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Journal Article
From Ramos to Rameau: Toward the Origins of the Modern Concept of Harmony
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Journal of Music Theory (2022) 66 (1): 1–42.
Published: 01 April 2022
...David E. Cohen Abstract This article explores the advent of two foundational characteristics of the modern concept of harmony inaugurated by Rameau's Traité de l'harmonie (1722): first, that its principal objects are sonorities of three or more distinct pitch classes, that is, consonant...
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Journal Article
Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber
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Journal of Music Theory (2003) 47 (2): 363–369.
Published: 01 October 2003
...Alexander Rehding Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber Jairo Moreno Indiana University Press, 2004 xii+232 pp. 2003 © Yale University, New Haven, Connecticut 06520 2003 Bent, Ian. (Ed.) 1993...
View articletitled, Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, <span class="search-highlight">Rameau</span>, and Weber
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Journal Article
Rousseau, Rameau, and Enharmonic Furies in the French Enlightenment
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Journal of Music Theory (2005) 49 (1): 141–180.
Published: 01 April 2005
...Alexander Rehding © 2008 by Yale University 2008 Barzun, Jacques, and Ralph H. Bowen. 1956 . Rameau's Nephew and Other Works . Indianapolis and Cambridge: Hackett. Berger, Karol. 1980 . Theories of Chromatic and Enharmonic Music in Late Sixteenth Century Italy . Ann Arbor: UMI...
Journal Article
Heinichen, Rameau, and the Italian Thoroughbass Tradition: Concepts of Tonality and Chord in the Rule of the Octave
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Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... of the neo-Ramellian Harmonielehre tradition. The differences are exemplified by comparing Rameau's basse fondamentale with Heinichen's fluctuating understanding of tonality. It was Heinichen who, at the start of the eighteenth century, attempted most thoroughly to conceptualize Italian music theory. Like...
View articletitled, Heinichen, <span class="search-highlight">Rameau</span>, and the Italian Thoroughbass Tradition: Concepts of Tonality and Chord in the Rule of the Octave
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for article titled, Heinichen, <span class="search-highlight">Rameau</span>, and the Italian Thoroughbass Tradition: Concepts of Tonality and Chord in the Rule of the Octave
Journal Article
The Problem of the Retrieval of Musical Knowledge: The Thoroughbass Tradition and Its Relationship to Rameau
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Journal of Music Theory (2013) 57 (2): 287–320.
Published: 01 October 2013
...Allan Keiler Jean-Philippe Rameau’s understanding of harmony comes to us in the form of a theory that presents many interpretive difficulties. What writers of figured bass manuals were trying to achieve, on the other hand, is often more accessible, though as they go about their practical concerns...
View articletitled, The Problem of the Retrieval of Musical Knowledge: The Thoroughbass Tradition and Its Relationship to <span class="search-highlight">Rameau</span>
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for article titled, The Problem of the Retrieval of Musical Knowledge: The Thoroughbass Tradition and Its Relationship to <span class="search-highlight">Rameau</span>
Journal Article
HEAVENLY Dissonances: THE CADENTIAL Six-Four CHORD IN FRENCH GRANDS MOTETS AND Rameau's THEORY OF THE ACCORD PAR SUPPOSITION
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Journal of Music Theory (2003) 47 (2): 305–323.
Published: 01 October 2003
...Jean-Paul C. Montagnier 2003 © Yale University, New Haven, Connecticut 06520 2003 d'Alembert, Jean Le Rond. 1779. Élémens de musique théorique et pratique, suivant les principes de M. Rameau [1752], Nouvelle edition. Lyon: Jean-Marie Bruyset Père & Fils. Repr. Plan-de-La-Tour...
View articletitled, HEAVENLY Dissonances: THE CADENTIAL Six-Four CHORD IN FRENCH GRANDS MOTETS AND <span class="search-highlight">Rameau's</span> THEORY OF THE ACCORD PAR SUPPOSITION
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for article titled, HEAVENLY Dissonances: THE CADENTIAL Six-Four CHORD IN FRENCH GRANDS MOTETS AND <span class="search-highlight">Rameau's</span> THEORY OF THE ACCORD PAR SUPPOSITION
Journal Article
Rameau’s Changing Views on Supposition and Suspension
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Journal of Music Theory (2012) 56 (2): 121–167.
Published: 01 October 2012
...Nathan John Martin The precise sense of Jean Philippe Rameau’s conception of supposition is among the more vexing questions that his theorizing poses. Supposition has been interpreted, on the one hand, as an account of ninth and eleventh chords and, on the other, as a means of explaining melodic...
Journal Article
Partimento, que me veux-tu?
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Journal of Music Theory (2007) 51 (1): 85–135.
Published: 01 April 2007
...-Philippe Rameau, but that study neither advanced his compositional abilities nor later shielded him from the scorn of Rameau himself. Had Rousseau found a master of the then fashionable Italian style of music, he would have studied exercises in partimenti and solfeggi . Solfeggi were studies for voice...
Journal Article
Toward a “Global” History of Music Theory
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Journal of Music Theory (2022) 66 (2): 147–187.
Published: 01 October 2022
... on the subdiscipline's past, present, and future. [email protected] Copyright © 2022 by Yale University 2022 history of music theory Abū Nasr Muhammad ibn al-Farakh al-Fārābī Jean-Philippe Rameau musica speculativa global history Hugo Riemann So, it turns out that to understand the particular...
Journal Article
How the Triad Took (a) Root
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Journal of Music Theory (2022) 66 (1): 43–62.
