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in Lutosławski's Mid-Century Harmony: Reconceptualizing Chordal Space in the Five Iłłakowicz Songs
> Journal of Music Theory
Published: 01 October 2023
Figure 12. (a) affinity space A 1 ( 13 ): 2–11-cycle (or 11–2); (b) rotations of affinity cycle display a clustering of tetrachordal and trichordal partitions; (c) transpositional network.
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Journal Article
Journal of Music Theory (2017) 61 (2): 171–200.
Published: 01 October 2017
...Yoel Greenberg This article investigates the sources of the recapitulation using statistical methods. The recapitulation has traditionally been viewed as an expansion of small ternary forms, resulting in a top-down approach, whereby the repeat of expositional material is explained in rotational...
Journal Article
Journal of Music Theory (2016) 60 (2): 181–212.
Published: 01 October 2016
..., for instance, a rising whole-tone scale (an interval 2-cycle) simultaneously with a rising chromatic scale (an interval 1-cycle). This article extends beyond prior discussions of aligned cycles by exploring the different combinations and rotations of these cyclic structures and investigates how...
Journal Article
Journal of Music Theory (2023) 67 (1): 71–98.
Published: 01 April 2023
...Benedict Taylor Abstract One of the most prominent characteristics of Johannes Brahms's approach to sonata form is the return to the tonic at the start of the second section (or “rotation”) for a restatement of the exposition's primary theme. Well-known examples include the finales of the First...
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in Periodicity-Based Descriptions of Rhythms and Steve Reich's Rhythmic Style
> Journal of Music Theory
Published: 01 October 2021
Figure 12. (a) The spectrum of the basic rhythm of Phase Patterns (see Figure 10). (b) The phase space for coefficient 3 and different rotations of the rhythm in this space.
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Journal Article
Journal of Music Theory (2015) 59 (2): 273–320.
Published: 01 October 2015
... by Yale University 2015 Béla Bartók Mikrokosmos Piano Sonata polymodality polytonality diatonicism chromaticism scale theory rotational form Works Cited Antokoletz Elliot . 1984 . The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth Century Music...
Journal Article
Journal of Music Theory (2000) 44 (2): 451–485.
Published: 01 October 2000
... outburst following m. 195.
Example 10 shows two coexisting formal principles operating in the
Ballade—sonata form and rotations—as well as the work’s principal key
areas. (I have taken the word “rotation” from James Hepokoski and use
it here for designating the notion that the Ballade consists...
Journal Article
Journal of Music Theory (2013) 57 (2): 383–418.
Published: 01 October 2013
... ‘Concertante Rondo’ to ‘Lyric Sonata’: A Commentary on Brahms’s Reception of Mozart .” In Brahms Studies , ed. Brodbeck David , 111 – 38 . Lincoln : University of Nebraska Press . Davis Andrew Pollack Howard . 2007 . “ Rotational Form in the Opening Scene of Gershwin’s Porgy and Bess...
Journal Article
Journal of Music Theory (2004) 48 (1): 69–98.
Published: 01 April 2004
... and 4 also saturate the initial
ascent, which can be divided into the two overlapping motives shown on
lines 2 and 3. The outer-most pitches of this ascent form the expanded
motive shown on line 4. These pitches form adjacencies in m. 2, where
the motive is rotated, creating a new three-note gesture...
Journal Article
Journal of Music Theory (2001) 45 (1): 31–71.
Published: 01 April 2001
..., a
transposition. This mechanical procedure maintains the set-class identity
of the string throughout the enlargement process. Finally, in Example 3f,
the pitches of the motive are subjected to clockwise rotations; again,
other more esoteric permutations are possible. Let us examine some ana-
lytical...
Journal Article
Journal of Music Theory (1999) 43 (2): 349–358.
Published: 01 October 1999
... in the process of the transposition/rotation sections (mm. 46–
69, 93–105). The derivation of motivic rhythms uses the rhythm of order
positions from within continuous equal-duration presentations of the
row, i.e., extracting order positions 03469AB and 12578, or the motivic
interval-1 based <B≤-B-C-D≤-D-E...
Journal Article
Journal of Music Theory (2019) 63 (2): 231–260.
Published: 01 October 2019
... by a single degree of hemiola, and (12, 6, 2, 1) is one degree from (12, 6, 3, 1). (12, 6, 3, 1) is a more remote two degrees of hemiola from both (12, 4, 2, 1) and (12, 5, 2, 1). Ordered, unordered, and rotational class representations of minimal meter Every minimal meter, for example, (3, 2), is realized...
Journal Article
Journal of Music Theory (2007) 51 (2): 187–210.
Published: 01 October 2007
... . “Hexatonic Poles and the Uncanny in Parsifal.” Opera Quarterly 22 : 230 -48. Darcy, Warren. 1994 . “The Metaphysics of Annihilation: Wagner, Schopenhauer, and the Ending of the `Ring.' ” Music Theory Spectrum 16 : 1 -40. ____. 2001 . “Rotational Form, Teleological Genesis, and Fantasy...
Journal Article
Journal of Music Theory (2022) 66 (2): 303–314.
Published: 01 October 2022
... assigned to a graphic concerning Eminem (100), so this plot of groove rotations within the corpus, which ought to have been “example 4.20,” was presumably lost somewhere along the paper trail. 18 As it stands, Ohriner's formula is l ′ = l ∗ 1 − r 4 ; for any meaningful scaling...
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Journal Article
Journal of Music Theory (2019) 63 (2): 261–267.
Published: 01 October 2019
..., including motivic transformation, modulation, and the addition, subtraction, alteration, and rotation of chords in progressions or schemata. Chapter 6 brings all the preceding concepts together to demonstrate and study harmonic ambiguity, featuring a close comparison of two songs ( Were- wolves of London...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... 5 , no. 3 : 233 – 41 . Cone Edward T. 1984 . “ Schubert’s Unfinished Business .” Nineteenth-Century Music 7 , no. 3 : 222 – 32 . Darcy Warren . 2001 . “ Rotational Form, Teleological Genesis, and Fantasy-Projection in the Slow Movement of Mahler’s Sixth Symphony...
Journal Article
Journal of Music Theory (2018) 62 (1): 85–118.
Published: 01 April 2018
..., Correlation, and Interpretation . Bloomington : Indiana University Press . Hepokoski James . 1993 . Sibelius: Symphony no. 5 . Cambridge : Cambridge University Press . Hepokoski James . 1996 . “ The Essence of Sibelius: Creation Myths and Rotational Cycles in Luonnotar...
Journal Article
Journal of Music Theory (2020) 64 (2): 203–240.
Published: 01 October 2020
...: Exposition (rotation 1) Part 2: Recapitulation (rotation 2) P zone in tonic P zone in tonic small ternary mm. 1 11: A mm. 12 25: B mm. 26 33: A part 1 of transition small ternary (A only) mm. 83 89: A Development/recapitulation conflation mm. 90 159: based on main theme (part 2 of tran- sition returns...
Journal Article
Journal of Music Theory (2021) 65 (2): 325–374.
Published: 01 October 2021
...Figure 12. (a) The spectrum of the basic rhythm of Phase Patterns (see Figure 10). (b) The phase space for coefficient 3 and different rotations of the rhythm in this space. ...
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Journal Article
Journal of Music Theory (2006) 50 (1): 1–2.
Published: 01 April 2006
...; and a much overdue conversion to footnotes from
endnotes.
At the front of the book, we have overhauled our masthead. Most mem-
bers of our editorial board had served faithfully for many years, and it seemed
that we ought to be kinder to our stable of peer reviewers by allowing them
to rotate off...
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