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schenker

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Journal Article
Journal of Music Theory (2001) 45 (2): 470–483.
Published: 01 October 2001
...James William Sobaskie Schenker Studies 2 edited by Carl Schachter and Hedi Siegel New York: Cambridge University Press, 1999 xiv, 319 pp. REVIEWER James William Sobaskie Surely most of us...
Journal Article
Journal of Music Theory (2016) 60 (1): 89–95.
Published: 01 April 2016
...Matthew Arndt REVIEW Robert P. Morgan Becoming Heinrich Schenker: Music Theory and Ideology Cambridge University Press, 2014: xx+275 pp. ($99.00 cloth) Matthew Arndt Robert P. Morgan’s Becoming Heinrich Schenker: Music Theory...
Journal Article
Journal of Music Theory (2017) 61 (1): 59–109.
Published: 01 April 2017
...Bryan J. Parkhurst Schenker has a puzzling and controversial habit of claiming that musical works must be as they are and that their features are somehow necessary . I argue that Schenker's necessitarianism becomes comprehensible if it is recognized as an outgrowth of his methodological organicism...
Journal Article
Journal of Music Theory (2001) 45 (1): 151–162.
Published: 01 April 2001
...John Rothgeb Heinrich Schenker: Nach Tagebüchern und Briefen in der Oswald Jonas Memorial Collection, University of California, Riverside Hellmut Federhofer Studien zur Musikwissenschaft vol. 3 Hildesheim: Georg Olms, 1985 ix, 380 pp. 2001 © Yale University, New Haven, Connecticut 06520...
Journal Article
Journal of Music Theory (2001) 45 (1): 162–169.
Published: 01 April 2001
...Roger Kamien The Masterwork in Music: A Yearbook , 3 vols. Heinrich Schenker edited by William Drabkin translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies in Music Theory and Analysis vols. 5, 8, and 10 Ian Bent, general...
Journal Article
Journal of Music Theory (2001) 45 (1): 170–176.
Published: 01 April 2001
...Leslie Kinton The Art of Performance Heinrich Schenker edited by Heribert Esser translated by Irene Schreier Scott New York: Oxford Univ. Press, 2000 xxvii, 101 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 The Art of Performance Heinrich Schenker edited by Heribert...
Journal Article
Journal of Music Theory (2001) 45 (1): 204–227.
Published: 01 April 2001
...William Rothstein Articles on Schenker and Schenkerian theory in The New Grove Dictionary of Music and Musicians , 2nd edition edited by Stanley Sadie executive editor John Tyrrell New York: Grove's Dictionaries, 2001 also available online (by subscription) at <> 2001 © Yale...
Journal Article
Journal of Music Theory (2011) 55 (1): 89–146.
Published: 01 April 2011
...Matthew Arndt As a comparative reading informed by recent work in integration theory and metaphor theory shows, Heinrich Schenker's and Arnold Schoenberg's Harmonielehren adumbrate broader theories of composition based in part on a conception of the tone as a partly unconsciously perceived, living...
Journal Article
Journal of Music Theory (1999) 43 (1): 101–133.
Published: 01 April 1999
...David Smyth 1999 © Yale University, New Haven, Connecticut 06520 1999 SCHENKER’S OCTAVE LINES RECONSIDERED David Smyth Of three background configurations formulated by Schenker, the Ur- linie that descends through an entire octave...
Journal Article
Journal of Music Theory (2001) 45 (1): 176–190.
Published: 01 April 2001
...Stephen Peles Schenker's Argument and the Claims of Music Theory Leslie D. Blasius Studies in Music Theory and Analysis vol. 9 New York: Cambridge University Press, 1996 200 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 NOTES 1...
Journal Article
Journal of Music Theory (2001) 45 (1): 190–204.
Published: 01 April 2001
...David Neumeyer Schenker's Interpretive Practice Robert Snarrenberg Studies in Music Theory and Analysis vol. 11 New York: Cambridge Univ. Press, 1997 xxiii, 175 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 of that anxiety is offered by Max Nordau (1849–1923...
Journal Article
Journal of Music Theory (2017) 61 (1): 29–57.
Published: 01 April 2017
...Diego Cubero The concept of prolongation in Schenkerian analysis broadly describes the elaboration of a vertical sonority. Among the most basic ways to prolong a chord is by arpeggiating it, such that it governs the time span of its arpeggiation. In Heinrich Schenker's writings, however...
Journal Article
Journal of Music Theory (2016) 60 (1): 1–21.
Published: 01 April 2016
...Robert P. Morgan Taking my own Schenker-derived view of dissonant prolongations as a point of departure, this article attempts to clarify this phenomenon by considering it in relation to tonal prolongation. This is accomplished in three ways: by reconsidering Schenker's mature attitude toward...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 347–363.
Published: 01 October 2002
... an article of mine in his review of “Arti- cles on Schenker and Schenkerian Theory in The New Grove Dictionary of Music and Musicians” in a recent volume of this journal (Vol. 45, No. 1 [Spring 2001], 204–26). While I am more than willing to accept honest criticism, I find his comments both irresponsible...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 364–368.
Published: 01 October 2002
... was nevertheless unprepared for William Rothstein’s sarcasm concerning an article of mine in his review of “Arti- cles on Schenker and Schenkerian Theory in The New Grove Dictionary of Music and Musicians” in a recent volume of this journal (Vol. 45, No. 1 [Spring 2001], 204–26). While I am more than willing...
Journal Article
Journal of Music Theory (2003) 47 (1): 215–222.
Published: 01 April 2003
... Schenker denies that mixture is a chromatic phe- nomenon. For the record, here is the passage in its entirety (English ed., p. 289n.; German, p. 380n I am referring here only to chromaticism in the service of tonicization, i.e., of the scale-steps of the diatonic system. That other phenomenon...
Journal Article
Journal of Music Theory (2001) 45 (1): 144–150.
Published: 01 April 2001
..., no interruption of a fundamental line in the strictest sense (no the situation is, rather, Indeed, the is maintained unabated throughout, in the background, and in fact does not really descend at all in the sense of a fundamental line (as explained below). What does this mean with regard to Schenker s concept...
Journal Article
Journal of Music Theory (2001) 45 (2): 233–261.
Published: 01 October 2001
... unity is one that is especially privileged. This bias is evident in Schenker’s the- ory, which devalues, marginalizes, or even ignores works that are not tonally unified. And yet, as many have argued, his theory can provide a useful point of departure for grasping the very music that, to some de...
Journal Article
Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
... structure: which is more important? With their different answers to this fundamental question, the resulting theories are as divergent as Heinrich Schenker's near-total emphasis on tonal structure and J. C. Lobe's equally single-minded interest in thematic design. A related and equally important question...
Journal Article
Journal of Music Theory (2006) 50 (1): 25–63.
Published: 01 April 2006
... to describe faithfully articles with multiple methods, espe- cially articles with historical or philosophical aspects. For example, Dubiel 1990 is described as both “metatheory” and “Schenker,” and no single aspect could cover it sufficiently. In principle, statistical calculations could...