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Journal Article
Journal of Music Theory (2014) 58 (1): 25–56.
Published: 01 April 2014
...Peter H. Smith Commentators have traditionally judged Schumann’s sonata forms negatively, despite recent positive reassessments. In the response to Schumann’s expositions, even two of his most insightful advocates, Linda Correll Roesner and Anthony Newcomb, portray Schumann’s designs as...
Journal Article
Journal of Music Theory (2016) 60 (1): 51–88.
Published: 01 April 2016
...Peter H. Smith Schumann's adaptations of eighteenth-century instrumental forms have long been regarded as problematic, as have the works of his late style period of the 1850s. The Cello Concerto op. 129 (composed 1850, published 1854) is a late work based on classical models that has earned a place...
Journal Article
Journal of Music Theory (2011) 55 (2): 253–264.
Published: 01 October 2011
..., OR : Amadeus Press . Fussell Paul . [1965] 1979 . Poetic Meter and Poetic Form , rev. ed. New York : McGraw-Hill . Georgiades Thrasybulos . 1967 . Schubert: Musik und Lyrik . Göttingen : Vandenhoeck and Ruprecht . Hallmark Rufus . 1996 . “ Robert Schumann: The...
Journal Article
Journal of Music Theory (2004) 48 (2): 337–354.
Published: 01 October 2004
...: Pendragon. Krause, Emil. 1891 . “Johannes Brahms als Instrumentalcomponist.” Neue Zeitschrift für Musik 87/11 ( 18 March ): 121 -3. Litzmann, Berthold. 1913 . Clara Schumann: An Artist's Life from Diaries and Letters , trans. and ed. Grace E. Hadow. London: Macmillan. ____. 1927...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... analisi e teoria musicale 21 , no. 2 : 115 – 28 . Brown Julie Hedges . 2011 . “ Schumann and the Style Hongrois .” In Rethinking Schumann , edited by Kok Roe-Min Tunbridge Laura , 265 – 99 . New York : Oxford University Press . Burstein L. Poundie . 2011 . “ True or...
Journal Article
Journal of Music Theory (2004) 48 (1): 25–68.
Published: 01 April 2004
.... Norton & Company, Inc. Burkhart, Charles. 1990 . “Departures from the Norm in Two Songs from Schumann's Liederkreis.” In Schenker Studies , ed. Hedi Siegel. Cambridge: Cambridge University Press. Burnham, Scott. 1999 . “How Music Matters: Poetic Content Revisited.” In Rethinking Music , ed...
Journal Article
Journal of Music Theory (2014) 58 (2): 103–154.
Published: 01 October 2014
... (correx of “Die 7/18/14): Liebende schreibt,” first line, by Schubert, Brahms, and Mendelssohn Schumann, op. 39/1 � � � ��Mendelssohn’s� �� �� � melody�� �� likewise� � has three� strong�� �� beats� (counting�� the...
Journal Article
Journal of Music Theory (2001) 45 (2): 483–487.
Published: 01 October 2001
.... Schenker Studies 2: 120. 16. Schenker Studies 2: 122. 17. The “twelve” included J.S. Bach, Handel, D. Scarlatti, C.P.E. Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, Mendelssohn, Schumann, and Brahms. 18. For Schenkerian studies involving the music of Gabriel Fauré, see: Taylor Greer, “Modal...
Journal Article
Journal of Music Theory (2006) 50 (2): 211–251.
Published: 01 October 2006
..., however, many cadenzas do not conform to the prototype sketched out above. Some open with the dominant in root position (Mendelssohn’s Violin Concerto in D minor, III), a predomi- nant harmony (Grieg’s and Schumann’s piano concertos), or another har...
Journal Article
Journal of Music Theory (2017) 61 (2): 289–296.
Published: 01 October 2017
... Andreas . 1517 . Musice active micrologus . Leipzig : Valentin Schumann . Praetorius Michael . 1618 . Syntagma musicum . Vol. 3 . Wolfenbüttel : Elias Holwein . Facs. Kassel: Bärenreiter, 1958–59 . Zarlino Gioseffo . 1558 . Le istitutioni harmoniche . Venice: N.p. Facs...
Journal Article
Journal of Music Theory (2000) 44 (1): 81–99.
Published: 01 April 2000
... within a tradition of intervention that stretched back to Schumann’s time; Riemann had also published both NZfM essays pseudonymously, ensuring that his name literally was not on the line—but to gain ground at the university, where his standing seems to have been in serious decline. For reasons that...
Journal Article
Journal of Music Theory (2013) 57 (2): 245–286.
Published: 01 October 2013
... corresponds to the number of regular periodicities that occur between each important event. Krebs’s own example, a dissonance from the “Préambule” from Schumann’s Carnaval, appears below as Example 2. In the right hand of the piano, three quarter notes separate the important events that coincide with...
Journal Article
Journal of Music Theory (2016) 60 (1): 1–21.
Published: 01 April 2016
... one to choose the more unorthodox 4ˆ–3ˆ. In either case,♭ however, the top voice is incomplete, mirroring Brahms’s incomplete harmonic progression. A more complex example appears in Schumann’s C-major Piano Fan- tasy, op. 17/i, whose dominant...
Journal Article
Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
... and the Problem of Its Identity . Translated by Adam Czerniawski. Edited by Jean G. Harrell. Berkeley: University of California Press. Krebs, Harald. 1999 . Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann . Oxford: Oxford University Press. ———. 2003 . “Metrical Dissonance...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2013) 57 (1): 131–149.
Published: 01 April 2013
... of Mahler’s Fourth Symphony (77–82). Though some readers might interpret this flexible approach to musical units as strength, others (particularly neophyte analysts) might view it as rather arbitrary. A case in point is Agawu’s analysis of Schumann’s “Ich grolle nicht” from Dichterliebe, the...
Journal Article
Journal of Music Theory (2014) 58 (1): 67–77.
Published: 01 April 2014
... Christoph . 1802 . Musikalisches Lexikon . Frankfurt am Main : August Hermann der Jüngere . Krebs Harald . 1999 . Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann . New York : Oxford University Press . Lerdahl Fred Jackendoff Ray . 1983 . A Generative...
Journal Article
Journal of Music Theory (2018) 62 (1): 155–164.
Published: 01 April 2018
...”) puts Swinkin’s theory into practice through extended analytical case studies of three nineteenth-century compositions: a Chopin nocturne, a Beethoven quartet movement, and a Schumann Lied. These three essays aim “to demonstrate how musical structure can be used to express musical mean- ing in...
Journal Article
Journal of Music Theory (2020) 64 (2): 283–291.
Published: 01 October 2020
... György Ligeti (and even includes a brief composition by Hatten himself). While it mainly focuses on instrumental works, Hatten considers songs by Robert Schumann, Debussy, and Fauré often bringing out agen- tial roles for the accompaniment and operas by Wagner, Shostakovich, and Schoenberg. The scope of...
Journal Article
Journal of Music Theory (2012) 56 (2): 225–283.
Published: 01 October 2012
... Europe, with effects that can be heard in the music of his successors. Under- standing Bellini can help us to understand not only Donizetti and Verdi but also Schumann and Wagner.3 Scores for all operas discussed in this essay may be found online at the...
Journal Article
Journal of Music Theory (2009) 53 (2): 191–226.
Published: 01 October 2009
... 1001, as well as accompaniments composed by Schumann and Brahms. Regarding Schumann’s realization of m. 81 in the last movement, Rothstein writes in a footnote, “Notice that, in Schumann’s version, the cadential V is reached by a slide...