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schubert

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Journal Article
Journal of Music Theory (2006) 50 (2): 143–179.
Published: 01 October 2006
...Peter H. Smith Associative harmony functions as a powerful resource through which Schubert and Brahms fashion continuities within the dialectic of articulation and continuity that stands at the heart of the Viennese sonata style. More specifically, the technique of harmonic cross-reference provides...
Journal Article
Journal of Music Theory (2006) 50 (2): 253–275.
Published: 01 October 2006
...David Damschroder A diverse selection of wondrously creative renderings by Franz Schubert of the ascending 5-6 sequence serves as the foundation for a reevaluation of the procedure and of the analytical tools used to describe it and to assess its role within a musical and (for texted music...
Journal Article
Journal of Music Theory (2000) 44 (2): 451–485.
Published: 01 October 2000
...Lauri Suurpää THE PATH FROM TONIC TO DOMINANT IN THE SECOND MOVEMENT OF SCHUBERT’S STRING QUINTET AND IN CHOPIN’S FOURTH BALLADE Lauri Suurpää Introduction In Free Composition Schenker...
Journal Article
Journal of Music Theory (2012) 56 (1): 53–86.
Published: 01 April 2012
...René Rusch Schubert’s Drei Klavierstücke , D. 946 (c. 1828, pub. 1868), raise several questions regarding their compositional genesis and editorial processes. Most peculiar is Schubert’s omission of an entire C section in A♭ major of what was originally to be a five-part rondo form (A–B–A–C...
Journal Article
Journal of Music Theory (2015) 59 (1): 121–181.
Published: 01 April 2015
...Jason Yust This article introduces a type of harmonic geometry, Fourier phase space, and uses it to advance the understanding of Schubert’s tonal language and comment upon current topics in Schubert analysis. The space derives from the discrete Fourier transform on pitch-class sets developed...
Journal Article
Journal of Music Theory (2020) 64 (2): 241–281.
Published: 01 October 2020
... contrast the perspectives of both types of movable- do solfège users. This argument aligns with recent reevaluations of Jacques Handschin’s tone character (Clampitt and Noll 2011; Noll 2016b) and suggests a path of reconciliation in the ongoing solfège debate. Close readings of Franz Schubert’s Impromptu...
Journal Article
Journal of Music Theory (2001) 45 (1): 119–143.
Published: 01 April 2001
...Gordon Sly 2001 © Yale University, New Haven, Connecticut 06520 2001 SCHUBERT’S INNOVATIONS IN SONATA FORM: COMPOSITIONAL LOGIC AND STRUCTURAL INTERPRETATION* Gordon Sly In his 1927 monograph “Franz Schubert,” Donald...
Journal Article
Journal of Music Theory (2019) 63 (2): 209–229.
Published: 01 October 2019
... presents a taxonomy of six compositional strategies for making tonal alterations: alterations in silence, immediate alterations, thick alterations, multiple alterations, alterations without adjustment, and self-effacing alterations. Keywords Formenlehre, recapitulations, sonata theory, Schubert Despite...
Journal Article
Journal of Music Theory (2001) 45 (1): 144–150.
Published: 01 April 2001
... in the Sonata Practice of Franz Schubert (Ph. D. Dissertation, Eastman School of Music of the University of Rochester, 1994), which was advised by David Beach. I should like to acknowledge his deep influ- ence on the ideas presented here. 1. D. F. Tovey, Franz Schubert (Music and Letters, 1927), rpt...
Journal Article
Journal of Music Theory (2000) 44 (1): 1–43.
Published: 01 April 2000
...- cal challenges they pose, but also for their artistic consequences. The sec- ond movement of Schubert’s A-major Piano Sonata, D. 664, the scherzo of his Cello Quintet, D. 956, and the first movement of Brahms’s Clarinet Trio, op. 114, demonstrate the impact melodic-harmonic conflicts can have...
