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schachter

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Journal Article
Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
...Kofi Agawu Schachter Carl . Edited by Straus Joseph N. , The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory , Oxford University Press , 2016 : v + 295 pp. ( $45.00 cloth) Copyright © 2018 by Yale University 2018 Works Cited Agawu Kofi . 2009...
Journal Article
Journal of Music Theory (2001) 45 (2): 457–469.
Published: 01 October 2001
...Matthew Brown; Panayotis Mavromatis Unfoldings: Essays in Schenkerian Theory and Analysis Carl Schachter edited by Joseph N. Straus New York: Oxford University Press, 1999 vi + 294 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 REVIEWS Unfoldings: Essays...
Journal Article
Journal of Music Theory (2001) 45 (2): 470–483.
Published: 01 October 2001
...James William Sobaskie Schenker Studies 2 edited by Carl Schachter and Hedi Siegel New York: Cambridge University Press, 1999 xiv, 319 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 Schenker Studies 2 edited by Carl Schachter and Hedi Siegel New York: Cambridge...
Journal Article
Journal of Music Theory (2003) 47 (1): 125–154.
Published: 01 April 2003
... , edited by Lewis Lockwood and James Webster, 166 -93. Lincoln: University of Nebraska Press. Samarotto, Frank. 1999 . “Strange Dimensions: Regularity and Irregularity in Deep Levels of Rhythmic Reduction.” In Schenker Studies 2 , edited by Carl Schachter and Hedi Siegel, 222 -38. Cambridge, UK...
Journal Article
Journal of Music Theory (2006) 50 (1): 103–110.
Published: 01 April 2006
... University Press. Lerdahl, Fred. 2001 . Tonal Pitch Space . New York: Oxford University Press. Schachter, Carl. 1999 . “Analysis by Key: Another Look at Modulation.” In Unfoldings , ed. Joseph Straus, 134 –60. New York: Oxford University Press. Originally published in Music Analysis 6 (1987): 289...
Journal Article
Journal of Music Theory (2006) 50 (2): 143–179.
Published: 01 October 2006
... Coherence in Music . New York: Dover. Schachter, Carl. 1977 . “Symposium II, Schubert, op. 94 no. 1: A Schenkerian Analysis.” In Readings in Schenker Analysis and Other Approaches , ed. Maury Yeston, 171 -84. New Haven: Yale University Press. ____. 1983 . “The First Movement of Brahms's Second...
Journal Article
Journal of Music Theory (2001) 45 (1): 162–169.
Published: 01 April 2001
...; reprint, Hildesheim: Georg Olms, 1990): 8. 3. Carl Schachter has pointed out that “only four out of the almost three hundred pieces and movements cited in Free Composition are read from” (Schachter, Un- foldings: Essays in Schenkerian Theory and Analysis, ed. Joseph N. Straus [New York...
Journal Article
Journal of Music Theory (2003) 47 (1): 215–222.
Published: 01 April 2003
... What Schenker finds most difficult are those phenomena termed “sec- ondary mixture” and “double mixture” by Edward Aldwell and Carl Schachter in their textbook Harmony and Voice Leading. (“Double mix- ture” appears also in Felix Salzer’s Structural Hearing [1952 It is not widely known...
Journal Article
Journal of Music Theory (2000) 44 (2): 451–485.
Published: 01 October 2000
... Rink and Jim Samson (eds.): Chopin Studies 2. Music Analysis 16 / 3 : 392 –99. Samson, Jim. 1992 . Chopin: The Four Ballades . Cambridge: Cambridge University Press. Schachter, Carl. 1976 . “Rhythm and Linear Analysis: A Preliminary Study.” The Music Forum IV : 281 –334. ______. 1981...
Journal Article
Journal of Music Theory (2001) 45 (2): 233–261.
Published: 01 October 2001
... Press. Sams, Eric. 1983 . The Songs of Hugo Wolf . Rev. ed. Bloomington: Indiana University Press. Samson, Jim. 1977 . Music in Transition: A Study of Tonal Expansion and Atonality, 1900-1920 . London: Dent. Schachter, Carl. 1987 . “Analysis by Key: Another Look at Modulation.” Music...
