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schema theory

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Journal Article
Journal of Music Theory (1 April 2015) 59 (1): 1–61.
Published: 01 April 2015
... Paul Sherrill and Matthew Boyle    Galant Recitative Schemas 3 roster. Appendix 2 demonstrates a concrete application of this theory and serves as a reservoir of examples that are discussed below. The model for this approach to eighteenth-century Italianate recitative is Music in the...
Journal Article
Journal of Music Theory (1 April 2013) 57 (1): 47–85.
Published: 01 April 2013
... . Hearing in Time: Psychological Aspects of Musical Meter . Oxford : Oxford University Press . Mandler Jean Matter . 1984 . Stories, Scripts, and Scenes: Aspects of Schema Theory . Hillsdale, NJ : Lawrence Erlbaum . Matsumoto Yo . 1986 . “ The Japanese Classifier -hon: A Prototype...
Journal Article
Journal of Music Theory (1 April 2018) 62 (1): 41–84.
Published: 01 April 2018
... Entwicklungsgeschichte des Wiener klassischen Stils .” Studien zur Musikwissenschaft 3 : 22 – 84 . Froebe Folker . 2014 . “ Schema and Function .” Music Theory and Analysis 1 / 1–2 : 121 – 40 . Gjerdingen Robert O. 1988 . A Classic Turn of Phrase: Music and the Psychology of Convention...
Journal Article
Journal of Music Theory (1 April 2013) 57 (1): 119–129.
Published: 01 April 2013
...Robert O. Gjerdingen Robert O. Gjerdingen is the author of several books, articles, and reviews in the fields of music theory, music perception, and eighteenth-century musical style. He has served on the editorial boards of Music Theory Spectrum , the Journal of Music Theory , and the...
Journal Article
Journal of Music Theory (1 October 2000) 44 (2): 323–379.
Published: 01 October 2000
... . “Forces, Containers, and Paths: The Role of Body-Derived Image Schemas in the Conceptualization of Music.” Journal of Music Theory 40 / 2 : 217 –44. ______. 1997 . “Life Forces: Conceptual Structures in Schenker's Free Composition and Schoenberg's The Musical Idea.” Theory and Practice 22 : 17...
Journal Article
Journal of Music Theory (1 April 2001) 45 (1): 204–227.
Published: 01 April 2001
... 14th-century contrapuntus diminutus onward, they link this tradition explicitly to Schenker. Their accounts of thoroughbass theory and of J. G. Sulzer’s late-18th-century compositional schema (layout-execu- tion-elaboration, or Anlage-Ausführung-Ausarbeitung), are also sugges- tive as precursors to...
Journal Article
Journal of Music Theory (1 April 2006) 50 (1): 25–63.
Published: 01 April 2006
... Schemas in the Conceptualization of Music.” Journal of Music Theory 40/2 : 217 –43. Satyendra, Ramon. 2004 . “An Informal Introduction to Some Formal Concepts from Lewin's Transformational Theory.” Journal of Music Theory 48/1 : 99 –141. Schachter, Carl E. 1969 . “More about Schubert's Op...
Journal Article
Journal of Music Theory (1 October 2010) 54 (2): 179–234.
Published: 01 October 2010
...) discors; (c) dulce 186 Journal of Music Theory Table 1. Schema of sonorities in “Quicumque voluerit duos contrapuncti” Sonority type Intervals with the tenor Interval between the added voices 1. nulla diversitas (P,P) or (I,I) octave...
Journal Article
Journal of Music Theory (1 April 2010) 54 (1): 107–120.
Published: 01 April 2010
... musical modernism. Cavell's commitment to intentions, his frustration with the preponderance of precompositional schema sustained by rationalized composition, and his preoccupation with the practice of criticism lead him to develop a humanist metaphysics built around the responsibility of third parties to...
Journal Article
Journal of Music Theory (1 April 2011) 55 (1): 89–146.
