Skip Nav Destination
Close Modal
1-20 of 252 Search Results for
progression
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
Journal of Music Theory (2003) 47 (1): 103–123.
Published: 01 April 2003
... Formations.” Perspectives of New Music 41/1 ( Winter ): 180 -239. Parncutt, Richard, and Hans Strasburger. 1994 . “Applying Psychoacoustics in Composition: `Harmonic' Progressions of `Nonharmonic' Sonorities.” Perspectives of New Music 32/2 : 88 -129. Rahn, John. 1989 . “Toward a Theory...
Image
in Music Theory Pedagogy in the Nineteenth Century: Comparing Traditions of Three European Conservatories
> Journal of Music Theory
Published: 01 April 2022
Figure 2. Chromatic elaboration of a diatonic progression in Sechter's Grundsätze (1853–54, 1:194).
More
Image
in Approximate Set Theory: Chord Categories, Voicings, and Interval Cycles
> Journal of Music Theory
Published: 01 April 2023
Figure 5.9. A progression used by both Debussy and Berg.
More
Image
in Lutosławski's Mid-Century Harmony: Reconceptualizing Chordal Space in the Five Iłłakowicz Songs
> Journal of Music Theory
Published: 01 October 2023
Figure 6. (a) Progression of five twelve-tone chords stacking fully diminished seventh chords; (b) lattice structuring both horizontal and vertical relations of chords; (c) progressive transpositional network with degree of variation Δ 9 (mod 12).
More
Image
in Lutosławski's Mid-Century Harmony: Reconceptualizing Chordal Space in the Five Iłłakowicz Songs
> Journal of Music Theory
Published: 01 October 2023
Figure 16. (a) Harmonic progression of hexachords in “Postludium I”; (b) the lattice represents a dynamic transpositional network .
More
Journal Article
Journal of Music Theory (2021) 65 (2): 185–237.
Published: 01 October 2021
... of meter focuses on its technical and bodily dimensions, which links the analysis of meter with issues of social inclusion and exclusion, of learning and unlearning, and of habit and novelty. The article illustrates the implications of this approach with examples from recent progressive metal, where...
FIGURES
| View All (21)
Journal Article
Journal of Music Theory (2023) 67 (1): 141–169.
Published: 01 April 2023
...Scott Murphy Abstract A hybridization of two recent innovations in music theory—a focus on the progression of two triads as a unitary analytical object, and a component-wise formation of a set of equivalence classes—brings together under one conceptual and labeling system eight different approaches...
FIGURES
| View All (7)
Journal Article
Journal of Music Theory (2010) 54 (2): 283–310.
Published: 01 October 2010
.... It also throws the physiological basis of his music theory into conflict with his ostensibly progressive treatment of non-European musics. Such tensions, along with unevenly successful efforts to resolve them, were by no means atypical of the liberal discourse of his intellectual milieu. Indeed...
Journal Article
Journal of Music Theory (2003) 47 (2): 273–304.
Published: 01 October 2003
... University Press. ____. 2001 . “ Vincenzo Galilei, Modernity and the Division of Nature .” In Music Theory and Natural Order, ed. Suzannah Clark and Alexander Rehding. 17 -29. Cambridge: Cambridge University Press. Cohen, David E. 2001 . “`The Imperfect Seeks Its Perfection': Harmonic Progression...
Image
Published: 01 October 2021
Example 25. Reinterpretations of chromatic progressions using the proposed analytic model.
More
Journal Article
Journal of Music Theory (2006) 50 (2): 253–275.
Published: 01 October 2006
...) poetical context. A range of late-eighteenth- and early-nineteenth-century thought on both sequential progression and harmonic analysis in general, by Emanuel Aloys Förster, Johann Philipp Kirnberger, and Gottfried Weber, among others, is assayed. Opportunities for chromaticism within the 5 and 6 phases...
Journal Article
Journal of Music Theory (2023) 67 (2): 251–284.
Published: 01 October 2023
...: schemata, splices, and elisions. Schemata are short conventionalized outer-voice progressions that can connect a variety of starting and ending chords; splices are alterations by which the second version of a progression is varied when it is repeated in transposition; and elisions are made by common tones...
FIGURES
| View All (44)
Image
in Approximate Set Theory: Chord Categories, Voicings, and Interval Cycles
> Journal of Music Theory
Published: 01 April 2023
Figure 7.2. Quintal, tertian, and clustered voicings in Berg's Violin Concerto. In the last case, we have a chord progression whose efficient upper-voice counterpoint produces a cluster.
More
Journal Article
Journal of Music Theory (2010) 54 (2): 179–234.
Published: 01 October 2010
... of Motet 7's opening describes the relationship between the underlying contrapunctus and various sonority types, consonant and dissonant, and advances a broader definition for the directed progression. An anomalous progression in Motet 18 suggests that the careful study of sonority may contribute to our...
Journal Article
Journal of Music Theory (2017) 61 (1): 29–57.
Published: 01 April 2017
... seeks to explain Schenker's understanding of these progressions within the context of his approach to prolongation in general. The next section revisits those very issues that Schenker grapples with in his analysis of these progressions, and considers the role that different parameters have...
Image
in The Transformation of Prewar Blues into Postwar Rhythm and Blues: The Great Migration, Urbanization, and Form
> Journal of Music Theory
Published: 01 October 2023
Example 1. Ma Rainey, “Sleep Talking Blues” (1928), exhibiting the conventional AAB poetic form, 5,5,5 phrase rhythm, call-and-response pattern, caesura placement, harmonic progression, and harmonic rhythm of the standard prewar blues.
More
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... principles, Heinichen works through the many tensions and contradictions between the modern Klang progression, as formalized in the Rule of the Octave, and the old legacy of traditional counterpoint instruction. 2007 2007 Ludwig Holtmeier teaches music theory at the Hochschule für Musik...
Journal Article
Journal of Music Theory (2018) 62 (2): 279–338.
Published: 01 October 2018
...Joseph N. Straus Pitch sets and pitch-class sets whose integers share the same sum are connected by pure contrary voice leading and share a center of balance. This article studies progressions of chords that may belong to different T/I set-classes but that belong to the same sum class. Works...
Journal Article
Journal of Music Theory (2019) 63 (1): 1–34.
Published: 01 April 2019
...Brett Clement This article establishes an expanded theory of tonicization for harmonic progressions in rock music. While previous discussions of tonicization have largely focused on the role of the V chord, this theory allows for a much larger number of tonicizing chords, which may articulate...
Journal Article
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
... actually happens in terms of what they expected to happen. Although expectation is frequently invoked when considering very local phenomena (e.g., step-by-step progressions) or very global ones (e.g., the action spaces of a sonata), it has not played a systematic role in the analysis of basic theme types...
1
