Search Results for prize

... The David Kraehenbuehl Prize, named for the visionary founding editor of the Journal of Music Theory , was established in 2008 and is given biennially for the best article published in JMT by a scholar untenured at the time of submission. It carries a cash award of $2,000 and is determined...

... © 2008 by Yale University 2008 Announcement David Kraehenbuehl Prize As part of the commemoration of our fiftieth anniversary, the Journal of Music Theory is pleased to announce the establishment of the David Kraehenbuehl Prize. The prize...

... © 2017 by Yale University 2017 ANNOUNCEMENT David Kraehenbuehl Prize The David Kraehenbuehl Prize, named for the visionary founding editor of the Journal of Music Theory, was established in 2008 and is given biennially for the best...

... 2008 CONTRIBUTORS Karim Al-Zand is Assistant Professor of Composition and Theory at the Shep- herd School of Music, Rice University. He is active primarily as a composer and is a recent recipient of the Sackler Composition Prize and the ArtSong Prize. Steve...

... the next few years as we finish closing the gap between theory and practice with respect to our cover date. The anniversary celebration continues with the announcement of the biennial David Kraehenbuehl Prize (see page 141), which we hope will encourage scholars to send their best work...

.... “ Hidden Polyphony: A Reappraisal.” Journal of the American Musicological Society 24/2: 169–92. [1972 winner of the Alfred Einstein Prize of the American Musicological Society.] 1977. “ An Anonymous Treatise dictus de Sancto Martiale: A New Source for Cistercian Music...

... in the subject cannot afford to ignore it. But this leaves the question of whether we should prize rigor when it eliminates disorder without necessarily eliminating error. BMA and CMA embody precision rather than accuracy. They are more about the elegance of an analysis itself than about its fidelity...

... Woman Speaks Elegant Harmony to One of the Immortals.” This young woman is the unknown Colete Boyer (1915–81) who, in 1938, won the women's harmony prize with an outstanding entry. Despite this, her troubled life did not allow her a musical career. Gjerdingen devotes a few pages to her biography...

... all had to be amenable to prizing apart and reassembly in all kinds of ways in the course of the songs’popular lives on stage, on film, in print, on the dance floor, on record, and in cabaret, including jazz. And what- ever you think of the tyranny of the 32-bar refrain with its 8-bar periods...

... without Chorale-Style Writing. In place of strict-style homophony, she teaches a relaxed style that prizes close voice lead- ing of any motion, parallel not least of all. This is precisely what is useful for much commercial music of the past fifty years (not to mention art styles since Grieg and Debussy...

... simplicity with improvisation and complexity with composition is misleading. Both composition and improvisation must work to balance simplicity and complexity. In fact, I argue that some of the sophisticated relationships prized by music analysts appear in the music of Bill Evans...

... with a color “like that of the oboe” disturbs the “equilibrium” of the articulate unity and “eliminates” the understated 3 Adorno (1938a) critiques the black and white string the song together from different colors, but can confi- orchestration of the Prize Song from Wagner’s opera Die dently give...

... Prize, Quebec Music Council, for MLPB. citations that are listed in the book’s general bibliography. Goldman’s more extended treatments of these works include his analysis of Mémoriale (2008) and his master’s thesis (2001), which presents a detailed examination of Anthèmes...

... dif- ferent ideas as in K. 332 above, and in a great many of Mozart’s sonatas and concertos, is by no means beyond the conventions of classical style, but in relation to the thematic persistence Marx prizes in Beethoven, such an expo- sition...

... Artikel” in PS, even though the work appeared there as one continuous piece. 5. Author’s note (PS): “This comment alludes to the prize-winning harmonic sys- tems of A. F. [sic] Weitzmann (1860) and Graf Laurencin (1861 Both Weitz- mann 1860 and Laurencin 1861 were entries in a music theory...

... by the diatonic monochord, used to teach the rational prin- ciples of musica to young singers. In the end, rational human singing is prized above that of the nightingale, but both are ranked as musica naturalis, above wordless instrumental music (musica...

... again his composed examples belie his own advice, this time in the other direction.24 In the contest between the ideals of contrapuntal “harmony,” where variety of melodic and har- 242 monic interval is prized, and the effective compositional rhetoric of cadential prefixion illustrated...

... of entry, and duration of the partials to which they correspond. The result is one of the “liminal” effects that Grisey prized, an object that is not quite a timbre but not quite a harmony either. The ambiguous status of this sonority is in no small part due to the alterations that this technique...

...). { { { Re Great spect prize - my it faith, is re that gard I - my in ser you vice shall - past, gain: The so hope great you for winged you call hath home been to my you loss at and last. pain. My wits I spent and time for 10 you a lone,- Ob ser- ving- you and los ing- all for one...