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Journal Article
Journal of Music Theory (2006) 50 (2): 143–179.
Published: 01 October 2006
...Peter H. Smith Associative harmony functions as a powerful resource through which Schubert and Brahms fashion continuities within the dialectic of articulation and continuity that stands at the heart of the Viennese sonata style. More specifically, the technique of harmonic cross-reference provides...
Journal Article
Journal of Music Theory (2006) 50 (2): 253–275.
Published: 01 October 2006
...David Damschroder A diverse selection of wondrously creative renderings by Franz Schubert of the ascending 5-6 sequence serves as the foundation for a reevaluation of the procedure and of the analytical tools used to describe it and to assess its role within a musical and (for texted music...
Journal Article
Journal of Music Theory (2012) 56 (1): 53–86.
Published: 01 April 2012
...René Rusch Schubert’s Drei Klavierstücke , D. 946 (c. 1828, pub. 1868), raise several questions regarding their compositional genesis and editorial processes. Most peculiar is Schubert’s omission of an entire C section in A♭ major of what was originally to be a five-part rondo form (A–B–A–C–A) in...
Journal Article
Journal of Music Theory (2015) 59 (1): 121–181.
Published: 01 April 2015
...Jason Yust This article introduces a type of harmonic geometry, Fourier phase space, and uses it to advance the understanding of Schubert’s tonal language and comment upon current topics in Schubert analysis. The space derives from the discrete Fourier transform on pitch-class sets developed by...
Journal Article
Journal of Music Theory (2001) 45 (1): 119–143.
Published: 01 April 2001
...Gordon Sly 2001 © Yale University, New Haven, Connecticut 06520 2001 SCHUBERT’S INNOVATIONS IN SONATA FORM: COMPOSITIONAL LOGIC AND STRUCTURAL INTERPRETATION* Gordon Sly In his 1927 monograph “Franz Schubert,” Donald...
Journal Article
Journal of Music Theory (2000) 44 (2): 451–485.
Published: 01 October 2000
... . “Grief in Winterreise:A Schenkerian Perspective.” Music Analysis 9 / 2 : 157 –75. Hepokoski, James. 1993 . Sibelius: Symphony No. 5 . Cambridge: Cambridge University Press. Levenson, Irene Montefior. 1981 . Motivic-Harmonic Transference in the Late Works of Schubert: Chromaticism in Large...
Journal Article
Journal of Music Theory (2020) 64 (2): 241–281.
Published: 01 October 2020
... contrast the perspectives of both types of movable- do solfège users. This argument aligns with recent reevaluations of Jacques Handschin’s tone character (Clampitt and Noll 2011; Noll 2016b) and suggests a path of reconciliation in the ongoing solfège debate. Close readings of Franz Schubert’s Impromptu...
Journal Article
Journal of Music Theory (2019) 63 (2): 209–229.
Published: 01 October 2019
... self-effacing alterations. © 2019 by Yale University 2019 Formenlehre recapitulations sonata theory Schubert Works Cited Adorno Theodor W. 1976 . Introduction to the Sociology of Music , translated by Ashton E. B. New York : Seabury . Adorno Theodor W...
Journal Article
Journal of Music Theory (2001) 45 (1): 144–150.
Published: 01 April 2001
... continuation of work begun with my dissertation, An Emerging Symbiosis of Structure and Design in the Sonata Practice of Franz Schubert (Ph. D. Dissertation, Eastman School of Music of the University of Rochester, 1994), which was advised by David Beach. I should like to acknowledge his deep influ- ence on...
Journal Article
Journal of Music Theory (2001) 45 (2): 457–469.
Published: 01 October 2001
... particular essays, which focus on four songs by Schubert and an aria from Mozart’s Don Giovanni, highlight Schachter’s concern with text setting and expressiv- ity in music. The final group, “Analytical Monographs,” presents detailed readings of two specific works: Bach’s Fugue in B≤ Minor, from WTC I...
Journal Article
Journal of Music Theory (2013) 57 (1): 151–158.
