their realizations. The Paris Conservatory, for its...
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Journal Article

Music Theory Pedagogy in the Nineteenth Century: Comparing Traditions of Three European Conservatories

Bjørnar Utne-Reitan
Journal of Music Theory (2022) 66 (1): 63–91.
DOI: https://doi.org/10.1215/00222909-9534139
Published: 01 April 2022
... composition (117–23). Sight-singing ( solfège ) was another part of the Paris curriculum, which also had been the case at the Italian conservatories ( solfeggio ; see Baragwanath 2020 ). It functioned as preliminary training in theory, laying an important foundation for the courses in harmony...
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Journal Article

Heinichen, Rameau, and the Italian Thoroughbass Tradition: Concepts of Tonality and Chord in the Rule of the Octave

Ludwig Holtmeier
Journal of Music Theory (2007) 51 (1): 5–49.
DOI: https://doi.org/10.1215/00222909-2008-022
Published: 01 April 2007
... reissued solfège textbook Scala di musica molto necessaria per principianti (1595). In these solmization manuals, the first things taught were the ascending and descending scales (portar la voce ascendendo, et descendendo; Scaletta 1595, 9). Then followed—likewise ascending and descending—diatonic...
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Journal Article

Partimento, que me veux-tu?

Robert O. Gjerdingen
Journal of Music Theory (2007) 51 (1): 85–135.
DOI: https://doi.org/10.1215/00222909-2008-024
Published: 01 April 2007
..., Gaetano. 1772. Selected works. In P. Levesque and L. Bèche, Solfèges d’Italie avec la basse chiffrée, 2nd ed., passim. Paris. 134 Journal of Music Theory Leo, Leonardo. ca. 1730s. XII Solfeggi a Voce Sola di Soprano con Basso Del Signore Leonardo Leo, MS...
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