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schoenberg

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Journal Article
Journal of Music Theory (2011) 55 (1): 89–146.
Published: 01 April 2011
...Matthew Arndt As a comparative reading informed by recent work in integration theory and metaphor theory shows, Heinrich Schenker's and Arnold Schoenberg's Harmonielehren adumbrate broader theories of composition based in part on a conception of the tone as a partly unconsciously perceived, living...
Journal Article
Journal of Music Theory (2003) 47 (1): 155–214.
Published: 01 April 2003
...Kathryn Whitney Adams, Courtney S. “Techniques of Rhythmic Coherence in Schoenberg's Atonal Instrumental Works.” Journal of Musicology 11/3 ( 1993 ): 330 -56. Adorno, T. W. Philosophy of Modern Music . Trans. A. G. Mitchell and W. V. Bloomster. New York: Seabury, 1973 . Ashby...
Journal Article
Journal of Music Theory (2016) 60 (2): 263–279.
Published: 01 October 2016
...Zachary Bernstein Zachary Bernstein is assistant professor of music theory at the Eastman School of Music. He received the 2014 Patricia Carpenter Emerging Scholar Award from the Music Theory Society of New York State. Boss Jack . Schoenberg's Twelve-Tone Music: Symmetry...
Journal Article
Journal of Music Theory (2018) 62 (2): 369–370.
Published: 01 October 2018
...Charlotte M. Cross Works Cited Bernstein Zachary . 2016 . Review of Schoenberg’s Twelve-Tone Music: Symmetry and the Musical Idea, by Jack Boss . Journal of Music Theory 60 / 2 : 263 – 79 . Boss Jack . 2000–2001 . “ The ‘Musical Idea’ and Global Coherence...
Journal Article
Journal of Music Theory (2019) 63 (1): 71–102.
Published: 01 April 2019
...Áine Heneghan Liquidation is an idiosyncratic term in music theory. This article considers its origins in the writings and teaching of Arnold Schoenberg. Tracing its history uncovers the resonances that it held for him and refines our understanding of the term. Paying close attention...
Journal Article
Journal of Music Theory (2013) 57 (2): 193–243.
Published: 01 October 2013
... scales from functional harmony. After defining “absolute color” in the context of Gluck’s orchestration, Ernst Kurth demonstrates how “absolute” wind instrument colors delineate “absolute” “destructive” harmonic colors in Wagner’s Tristan instrumentation. Finally, Arnold Schoenberg’s functional...
Journal Article
Journal of Music Theory (2006) 50 (1): 77–101.
Published: 01 April 2006
... Fanny Mendelssohn Hensel's setting of Bach's “Das alte Jahr” in the concluding “Nachspiel” of her piano song cycle, Das Jahr , as suggesting interactions of public and private sonic worlds. I follow potential tonal-harmonic alternatives (after Schoenberg and Berg on the chorale) and implications...
Journal Article
Journal of Music Theory (2011) 55 (1): 43–88.
Published: 01 April 2011
...-Riemannian L, P, and R) preserve common tones. Sequential enchaining of contextual inversions will generally define simple, straight-line motions within the spaces described in this article. The musical motions of works by Webern, Schoenberg, and Stravinsky are measured against the systematic standard...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2016) 60 (1): 1–21.
Published: 01 April 2016
... main claim, that three songs by Hugo Wolf ending on nontonic chords suggest that they contain Schenkerain prolongations, being at once dissonant and tonal. The article ends by considering three tonal works by Brahms, Debussy, and Schoenberg that, though tonal and not completely dissonant, contain...
Journal Article
Journal of Music Theory (2016) 60 (2): 181–212.
Published: 01 October 2016
...Philip Stoecker In this article I investigate aligned cycles. First identified by Alban Berg in a letter to Arnold Schoenberg and later discussed by George Perle and David Headlam, an aligned cycle is when two (or more) interval cycles unfold in the same direction in a note-against-note alignment...
Journal Article
Journal of Music Theory (2011) 55 (2): 265–270.