Published: 01 April 2013
... Schubert’s Piano Sonata in A minor, D. 845, and advocate recourse to the experiential input of perform- ers when confronting the thematic and structural ambiguities forged by form-as-process. Chapters 6–9 examine the various technical means by which Schubert, Mendelssohn, Chopin, and Schumann...
Journal Article
Journal of Music Theory (2019) 63 (1): 145–152.
Published: 01 April 2019
... Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert . Bloomington : Indiana University Press . Lester Joel . 2001 . “ Heightening Levels of Activity and J. S. Bach’s Parallel-Section Constructions .” Journal of the American Musicological Society 54 , no. 1 : 49 – 96 . Monelle...
Journal Article
Journal of Music Theory (2000) 44 (1): 1–43.
Published: 01 April 2000
...-voice conflicts are worthy of attention not only for the analyti- cal challenges they pose, but also for their artistic consequences. The sec- ond movement of Schubert’s A-major Piano Sonata, D. 664, the scherzo of his Cello Quintet, D. 956, and the first movement of Brahms’s Clarinet Trio, op. 114...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... Mendelssohn Antonin Dvořák Schenkerian analysis Works Cited Aldwell Edward Schachter Carl . 2011 . Harmony and Voice Leading . 4th ed. Boston : Schirmer, Cengage Learning . Beach David . 1993 . “ Schubert’s Experiments with Sonata Form: Formal-Tonal Design versus Underlying...
Journal Article
Journal of Music Theory (2004) 48 (2): 337–354.
Published: 01 October 2004
... Companion to Brahms , ed. Michael Musgrave, 98 -132. Cambridge: Cambridge University Press. Cone, Edward T. 1986 . “Schubert's Promissory Note: An Exercise in Musical Hermeneutics.” In Schubert: Critical and Analytical Studies , ed. Walter Frisch, 13 -30. Lincoln: University of Nebraska Press...
Journal Article
Journal of Music Theory (2011) 55 (2): 253–264.
Published: 01 October 2011
... . New York : Norton . Dürr Walther . 1984 . Das deutsche Sololied im 19. Jahrhundert: Untersuchungen zu Sprache und Musik . Wilhelmshaven : Heinrichshofen . Feil Arnold . [1975] 1988 . Franz Schubert: Die schöne Müllerin, Winterreise . Trans. Sherwin Ann C. . Portland...
Journal Article
Journal of Music Theory (2004) 48 (1): 25–68.
Published: 01 April 2004
... . Wagner's Das Rheingold. New York: Oxford University Press. Darwin, Charles. [1872] 1998 . The Expression of the Emotions in Man and Animals . New York: Oxford University Press. Daverio, John. 2002 . Crossing Paths: Schubert, Schumann & Brahms . New York: Oxford University Press. Everett...
Journal Article
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
.... F. Peters, E. W. Fritzsch und Robert Lienau . Vol. 14 . Berlin : Deutsche Brahms-Gesellschaft mbH . Reprinted as Johannes Brahms Briefwechsel. Vol. 14. Edited by Max Kalbeck. Tutzing: Schneider, 1974 . Beach David . 1998 . “ Modal Mixture and Schubert’s Harmonic Practice .” Journal of...
Journal Article
Journal of Music Theory (2013) 57 (1): 131–149.
Published: 01 April 2013
... beginning graduate students who are inter­ ested in the practice of music analysis” (v) a detailed look at works by Bee­ thoven, Schubert, Mendelssohn, Chopin, Liszt, Brahms, and Mahler, while setting up an analytic methodology treating music as a discourse (indebted to “Schenker, Ratner, Adorno, and...
Journal Article
Journal of Music Theory (2001) 45 (2): 483–487.
Published: 01 October 2001
.... Schenker Studies 2: 120. 16. Schenker Studies 2: 122. 17. The “twelve” included J.S. Bach, Handel, D. Scarlatti, C.P.E. Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, Mendelssohn, Schumann, and Brahms. 18. For Schenkerian studies involving the music of Gabriel Fauré, see: Taylor Greer, “Modal...