... in the Englightenment . Ph.D. diss., University of Michigan. Christensen, Thomas. 1993 . Rameau and Musical Thought in the Enlightenment. Cambridge: Cambridge University Press. ____. (Ed.) 2003 . Cambridge History of Western Music Theory. Cambridge: Cambridge University Press. Cook, Nicholas. 2003...

...Allan Keiler Jean-Philippe Rameau’s understanding of harmony comes to us in the form of a theory that presents many interpretive difficulties. What writers of figured bass manuals were trying to achieve, on the other hand, is often more accessible, though as they go about their practical concerns...

...Alexander Rehding Barzun, Jacques, and Ralph H. Bowen. 1956 . Rameau's Nephew and Other Works . Indianapolis and Cambridge: Hackett. Berger, Karol. 1980 . Theories of Chromatic and Enharmonic Music in Late Sixteenth Century Italy . Ann Arbor: UMI Research Press. Briscoe, Roger. 1975...

... of the neo-Ramellian Harmonielehre tradition. The differences are exemplified by comparing Rameau's basse fondamentale with Heinichen's fluctuating understanding of tonality. It was Heinichen who, at the start of the eighteenth century, attempted most thoroughly to conceptualize Italian music theory. Like...

...Jean-Paul C. Montagnier d'Alembert, Jean Le Rond. 1779. Élémens de musique théorique et pratique, suivant les principes de M. Rameau [1752], Nouvelle edition. Lyon: Jean-Marie Bruyset Père & Fils. Repr. Plan-de-La-Tour: Éditions d'Aujourd'hui, 1984 . Anthony, James R. 1997...

...Nathan John Martin The precise sense of Jean Philippe Rameau’s conception of supposition is among the more vexing questions that his theorizing poses. Supposition has been interpreted, on the one hand, as an account of ninth and eleventh chords and, on the other, as a means of explaining melodic...

...-Philippe Rameau, but that study neither advanced his compositional abilities nor later shielded him from the scorn of Rameau himself. Had Rousseau found a master of the then fashionable Italian style of music, he would have studied exercises in partimenti and solfeggi . Solfeggi were studies for voice...

... the Enlightenment .” Ph.D. diss ., Ohio State University . Cheveigné Alain de . 2010 . “ Pitch Perception .” In The Oxford Handbook of Auditory Science: Hearing , edited by Plack Christopher , 71 – 104 . Oxford : Oxford University Press . Christensen Thomas . 1993 . Rameau...

... of the Enlightenment . Translated by Fritz C. A. Koelln and James P. Pettegrove. Princeton: Princeton University Press. Christensen, Thomas. 1993 . Rameau and Musical Thought in the Enlightenment . Cambridge: Cambridge University Press. ____. 1998 . “C. P. E. Bach's Versuch and Its Context in Eighteenth...

... . Christensen Thomas . 1992 . “ The Règle de l'Octave in Thorough-Bass Theory and Practice .” Acta Musicologica 64 , no. 2 : 91 – 117 . Christensen Thomas . 1993 . Rameau and Musical Thought in the Enlightenment . Cambridge : Cambridge University Press . Christensen Thomas...

... of well-ordered topics (to be discussed below), rather than chronologically or by author, Damschroder references the writings of ninety-five theorists of vari- ous national backgrounds, ranging from works by well-known authors such as Jean-Philippe Rameau, Johann...

... as chromatic 248–50). This is true, and it provides fur- ther support for one of my main points, which I made largely with refer- ence to Robert Snarrenberg’s article “Schenker.” As with Rameau or Rie- mann, it is misleading to speak of “Schenker’s theory” as a unitary or static phenomenon. Harmonielehre...

... by Yale University 291 292 Journal of Music Theory Rond d’Alembert or Jean-Philippe Rameau and these later figures—the book is valuable not least on the level of dispensing basic historical information. However, Jackson’s real...

... and L. Finscher. Kassel: Bärenreiter. Piston, Walter. 1941 . Harmony . New York: Norton. Rameau, Jean Philippe. [1722] 1971 . Treatise on Harmony . Translated by P. Gossett. New York: Dover Publications. Ricci, Adam. 2004 . “ A Theory of the Harmonic Sequence .” Ph.D. dissertation...

...., Columbia University. ———. 2000 . “Hugo Riemann's Debut as a Music Theorist.” Journal of Music Theory 44 /1: 81 -98. Rameau, Jean-Philippe. 1971 [1722]. Treatise on Harmony , trans. P. Gossett. New York: Dover. Riemann, Hugo. 1873 . “ Ueber das musikalische Hören .” Ph.D. diss...

... constitutes the “real” Schenker are remi- niscent of similar disputes regarding Rameau and Riemann, two other giants of music theory who, like Schenker, continually reinvented them- selves. Unlike Rameau and Riemann, however, Schenker rarely revised earlier formulations in his later writings, leaving his...

... and Sechter, not to mention Rameau and Riemann, are “dead” theorists, mere historical foils for Schenker, mute witnesses to the ultimate truth of his theories. Indeed, what most offends Rothstein is that the historical narrative I pre- sent is not whiggish enough: the one he would have had me write...

... and Sechter, not to mention Rameau and Riemann, are “dead” theorists, mere historical foils for Schenker, mute witnesses to the ultimate truth of his theories. Indeed, what most offends Rothstein is that the historical narrative I pre- sent is not whiggish enough: the one he would have had me write...

... Press. Pomeroy, D. Boyd. 2004 . “Tales of Two Tonics: Directional Tonality in Debussy's Orchestral Music.” Music Theory Spectrum 26 : 87 -118. Rameau, Jean-Philippe. [1722] 1971 . Treatise on Harmony . Translated and edited by Philip Gossett. New York: Dover. Robertson, Ritchie. 2007...

... University Press . Holtmeier Ludwig . 2007 . “ Heinichen, Rameau, and the Italian Thoroughbass Tradition: Concepts of Tonality and Chord in the Rule of the Octave .” Journal of Music Theory 51 / 1 : 5 – 49 . Holtmeier Ludwig . 2011a . “ Funktionale Mehrdeutigkeit, Tonalität und...