... technique. Though a number of previous scholars have addressed this phenomenon, some of its crucial aspects are thus far underexplored or even unacknowledged. After reviewing several basic characteristics of Shostakovich's twelve-tone usage, this article expands and refines our understanding of his twelve...

.... This article introduces a new metric space specifically applicable to such repertoires. The article opens with a brief review of existing metric spaces. Part 1 is an exploratory metric analysis of Afro-Brazilian guitarist Baden Powell’s 1967 recording of “Canto de Xangô,” which motivates the theoretical...

...Brian Alegant This paper proposes a refinement of our understanding of pitch-class inversion in atonal and twelve-tone music. Part I of the essay establishes the theoretical foundation. It reviews the index number approach formulated by Milton Babbitt, examines characteristics of even and odd index...

.... Thomas Christensen, 477–502. Cambridge: Cambridge University Press. Reviews 1973. Review of The Early Trope Repertory of Saint Martial de Limoges, by Paul Evans. Journal of the American Musicological Society 26/1: 155–59. 1984. Review of The Earliest Motets...

... . Review of Hucbald, Guido, and John on Music: Three Medieval Treatises, trans. Warren Babb, ed. Claude Palisca; and Commemoratio Brevis de Tonis et Psalmis Modulandis, trans. and ed. Terence Bailey. Journal of Music Theory 24/2 : 268 –77. Ayotte, Benjamin McKay. 2004 . Heinrich Schenker: A Guide...

... Sound: Pitch-Class Relations in the Music of Ornette Coleman.” Annual Review of Jazz Studies 6 : 229 -52. ____. 1997 . “ `Bemsha Swing': The Transformation of a Bebop Classic to Free Jazz.” Music Theory Spectrum 19 : 206 -31. Borgo, David. 2005 . Sync or Swarm: Improvising Music...

... 2014 Work Cited Bungert James . 2012 . Review of Richard Cohn, Audacious Harmony: Chromaticism and the Triad’s Second Nature . Journal of Musicological Research 31 : 326 – 29 . Carey Norman . 2002 . “ On Coherence and Sameness, and the Evaluation of Scale Candidacy Claims...

... as a footnote to a passage that Hyer quotes on p. 350 of his reply to me (JMT Vol. 46 [2002], 347–63). Hyer was responding to a review that I wrote in Vol. 45, No. 1 (Spring 2001) as part of a Schenker review symposium solicited by JMT. My review treated those articles and portions of articles in The New...

... . “Reconsidering Klumpenhouwer Networks.” Music Theory Online 13/2 . Cho, Hyunree. 2007 . “Lewin via Husserl.” Unpublished manuscript. Clough, John. 1989 . Review of Generalized Musical Intervals and Transformations, by David Lewin. Music Theory Spectrum 11 : 226 –31. Cone, Edward. 1974...

...+854+758+830+826+557+329 ($699.00 cloth) Daniel Harrison I intend this review to be as short as the work is long. Although I write it for a readership of music theorists and analysts, paucity of analytical work...

... and Response to Time.” Psychological Review 96 : 459 -91. Large, E.W., and Jones, M.R. 1999 . “The Dynamics of Attending: How People Track Time-varying Events.” Psychological Review, 106 : 119 -59. McAuley, J.D., and Kidd, G.R. 1998 . “Effect of Deviations from Temporal Expectations on Tempo...

... Studies in Music Theory and Analysis vol. 11 New York: Cambridge Univ. Press, 1997 xxiii, 175 pp. REVIEWER David Neumeyer The reviewer who arrives late in this formalized process...

....” Perspectives of New Music 25/1–2 : 592 –607. Berry, David Carson. 2004 . A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices . Hillsdale, NY: Pendragon. Berry, David Carson. 2005. “Schenkerian Theory in the United States: A Review of Its Establishment and a Survey...

...Robert O. Gjerdingen Robert O. Gjerdingen is the author of several books, articles, and reviews in the fields of music theory, music perception, and eighteenth-century musical style. He has served on the editorial boards of Music Theory Spectrum , the Journal of Music Theory...

... : 66 –85. ____. 2001 . The Cognition of Basic Musical Structures . Cambridge, MA: MIT Press. ____. 2008 . Review of Music in the Galant Style, by Robert Gjerdingen. Journal of Music Theory 50 : 277 –90. ____. 2009 . “In Defense of Introspectionism.” Music Perception 27 : 131 –38...

... . '' Composition versus Improvisation. '' Journal of Music Theory 49 : 241 – 75 . Owens Thomas . 1974 . ''Charlie Parker: Techniques of Improvisation.'' Ph.D. diss. , University of California–Los Angeles . Steinbeck Paul . 2007 . Review of A Power Stronger Than Itself: The AACM...

... . “ Generalized Voice Leading Spaces .” Science 320 : 346 – 48 . Headlam Dave . 2012a . “ The Shape of Things to Come? Seeking the Manifold Attractions of Tonality .” Music Theory Spectrum 34/1 : 123 – 43 . Headlam Dave . 2012b . “ The Reviewer Responds, but Not in Kind .” Music...

... . Schoenberg’s Transformation of Musical Language . Cambridge : Cambridge University Press . Headlam David . 1996 . The Music of Alban Berg . New Haven, CT : Yale University Press . ———. 2012 . Review: Patricia Hall, Berg’s “Wozzeck.” Music Theory Online 18/2 . Jarman Douglas...

.... Richard Hermann (2004), Henry Martin (1996), and Thomas Owens (1974) have noted similar lines in the playing of Charlie Parker. 5. “An Analysis Symposium: Alternate Takes—Stella by Starlight” appears in the 1997–98 issue of Annual Review of Jazz Studies 9; see Folio 1997–98...

... and Its Role in the Eighteenth-Century Sonata Exposition .” Music Theory Spectrum 19/2 : 115 – 54 . Hunt Graham G. 2007 . Review of Elements of Sonata Theory by James Hepokoski and Warren Darcy . Theory and Practice 32 : 213 – 38 . ———. 2009 . “ The Three-Key Trimodular Block...