Journal Article
Journal of Music Theory (2001) 45 (2): 457–469.
Published: 01 October 2001
... analyzing vocal music from a Schenkerian perspective. These particular essays, which focus on four songs by Schubert and an aria from Mozart’s Don Giovanni, highlight Schachter’s concern with text setting and expressiv- ity in music. The final group, “Analytical Monographs,” presents detailed readings...
Journal Article
Journal of Music Theory (2013) 57 (1): 151–158.
Published: 01 April 2013
... century and finds precedents for Beethoven’s thematic processes in the music of Haydn, Clementi, and Mozart. Chapters 4 and 5 reflect upon the relationship between analysis and performance with reference to Beethoven’s “Bridgetower” sonata (aka the “Kreutzer”) and Schubert’s Piano Sonata...
Journal Article
Journal of Music Theory (2004) 48 (2): 337–354.
Published: 01 October 2004
..., “Schubert’s Promissory Note: An Exercise in Musical Hermeneutics” (1986), beginning with observa- tions about musical structure and building an interpretation out of these observations. The book is divided into two main parts, reflecting the method’s bipartite approach. The first concerns the structure...
Journal Article
Journal of Music Theory (2011) 55 (2): 253–264.
Published: 01 October 2011
... . New York : Norton . Dürr Walther . 1984 . Das deutsche Sololied im 19. Jahrhundert: Untersuchungen zu Sprache und Musik . Wilhelmshaven : Heinrichshofen . Feil Arnold . [1975] 1988 . Franz Schubert: Die schöne Müllerin, Winterreise . Trans. Sherwin Ann C. . Portland...
Journal Article
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
..., C. F. Peters, E. W. Fritzsch und Robert Lienau . Vol. 14 . Berlin : Deutsche Brahms-Gesellschaft mbH . Reprinted as Johannes Brahms Briefwechsel. Vol. 14. Edited by Max Kalbeck. Tutzing: Schneider, 1974 . Beach David . 1998 . “ Modal Mixture and Schubert’s Harmonic Practice .” Journal...
Journal Article
Journal of Music Theory (2004) 48 (1): 25–68.
Published: 01 April 2004
... that closes Schubert’s “Gute Nacht Example 1 represents what I (1991a, 202) have referred to as the Gehenlinie, the line as a path to be pursued. In Wolf, the singer asks the Christ child to guide her to the Nativity; this journey is interrupted at times by difficulties, particularly in the sin...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... Antonin Dvořák Schenkerian analysis Works Cited Aldwell Edward Schachter Carl . 2011 . Harmony and Voice Leading . 4th ed. Boston : Schirmer, Cengage Learning . Beach David . 1993 . “ Schubert’s Experiments with Sonata Form: Formal-Tonal Design versus Underlying...
Journal Article
Journal of Music Theory (2014) 58 (2): 103–154.
Published: 01 October 2014
... of stops and enjambments, and the contour of vocal inflection. These aspects of speech belong to the domain of phonology. There are many fine analyses of rhythm and declamation in German lyric song. One thinks of the subtle readings of Schubert songs...
Journal Article
Journal of Music Theory (2013) 57 (1): 131–149.
Published: 01 April 2013
... graduate students who are inter­ ested in the practice of music analysis” (v) a detailed look at works by Bee­ thoven, Schubert, Mendelssohn, Chopin, Liszt, Brahms, and Mahler, while setting up an analytic methodology treating music as a discourse (indebted to “Schenker, Ratner, Adorno...
Journal Article
Journal of Music Theory (1999) 43 (1): 135–163.
Published: 01 April 1999
... resistant to any single analyti- cal bias. The book orders its essays chronologically, beginning with one on Schubert, followed by two on Chopin, and a larger group on later nine- teenth- and early twentieth-century composers. (Wagner, Liszt, Bruckner, Debussy, Wolf, Mahler, Schoenberg, and Pfitzner...