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quartet

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Journal Article
Journal of Music Theory (2003) 47 (1): 41–101.
Published: 01 April 2003
..., and Shaugn O'Donnell. 1996 . “Linear Ordering of the Chromatic Aggregate in Classical Symphonic Music.” Music Theory Spectrum 18 : 22 -50. Forte, Allen. 1959 . “Schenker's Conception of Musical Structure.” Journal of Music Theory 3 : 1 -30. Keller, Hans. 1986 . The Great Haydn Quartets...
Journal Article
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
... a computational model, which I have proposed elsewhere, to estimate the information content a listener would perceive when listening to a piece of music. I then compare this model’s output to traditional musical analyses of several string-quartet expositions, demonstrating a qualitative correlation between...
Journal Article
Journal of Music Theory (2004) 48 (2): 337–354.
Published: 01 October 2004
... Instrumental Music: Structure and Meaning in His Werther Quartet Indiana University Press, 2005: ix+325 pp. ($49.95 cloth) Peter H. Smith Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet Indiana University Press, 2005: ix+325 pp. ($49.95 cloth...
Journal Article
Journal of Music Theory (2014) 58 (1): 25–56.
Published: 01 April 2014
... comparison between Roesner’s interpretation of the outer movements of the String Quartet in A minor as examples of deficient two-part expositions and readings of them instead as instances of the continuous type. The first movement of the Second Symphony illustrates that the tonal pairing of the A-minor...
Journal Article
Journal of Music Theory (2013) 57 (2): 193–243.
Published: 01 October 2013
... orchestration of the “Rondo alla Zingarese” from Brahms’s G-minor Piano Quartet matches “indirectly related” harmonies with vivid wind and percussion colors and “closely related” harmonies with string-centered sonorities. Jeffrey DeThorne earned his Ph.D. at the University of Wisconsin-Madison. His...
Journal Article
Journal of Music Theory (2013) 57 (2): 321–371.
Published: 01 October 2013
..., etc.), and fictionalized versions of their composers. This study investigates the use of such agential conceits and the conventions that seem to govern them, using the opening of Beethoven’s A-minor Quartet, op. 132, as a central test case. The descriptive model it constructs borrows key concepts from...
Journal Article
Journal of Music Theory (2015) 59 (2): 191–234.
Published: 01 October 2015
... String Quartet and the first movement of the Sonata for Violin and Piano, showing how we can relate Shostakovich's aggregate melodies to their musical surroundings in a deeper and more detailed way. Stephen C. Brown is associate professor of music theory and coordinator of music theory...
Journal Article
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
... principle produces an ordering of pitch classes that lies behind small formal units, cycles order the presentation of twelve-tone rows and give structure to large formal spans. The present study explores four cyclic organizational principles in works from the String Quartet, op. 28 (1938), to the Second...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... by their supple form-content synergies serve as case studies: the Andante from Mendelssohn’s octet for strings in E♭ major, op. 20, and the first movement from Dvořák’s string quartet in E♭ major, op. 51. Copyright © 2019 by Yale University 2019 sonata form reversed recapitulation Felix Mendelssohn...
Journal Article
Journal of Music Theory (2009) 53 (1): 1–56.
Published: 01 April 2009
... of the Second Symphony op. 73, and the last two movements of the Second String Quartet op. 51/2. These analyses also suggest correspondences in these movements between metric relationships and relationships of key, harmony, and form. Metric Cubes in Some Music of Brahms...
Journal Article
Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
... as always comparative and context dependent. Illustrating these claims, repertoires of Viennese string quartet minuets and piano pieces by Chopin are analyzed. Christopher Brody is assistant professor of music theory at the Eastman School of Music. His research focuses on baroque music, keyboard...
Journal Article
Journal of Music Theory (2016) 60 (2): 181–212.
Published: 01 October 2016
... level, aligned-cycle families. To conclude, I reexamine a three-voice aligned cycle from the second movement of Berg's String Quartet, op. 3, and investigate cyclic progressions in Thomas Adès's Piano Quintet, Lieux retrouvés , and The Tempest . Philip Stoecker is associate professor of music...
Journal Article
Journal of Music Theory (2017) 61 (1): 111–140.
Published: 01 April 2017
... and that these “(048) or (0369) chains” exemplify augmented and diminished tendencies propelling the development of new key variations. By way of demonstration, the article ends with several analyses of Bartók's works from the decade 1908–17: the first movement of the Second String Quartet (1914–17), “Three Autumn...
Journal Article
Journal of Music Theory (2020) 64 (2): 203–240.
Published: 01 October 2020
... quartets in G major and A major in 1895. First Symphony (and then that of Bruckner s Eighth), he first engages in a corpus study of medial caesura (MC) practices in Beethoven, Schubert, Men- delssohn, and Brahms. This survey raises other concerns, chiefly the problem of presenting complex analytic...
Journal Article
Journal of Music Theory (2010) 54 (2): 235–282.
Published: 01 October 2010
Journal Article
Journal of Music Theory (1999) 43 (2): 349–358.
Published: 01 October 1999
... Press, 1995 68 pp. REVIEWER Dave Headlam Alban Berg’s second string quartet, the Lyric Suite written in 1925– 26, contains an astonishing richness of both musical and programmatic elements...
Journal Article
Journal of Music Theory (2016) 60 (1): 51–88.
Published: 01 April 2016
...’: Schumann's 1842 Chamber Music and the Rethinking of Classical Form.” Ph.D. diss. , Yale University . ———. 2004 . “Higher Echoes of the Past in the Finale of Schumann's 1842 Piano Quartet.” Journal of the American Musicological Society 57 / 3 : 511 – 64 . Bryant Hannah , trans. 1987...
Journal Article
Journal of Music Theory (2004) 48 (1): 69–98.
Published: 01 April 2004
.... 1992 . “ Continuity and Formal Organization in Debussy's String Quartet .” Ph.D. diss., Yale University. 2004 © Yale University, New Haven, Connecticut 06520 2004 TRANSFORMATIONAL STREAMS: UNRAVELING MELODIC PROCESSES IN TWENTIETH-CENTURY MOTIVIC MUSIC...
Journal Article
Journal of Music Theory (2018) 62 (1): 119–144.
Published: 01 April 2018
... strategies to gen- erate continued momentum toward anticipated resolution and closure. In the first movement of op. 33/5 this instability takes the form of a gambit for which Haydn has notable fondness, namely, a closing gesture deployed as an opening. Ever since his early quartets opp. 9 and 17 Haydn...
Journal Article
Journal of Music Theory (2016) 60 (2): 213–262.
Published: 01 October 2016
... Quartet and Piano Trio.” In Unmasking Ravel: New Perspectives on the Music , ed. Kaminsky Peter , 143 – 79 . Rochester, NY : University of Rochester Press . Hook Julian . 2011 . “Spelled Heptachords.” In Mathematics and Computation in Music: Third International Conference, MCM 2011...