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Journal Article
Journal of Music Theory (1 April 2014) 58 (1): 25–56.
Published: 01 April 2014
...Peter H. Smith Commentators have traditionally judged Schumann’s sonata forms negatively, despite recent positive reassessments. In the response to Schumann’s expositions, even two of his most insightful advocates, Linda Correll Roesner and Anthony Newcomb, portray Schumann’s designs as...
Journal Article
Journal of Music Theory (1 April 2016) 60 (1): 51–88.
Published: 01 April 2016
...Peter H. Smith Schumann's adaptations of eighteenth-century instrumental forms have long been regarded as problematic, as have the works of his late style period of the 1850s. The Cello Concerto op. 129 (composed 1850, published 1854) is a late work based on classical models that has earned a place...
Journal Article
Journal of Music Theory (1 October 2011) 55 (2): 253–264.
Published: 01 October 2011
..., OR : Amadeus Press . Fussell Paul . [1965] 1979 . Poetic Meter and Poetic Form , rev. ed. New York : McGraw-Hill . Georgiades Thrasybulos . 1967 . Schubert: Musik und Lyrik . Göttingen : Vandenhoeck and Ruprecht . Hallmark Rufus . 1996 . “ Robert Schumann: The...
Journal Article
Journal of Music Theory (1 October 2004) 48 (2): 337–354.
Published: 01 October 2004
...: Pendragon. Krause, Emil. 1891 . “Johannes Brahms als Instrumentalcomponist.” Neue Zeitschrift für Musik 87/11 ( 18 March ): 121 -3. Litzmann, Berthold. 1913 . Clara Schumann: An Artist's Life from Diaries and Letters , trans. and ed. Grace E. Hadow. London: Macmillan. ____. 1927...
Journal Article
Journal of Music Theory (1 April 2019) 63 (1): 103–138.
Published: 01 April 2019
... analisi e teoria musicale 21 , no. 2 : 115 – 28 . Brown Julie Hedges . 2011 . “ Schumann and the Style Hongrois .” In Rethinking Schumann , edited by Kok Roe-Min Tunbridge Laura , 265 – 99 . New York : Oxford University Press . Burstein L. Poundie . 2011 . “ True or...
Journal Article
Journal of Music Theory (1 April 2004) 48 (1): 25–68.
Published: 01 April 2004
.... Norton & Company, Inc. Burkhart, Charles. 1990 . “Departures from the Norm in Two Songs from Schumann's Liederkreis.” In Schenker Studies , ed. Hedi Siegel. Cambridge: Cambridge University Press. Burnham, Scott. 1999 . “How Music Matters: Poetic Content Revisited.” In Rethinking Music , ed...
Journal Article
Journal of Music Theory (1 October 2014) 58 (2): 103–154.
Published: 01 October 2014
... Music .” In Brahms Studies: Analytical and Historical Perspectives , ed. Bozarth George S. , 331 – 44 . Oxford : Clarendon . Finson Jon . 1990 . “ Schumann’s Mature Style and the ‘Album of Songs for the Young.’ ” Journal of Musicology 8/2 : 227 – 50 . Fox Anthony...
Journal Article
Journal of Music Theory (1 October 2001) 45 (2): 483–487.
Published: 01 October 2001
.... Schenker Studies 2: 120. 16. Schenker Studies 2: 122. 17. The “twelve” included J.S. Bach, Handel, D. Scarlatti, C.P.E. Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, Mendelssohn, Schumann, and Brahms. 18. For Schenkerian studies involving the music of Gabriel Fauré, see: Taylor Greer, “Modal...
Journal Article
Journal of Music Theory (1 October 2006) 50 (2): 211–251.
Published: 01 October 2006
...- nant harmony (Grieg’s and Schumann’s piano concertos), or another har- mony (the cadenza from Rachmaninov’s Piano Concerto in F≥ minor, I, opens with an applied ii /iv). Others fail to expand V, preferring a prolongation of tonic (Dvorak’s “Quasi Cadenza” in the...
Journal Article
Journal of Music Theory (1 October 2017) 61 (2): 289–296.
