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rhythm

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Published: 01 October 2021
Figure 15. (a) Reich's signature rhythm. The rhythm as it appears in Music for Eighteen Musicians pt. 3a (marimba) with stemming added to show registral segmentation. (c) The rhythm as it appears in Sextet reh. 59 (marimba), also with alternate stemming added. (d) The spectrum More
Image
Published: 01 October 2021
Figure 29. The spectra of the signature rhythm and vibraphone rhythm from Sextet iv, proportionally adjusted to compare similar periodicities. More
Journal Article
Journal of Music Theory (2011) 55 (2): 253–264.
Published: 01 October 2011
...: Rhythm and Meter in the German Lied Oxford Studies in Music Theory Oxford University Press , 2010 : xxii + 229 pp., with musical examples on a companion website $49.95 cloth © 2012 by Yale University 2012 Works Cited Cone Edward T. 1968 . Musical Form and Musical Performance...
Journal Article
Journal of Music Theory (2012) 56 (2): 169–223.
Published: 01 October 2012
... style. As a concrete illustration, this article builds a formal grammar of rhythm for the Palestrina style. The grammar’s structure and components are carefully explained, and the formalism is compared with existing approaches to style characterization. Many traditional counterpoint rules are shown...
Journal Article
Journal of Music Theory (2013) 57 (2): 245–286.
Published: 01 October 2013
... theory of consonance to assess and explain the interaction of rhythms as well as the interaction of pitches. At several points in his 1739 Tentamen novae theoriae musicae ( Attempt at a New Theory of Music ), Euler suggests that everything he has written about consonance should also apply to duration...
Journal Article
Journal of Music Theory (1999) 43 (2): 359–371.
Published: 01 October 1999
...Arnold Whittall Meter as Rhythm Christopher F. Hasty New York and Oxford; Oxford University Press, 1997 xviii, 310 pp. 1999 © Yale University, New Haven, Connecticut 06520 1999 Meter as Rhythm Christopher F. Hasty New York and Oxford; Oxford University Press, 1997 xviii, 310 pp...
Journal Article
Journal of Music Theory (2009) 53 (1): 137–162.
Published: 01 April 2009
...Joti Rockwell Drawing ideas from transformational theory and rhythm and meter theory, this study examines bluegrass banjo music in terms of rhythm and motions of the human hand. It begins by presenting a mathematical model of the five-string banjo characterizing the gestural permutations that give...
Image
Published: 01 October 2021
Figure 1. Reich's signature rhythm. More
Image
Published: 01 October 2021
Figure 2. (a) Coefficients 1–11 of the DFT of the signature rhythm. (b) A sinusoid of frequency 12, equivalent to the zeroth coefficient (constant function) of the DFT for the signature rhythm. (c) Coefficients 1–6 superimposed. (d) The sum of coefficients 1–6. This is half of the sum More
Image
Published: 01 October 2021
Figure 2. (a) Coefficients 1–11 of the DFT of the signature rhythm. (b) A sinusoid of frequency 12, equivalent to the zeroth coefficient (constant function) of the DFT for the signature rhythm. (c) Coefficients 1–6 superimposed. (d) The sum of coefficients 1–6. This is half of the sum More
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Published: 01 October 2021
Figure 5. (a) The full spectrum of Reich's signature rhythm (Figures 1 and 4a). (b–c) The abbreviated spectrum of Reich's signature rhythm compared to those of Figure 4 , b and c . More
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Published: 01 October 2021
Figure 12. (a) The spectrum of the basic rhythm of Phase Patterns (see Figure 10). (b) The phase space for coefficient 3 and different rotations of the rhythm in this space. More
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Published: 01 October 2021
Figure 18. Canons on the signature rhythm in the third movement of Electric Counterpoint (mm. 116–17). More
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Published: 01 October 2021
Figure 24. Rhythm and canons in Cartesian spaces for the eighth (a) and fourth (b) coefficients. More
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Published: 01 October 2021
Figure 33. Spectra for the signature rhythm and rhythms from Six Pianos , Eight Lines , Sextet iv, Electric Counterpoint ii, and the “Difficult” canon from The Desert Music , proportionally scaled. Values are normalized by power (the sum of squared magnitudes). More
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Published: 01 October 2021
Figure 36. Spectra of the “It is a principle” canon: the full rhythm and split into odd and even eighth-note subsets. More
Journal Article
Journal of Music Theory (2021) 65 (2): 325–374.
Published: 01 October 2021
...Figure 15. (a) Reich's signature rhythm. The rhythm as it appears in Music for Eighteen Musicians pt. 3a (marimba) with stemming added to show registral segmentation. (c) The rhythm as it appears in Sextet reh. 59 (marimba), also with alternate stemming added. (d) The spectrum...
FIGURES | View All (38)
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Published: 01 October 2021
Figure 3. Prototype rhythms (maximally even rhythms) for k = 4–6. More
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Published: 01 October 2021
Figure 4. The rhythms of first two parts of Music for Pieces of Wood (a and b) and a different truncation of the first rhythm (c). More
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Published: 01 October 2021
Figure 6. The rhythms of Figure 4 in the Cartesian space for the half-note periodicity. More