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prolongation

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Journal Article
Journal of Music Theory (2002) 46 (1-2): 207–283.
Published: 01 October 2002
...Olli Väisälä PROLONGATION OF HARMONIES RELATED TO THE HARMONIC SERIES IN EARLY POST-TONAL MUSIC Olli Väisälä 1. Introduction In the history of music theory, the notion that a significant relationship exists between...
Journal Article
Journal of Music Theory (2016) 60 (1): 1–21.
Published: 01 April 2016
...Robert P. Morgan Taking my own Schenker-derived view of dissonant prolongations as a point of departure, this article attempts to clarify this phenomenon by considering it in relation to tonal prolongation. This is accomplished in three ways: by reconsidering Schenker's mature attitude toward...
Journal Article
Journal of Music Theory (2017) 61 (1): 29–57.
Published: 01 April 2017
...Diego Cubero The concept of prolongation in Schenkerian analysis broadly describes the elaboration of a vertical sonority. Among the most basic ways to prolong a chord is by arpeggiating it, such that it governs the time span of its arpeggiation. In Heinrich Schenker's writings, however...
Journal Article
Journal of Music Theory (2006) 50 (1): 77–101.
Published: 01 April 2006
... of interactions of prolongational, associative, or stretto-like musical figurations in the prelude. These “differences” in orientation become creative and expressive of newly available content, multiplying interactions of composition and text, reception and analysis. © 2008 by Yale University 2008...
Journal Article
Journal of Music Theory (2019) 63 (1): 1–34.
Published: 01 April 2019
... important tonal events such as prolongations and cadences. Using diatonic position finding to aid the analyst in determining a chord’s status, the article offers five preference factors to identify the most likely triadic tonicizers. This leads to some general conclusions regarding tonicizing chords...
Journal Article
Journal of Music Theory (2020) 64 (2): 241–281.
Published: 01 October 2020
... pitch class transpositions show the scales and melodies that prolong third-related harmonies also participate in their own third relations. 241 Journal of Music Theory 64:2, October 2020 DOI 10.1215/00222909-8550795 © 2020 by Yale University Modal Spelled Pitch Class, La-Minor Solfège, and Schubert s...
Journal Article
Journal of Music Theory (2006) 50 (2): 211–251.
Published: 01 October 2006
... simultaneously as a local, harmonic event and as a global, formal event. On the local level, it may either prolong one harmony or progress from one to another. On the global level, it can serve a variety of formal functions: highlighting salient cadences; opening a space for virtuosic display; and developing...
Journal Article
Journal of Music Theory (2000) 44 (1): 1–43.
Published: 01 April 2000
... unusual for basic analytical decisions to pose significant challenges. Such fundamental determinations as boundaries for harmonic prolongations, the hierarchical significance of tonicized Stufen, the relative structural sta- tus of linear progressions, the identity of the Kopfton, and even analysis...
Journal Article
Journal of Music Theory (2000) 44 (2): 451–485.
Published: 01 October 2000
... in deep middleground and that can then be copied and elaborated at more local levels. Because of the nature of hierarchical networks, first-level prolongations [=those prolongations that can occur at the first level of the middle- ground] must also influence the motivic process of the lower levels...
Journal Article
Journal of Music Theory (2001) 45 (2): 483–487.
Published: 01 October 2001
... melodies. Chapter 3. “Bass Lines and Harmonic Structure” begins with a dis- cussion of tonic prolongation achieved by means of bass lines, using pass- 484 ing and neighboring motions. These lines are then harmonized with con- trapuntal chords. The dominant is introduced as a structural chord...
Journal Article
Journal of Music Theory (2016) 60 (2): 149–180.
Published: 01 October 2016
... . Smith Charles J. 1981 . “Prolongations and Progressions as Musical Syntax.” In Music Theory: Special Topics , ed. Browne Richard , 139 – 74 . New York : Academic . Spicer Mark . 2005 . Review of Walter Everett, The Beatles as Musicians: The Quarry Men through “Rubber Soul...
Journal Article
Journal of Music Theory (2006) 50 (2): 143–179.
Published: 01 October 2006
..., the passage is remarkable for the manner in which it blurs the normally clear distinction between associative and prolongational connection. The situation involves tension between the onset of a new formal section in D minor at m. 16 and the delay of a structural D tonic until m. 20 or even m...
Journal Article
Journal of Music Theory (2001) 45 (1): 119–143.
Published: 01 April 2001
.... is understood to be subsumed within the larger dominant prolongation that extends from the second theme in the exposition, m. 14 ff., through the development section, and across to the dominant of m. 57. Specifi- cally, Schenker interprets the subdominant as a composed-out seventh of that prolonged dominant...
Journal Article
Journal of Music Theory (2023) 67 (1): 199–206.
Published: 01 April 2023
...-directedness and prolongation within a theory of harmonic function,” work that draws on the concept of the phrase model (3). Nobile's approach is distinguished by its focus on large-scale harmonic structure; he is careful to note that, while his work draws on the Schenkerian concept of prolongation, “rock's...
Journal Article
Journal of Music Theory (1999) 43 (1): 135–163.
Published: 01 April 1999
... one of the richest topics of research in the field; and much that is useful and productive has come out of it, including innovative ideas on tonal pairing, symmetrical pitch formations (in particular, equal octave division), and dissonant prolongations. Yet the field remains wide open, with little...
Journal Article
Journal of Music Theory (2001) 45 (1): 204–227.
Published: 01 April 2001
...”; “Auskomponierung”; “Coupling”; “Divider”; “Initial ascent”; “Interruption”; “Layer”; “Motion from an inner voice”; “Obligatory register”; “Prolongation”; “Reaching over”; “Register transfer”; “Stufe”; “Tonicization”; “Unfolding”; “Urlinie”; “Ursatz”; “Zug” Anyone who keeps an ear to the disciplinary...
Journal Article
Journal of Music Theory (2009) 53 (2): 191–226.
Published: 01 October 2009
....” In The Masterwork in Music , Vol. 3 , ed. Ian Bent, trans. Derrick Puffett and Alfred Clayton, 10 –68. New York: Cambridge University Press. Sobaskie, James. 2007–8 . “Precursive Prolongation in the Préludes of Chopin.” Journal for the Society of Musicology in Ireland 3 : 25 –61. Suurpää, Lauri...
Journal Article
Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
.... Again, in connection with the rondo (second) movement of Mozart’s Piano Concerto in C minor, K. 491, Schachter reminds us of different patterns of salience in the articulation of harmonic goals: “We can have important harmonic goals that are not prolonged...
Journal Article
Journal of Music Theory (2001) 45 (2): 233–261.
Published: 01 October 2001
... University Press. Williamson, John. 1996 . “ Wolf's Dissonant Prolongations .” In Kinderman and Krebs 1996. Youens, Susan. 1992 . Hugo Wolf: The Vocal Music . Princeton: Princeton University Press. CHASING RAINBOWS: WOLF’S “PHÄNOMEN” AND IDEAS OF COHERENCE...
Journal Article
Journal of Music Theory (2001) 45 (1): 31–71.
Published: 01 April 2001
.... In enlarging ordered strings, composers place both the object and its enlargement within formal and prolongational contexts that are determined by harmonic support and voice-leading transformation (un- folding, reaching over, register manipulations, etc The nature of the association between object...