Published: 01 October 2017
... Andreas . 1517 . Musice active micrologus . Leipzig : Valentin Schumann . Praetorius Michael . 1618 . Syntagma musicum . Vol. 3 . Wolfenbüttel : Elias Holwein . Facs. Kassel: Bärenreiter, 1958–59 . Zarlino Gioseffo . 1558 . Le istitutioni harmoniche . Venice: N.p. Facs...
Journal Article
Journal of Music Theory (1 April 2000) 44 (1): 81–99.
Published: 01 April 2000
... within a tradition of intervention that stretched back to Schumann’s time; Riemann had also published both NZfM essays pseudonymously, ensuring that his name literally was not on the line—but to gain ground at the university, where his standing seems to have been in serious decline. For reasons that...
Journal Article
Journal of Music Theory (1 October 2013) 57 (2): 245–286.
Published: 01 October 2013
... corresponds to the number of regular periodicities that occur between each important event. Krebs’s own example, a dissonance from the “Préambule” from Schumann’s Carnaval, appears below as Example 2. In the right hand of the piano, three quarter notes separate the important events that coincide with...
Journal Article
Journal of Music Theory (1 April 2016) 60 (1): 1–21.
Published: 01 April 2016
... harmonic progression. A more complex example appears in Schumann’s C-major Piano Fan- tasy, op. 17/i, whose dominant-oriented opening theme occurs six times throughout the movement: four times in C and two in E . Only in its final appearance...
Journal Article
Journal of Music Theory (1 April 2009) 53 (1): 57–94.
Published: 01 April 2009
... and the Problem of Its Identity . Translated by Adam Czerniawski. Edited by Jean G. Harrell. Berkeley: University of California Press. Krebs, Harald. 1999 . Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann . Oxford: Oxford University Press. ———. 2003 . “Metrical Dissonance...
Includes: Supplementary data
Journal Article
Journal of Music Theory (1 April 2013) 57 (1): 131–149.
Published: 01 April 2013
... some readers might interpret this flexible approach to musical units as strength, others (particularly neophyte analysts) might view it as rather arbitrary. A case in point is Agawu’s analysis of Schumann’s “Ich grolle nicht” from Dichterliebe, the first portion of which is reproduced on the...
Journal Article
Journal of Music Theory (1 April 2014) 58 (1): 67–77.
Published: 01 April 2014
... Christoph . 1802 . Musikalisches Lexikon . Frankfurt am Main : August Hermann der Jüngere . Krebs Harald . 1999 . Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann . New York : Oxford University Press . Lerdahl Fred Jackendoff Ray . 1983 . A Generative...
Journal Article
Journal of Music Theory (1 April 2018) 62 (1): 155–164.
Published: 01 April 2018
...”) puts Swinkin’s theory into practice through extended analytical case studies of three nineteenth-century compositions: a Chopin nocturne, a Beethoven quartet movement, and a Schumann Lied. These three essays aim “to demonstrate how musical structure can be used to express musical mean- ing in...
Journal Article
Journal of Music Theory (1 October 2012) 56 (2): 225–283.
Published: 01 October 2012
... italienische Oper in Musikschriften des Biedermeier .” In Werr and Brandenburg 2004 , 159 – 69 . Kaminsky Peter . 1989 . “ Principles of Formal Structure in Schumann’s Early Piano Cycles .” Music Theory Spectrum 11 : 207 – 25 . Kerman Joseph Grey Thomas S. . 1989 . “ Verdi’s...
Journal Article
Journal of Music Theory (1 October 2009) 53 (2): 191–226.
Published: 01 October 2009
... 1001, as well as accompaniments composed by Schumann and Brahms. Regarding Schumann’s realization of m. 81 in the last movement, Rothstein writes in a footnote, “Notice that, in Schumann’s version, the cadential V is reached by a slide...
Journal Article
Journal of Music Theory (1 April 2006) 50 (1): 111–127.
Published: 01 April 2006
... methodological matters in part 2. The seven previously unpublished essays address the music of Mozart, Schubert, Clara and Robert Schumann, Brahms, and Wagner. Of these, the essay on Brahms’s duet “Die Schwestern” is the standout. It is a hermeneutic tour de force that traces the complex, nested...