Published: 01 April 2022
... . Glasgow : Robert Urie . Holman Peter . 2001 . “ Lampe, John Frederick .” Grove Music Online . https://doi.org/10.1093/gmo/9781561592630.article.15922 . Holtmeier Ludwig . 2007 . “ Heinichen, Rameau, and the Italian Thoroughbass Tradition: Concepts of Tonality and Chord in the Rule...
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Journal Article
Music Theory Pedagogy in the Nineteenth Century: Comparing Traditions of Three European Conservatories
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Journal of Music Theory (2022) 66 (1): 63–91.
Published: 01 April 2022
... the fundamental bass theory associated with Rameau (Masci 2013 : 12–14). Choron's own contribution was his published editions of partimenti by Italian masters, hence securing their dissemination in early nineteenth-century France (Gjerdingen 2020 : 42–45). 9 The core of the Parisian tradition, based...
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Journal Article
An Eighteenth-Century Theory of Musical Cognition?: John Holden’s Essay towards a Rational System of Music (1770)
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Journal of Music Theory (2018) 62 (2): 205–248.
Published: 01 October 2018
... Science: Hearing , edited by Plack Christopher , 71 – 104 . Oxford : Oxford University Press . Christensen Thomas . 1993 . Rameau and Musical Thought in the Enlightenment . Cambridge : Cambridge University Press . Cohen David E. 2001 . “ The ‘Gift of Nature’: Musical...
Journal Article
Enlightenment Aspirations of Progress in Eighteenth-Century German Theory
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Journal of Music Theory (2003) 47 (2): 273–304.
Published: 01 October 2003
..., Ernst. 1951 . The Philosophy of the Enlightenment . Translated by Fritz C. A. Koelln and James P. Pettegrove. Princeton: Princeton University Press. Christensen, Thomas. 1993 . Rameau and Musical Thought in the Enlightenment . Cambridge: Cambridge University Press. ____. 1998 . “C. P. E...
Journal Article
Stories of Tonality in the Age of François-Joseph Fétis
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Journal of Music Theory (2021) 65 (1): 171–183.
Published: 01 April 2021
... of acoustics, as Rameau had attempted to demonstrate, because it was fundamentally gnostic and freely selected. 5 Equally flawed in his eyes were systems based on arithmetic progressions and the chromatic scale (Georg Andreas Sorge, Abbé Vogler), an “arbitrary choice of fundamental chords” (Anton Reicha...
Journal Article
Thinking About Harmony: Historical Perspectives on Analysis
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Journal of Music Theory (2012) 56 (2): 293–298.
Published: 01 October 2012
... of
well-ordered topics (to be discussed below), rather than chronologically or by
author, Damschroder references the writings of ninety-five theorists of vari-
ous national backgrounds, ranging from works by well-known authors such
as Jean-Philippe Rameau, Johann...
Journal Article
A Reply to Brian Hyer
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Journal of Music Theory (2003) 47 (1): 215–222.
Published: 01 April 2003
... as chromatic 248–50). This is true, and it provides fur-
ther support for one of my main points, which I made largely with refer-
ence to Robert Snarrenberg’s article “Schenker.” As with Rameau or Rie-
mann, it is misleading to speak of “Schenker’s theory” as a unitary or
static phenomenon. Harmonielehre...
Journal Article
Journal of Music Theory (2006) 50 (2): 291–301.
Published: 01 October 2006
... by Yale University 291
292 Journal of Music Theory
Rond d’Alembert or Jean-Philippe Rameau and these later figures—the book
is valuable not least on the level of dispensing basic historical information.
However, Jackson’s real...
View articletitled, Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany; Helmholtz Musicus: Die Objektivierung Der Musik Im 19. Jahrhundert Durch Helmholtz' Lehre von Den Tonempfindungen
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for article titled, Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany; Helmholtz Musicus: Die Objektivierung Der Musik Im 19. Jahrhundert Durch Helmholtz' Lehre von Den Tonempfindungen
Journal Article
“Tonality” and Its Discontents
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Journal of Music Theory (2024) 68 (1): 149–155.
Published: 01 April 2024
...” is without taking this back story into account. Rameau based much of his theory of harmony on Corelli's music. But as he applied his Cartesian premises to those sonatas, he broke Corelli's contrapuntal webs down into freeze-frames, thereby halting motion in favor of individual, objectified moments...
Journal Article
Rosalia, Aloysius, and Arcangelo: A Genealogy of the Sequence
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Journal of Music Theory (2003) 47 (2): 225–272.
Published: 01 October 2003
... Gegenwart , edited by F. Blume and L. Finscher. Kassel: Bärenreiter. Piston, Walter. 1941 . Harmony . New York: Norton. Rameau, Jean Philippe. [1722] 1971 . Treatise on Harmony . Translated by P. Gossett. New York: Dover Publications. Ricci, Adam. 2004 . “ A Theory of the Harmonic Sequence...
Journal Article
Musical Logic. a Contribution to the Theory of Music.
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Journal of Music Theory (2000) 44 (1): 100–126.
Published: 01 April 2000
...., Columbia University. ———. 2000 . “Hugo Riemann's Debut as a Music Theorist.” Journal of Music Theory 44 /1: 81 -98. Rameau, Jean-Philippe. 1971 [1722]. Treatise on Harmony , trans. P. Gossett. New York: Dover. Riemann, Hugo. 1873 . “ Ueber das musikalische Hören .” Ph.D. diss...
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