Published: 01 October 2011
.... Frankfurt am Main: Suhrkamp. Engl. trans. of pp. 49–208, “Philosophie der Musik,” by Peter Palmer in Bloch, Essays on the Philosophy of Music , ed. Drew David , 1 – 139 . Cambridge : Cambridge University Press , 1985 . Covach John . 1996 . “ The Sources of Schoenberg’s ‘Aesthetic...
Journal Article
Journal of Music Theory (2010) 54 (1): 25–36.
Published: 01 April 2010
... . New York : New Directions . Boulez Pierre . [ 1952 ] 1991 . `` Schoenberg Is Dead .'' Reprinted in Stocktakings from an Apprenticeship , ed. Thévenin Paul , trans. Walsh Stephen , 209 – 15 . Oxford : Clarendon . Cavell Stanley . 1969 . `` Music Discomposed...
Journal Article
Journal of Music Theory (2014) 58 (1): 57–65.
Published: 01 April 2014
... Twelve-Tone Duality .” Journal of Musicology 25 : 183 – 210 . Auner Joseph . 2005 . “ Composing on Stage: Schoenberg and the Creative Process as Public Performance .” 19th-Century Music 29 : 64 – 93 . Benjamin William . 1979 . “ Ideas of Order in Motivic Music .” Music...
Journal Article
Journal of Music Theory (2010) 54 (1): 121–140.
Published: 01 April 2010
... of My Future: The Schoenberg Quartets and Trio , ed. Brinkman Reinhold Wolf Christoph , 175 – 83 . Cambridge, MA : Harvard University Press . ———. 2006 . `` A Scale of Eternity .'' In Late Thoughts , ed. Painter Karen Crowe Thomas , 207 – 14 . Los Angeles : Getty...
Journal Article
Journal of Music Theory (2004) 48 (1): 69–98.
Published: 01 April 2004
... . The Structure of Atonal Music . New Haven: Yale University Press. Friedmann, Michael L. 1985 . “A Methodology for the Discussion of Contour: Its Application to Schoenberg's Music.” Journal of Music Theory 29/2 : 223 -48. Gell-Mann, Murray. 1960 . The Quark and the Jaguar . New York: W. H. Freeman...
Journal Article
Journal of Music Theory (1999) 43 (2): 349–358.
Published: 01 October 1999
... Schoenberg’s well-known collected writings and more particularly the article “New Music, Outmoded Music, Style and Idea” (1933, rev. 1946).4 Schoenberg wrote here that “Style is the quality of a work and is based on natural conditions, expressing him who produced it” and that idea is “the totality...
Journal Article
Journal of Music Theory (2001) 45 (1): 31–71.
Published: 01 April 2001
... of transforms (P, I, R, RI) to participate in the enlargement process.19 Twelve-tone music. We shall now examine an enlargement procedure in Schoenberg’s Piano Concerto, op. 42. In this context the ordered string is the tone row shown in Example 8a. As is customary in his “American period” works...
Journal Article
Journal of Music Theory (2005) 49 (1): 45–108.
Published: 01 April 2005
... University Press. Lewin, David. 1979–80 . “A Response to a Response: On PCSet Relatedness.” Perspectives of New Music 18 / 1–2 : 498 –502. ———. 1994 . “A Tutorial on Klumpenhouwer Networks, Using the Chorale in Schoenberg's Opus 11, No. 2.” Journal of Music Theory 38 : 79 –102. ———. 1998...
Journal Article
Journal of Music Theory (1999) 43 (2): 193–230.
Published: 01 October 1999
...,” Music Theory Spectrum 12 /1 ( 1990 ): 83 –120. Lewin, David. “A Tutorial on Klumpenhouwer Networks, Using the Chorale in Schoenberg's Op. 11, No. 2,” Journal of Music Theory 38 /1 ( 1994 ): 79 –101. Mead, Andrew. “Webern, Tradition, and `Composing with Twelve Tones',” Music Theory Spectrum...
Journal Article
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
...’ Representations .” Journal of Music Theory 41 / 1 : 1 – 66 . Cohn Richard . 2012 . Audacious Euphony: Chromatic Harmony and the Triad’s Second Nature . New York : Oxford University Press . Covach John . 1992 . “ Schoenberg and the Occult: Some Reflections on the Musical Idea .” Theory...