Journal Article
Journal of Music Theory (2001) 45 (1): 204–227.
Published: 01 April 2001
... Schachter’s, etc. Each of these Schenkers is subtly different—much as, from a listener’s point of view, Murray Perahia’s Chopin is not precisely the same com- poser as Krystian Zimerman’s. I cannot imagine that Schenker, who styled himself always as an artist (Künstler), would have wanted it any other way...
Journal Article
Journal of Music Theory (2004) 48 (1): 25–68.
Published: 01 April 2004
... . New York: Dover Publications. Sams, Eric. 1991 . The Songs of Hugo Wolf . Bloomington: Indiana University Press. Samson, Jim. 1977 . Music in Transition: A Study of Tonal Expansion and Atonality . New York: W. W. Norton & Company, Inc. Schachter, Carl. 1981 . “A Commentary on Free...
Journal Article
Journal of Music Theory (2006) 50 (2): 181–210.
Published: 01 October 2006
... . New York: Schirmer Books. ____. 1995 . “Analysis and the Act of Performance.” In The Practice of Performance: Studies in Musical Interpretation , ed. John Rink, 217 -40. Cambridge: Cambridge University Press. Schachter, Carl. 1990 . “Either/Or.” In Schenker Studies , ed. Hedi Siegel, 165...
Journal Article
Journal of Music Theory (2013) 57 (1): 87–118.
Published: 01 April 2013
... Reduction .” In Schenker Studies 2, ed. Schachter Carl Siegel Hedi , 222 – 38 . Cambridge : Cambridge University Press . ———. 1999b . “ A Theory of Temporal Plasticity in Tonal Music: An Extension of the Schenkerian Approach to Rhythm with Special Reference to Beethoven’s Late Music...
Journal Article
Journal of Music Theory (2014) 58 (2): 257–263.
Published: 01 October 2014
... : Yale University Press . ———. 2006 . “ Phenomenology and Modes of Perception .” In Studies in Music with Text , 53 – 108 . New York : Oxford University Press . Schachter Carl . 2008 . “ E Pluribus Unum: Large-Scale Connections in the Opening Scenes of Don Giovanni .” In Essays from...
Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
... Music: Expression, Form, and Style . New York: Schirmer. Rosen, Charles. 1971 . The Classical Style . London: Faber and Faber. Rothstein, William. 1989 . Phrase Rhythm in Tonal Music . New York: Longman. Schachter, Carl. 1976 . “Rhythm and Linear Analysis: A Preliminary Study...
Journal Article
Journal of Music Theory (2000) 44 (1): 1–43.
Published: 01 April 2000
...- trated in ex. 3. The motivic development involves not only a new tonal context and metric position, but also a reinterpretation based on the poten- tial for the melodic relationships outlined in ex. 2a.1 The circumstances in the Bach present what Carl Schachter calls an either/or situation.2...
Journal Article
Journal of Music Theory (1999) 43 (1): 101–133.
Published: 01 April 1999
... in the first volume of Das Meisterwerk in der Musik, 1925).14 Because the Ursatz is a deep abstraction, an arrhyth- mic representation of underlying elemental counterpoint, it can be some- what misleading to name specific tones from the sounding surface as “the members” of the Ursatz. As Schachter points...
Journal Article
Journal of Music Theory (2001) 45 (2): 483–487.
Published: 01 October 2001
..., “Associative Harmony: The Reciprocity of Ideas in Musical Space,” in In Theory Only, vol. 10, no.1–2 (September 1987): 31–64, Carl Schachter, “The Prelude in E minor, Op. 28, No. 4: autograph sources and inter- pretation,” in Chopin Studies 2, ed. John Rink and Jim Samson (Cambridge: Cam...
Journal Article
Journal of Music Theory (2006) 50 (1): 25–63.
Published: 01 April 2006
.... Hughes, Matt, Lawrence Moss, and Carl Schachter. 1968 . “Analysis Symposium [Schubert: Moment Musical, op. 94/1].” Journal of Music Theory 12/2 : 184 –239. Hyde, Martha Maclean. 1980 . “The Roots of Form in Schoenberg's Sketches.” Journal of Music Theory 24/1 : 1 –36. Hyer, Brian. 1995...