Published: 01 April 2011
... metaphors are undergirded by image schemas, which are relatively uni- versal patterns of objects and forces that are said to be abstracted from 20  On account of its wide purview, blending theory invites 21  Significant general studies in metaphor theory include the criticism...
Journal Article
Journal of Music Theory (1 April 2007) 51 (1): 5–49.
Published: 01 April 2007
... the neo-Ramellian Harmonielehre tradition. The differences are exemplified by comparing Rameau's basse fondamentale with Heinichen's fluctuating understanding of tonality. It was Heinichen who, at the start of the eighteenth century, attempted most thoroughly to conceptualize Italian music theory...
Journal Article
Journal of Music Theory (1 October 2016) 60 (2): 97–148.
Published: 01 October 2016
...Christopher Brody All theories of structure in tonal music must balance the competing claims to priority of multiple musical parameters. Most prominently, the study of tonal form has long concerned itself with how to reconcile the at times contradictory demands of thematic design and tonal...
Journal Article
Journal of Music Theory (1 April 2008) 52 (1): 13–40.
Published: 01 April 2008
...Sarah Fuller Hucbald of St. Amand's treatise Musica took shape in the late Carolingian era in a time of intense and independent music-theoretical activity. Hucbald has been recognized as a pioneer who brought elements from Greek music theory to bear upon plainsong, but his view of mode has been...
Journal Article
Journal of Music Theory (1 October 2014) 58 (2): 155–178.
Published: 01 October 2014
... intervallic pattern tends to contain more chromaticism than the first. An explanation is offered for these phenomena, using the theory of uniform information density. This theory states that communication is optimal when the density of information (the negative log of probability) maintains a consistent...
Journal Article
Journal of Music Theory (1 October 2010) 54 (2): 235–282.
Published: 01 October 2010
...” level of processing, related to consciousness, in that it plays with rules of Tonordnung —the part of eighteenth-century music theory dealing with succession of ending formulas. Consequently, it was addressed mainly to connoisseurs ( Kenner ). Phrase expansions caused by overridden and twisted caesuras...
Journal Article
Journal of Music Theory (1 October 2009) 53 (2): 227–254.
Published: 01 October 2009
... in pitch-class space , a more fine-grained alternative that specifies how one pitch class moves to another. Section 3 argues that group theory alone cannot represent the intuition that intervals have quantifiable sizes, proposing an extension to Lewin's formalism that accomplishes this goal. Finally...
Journal Article
Journal of Music Theory (1 April 2017) 61 (1): 1–28.
Published: 01 April 2017
... Kurth considers existing theories of form (those of Hugo Riemann and Alfred Lorenz in particular) inadequate for conveying the process of Erformung . Finally, it examines Kurth's 1925 analysis of the opening of Bruckner's Sixth Symphony Finale in light of Musikpsychologie . The discussion emphasizes...
Journal Article
Journal of Music Theory (1 April 2018) 62 (1): 119–144.
Published: 01 April 2018
...Naomi Waltham-Smith Haydn is known for his playful (mis)use of cadential formulas. Examining examples of this predilection and processes of cadential liquidation, this article develops a theory of the use of musical material. This entails a deconstruction of the Adornian dialectic between generic...
Journal Article
Journal of Music Theory (1 October 2012) 56 (2): 169–223.
Published: 01 October 2012
... schemata (Gjerdingen 1988a, 2007). This line of research requires that we know not only how basic elements combine to define each schema but also Journal of Music Theory  56:2, Fall 2012 DOI 10.1215/00222909-1650406  © 2012 by Yale University 169 170...
Journal Article
Journal of Music Theory (1 April 2017) 61 (1): 141.
Published: 01 April 2017
... © 2017 by Yale University 2017 ANNOUNCEMENT David Kraehenbuehl Prize The David Kraehenbuehl Prize, named for the visionary founding editor of the Journal of Music Theory, was established in 2008 and is given biennially for the best...