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Journal Article
Journal of Music Theory (2013) 57 (1): 119–129.
Published: 01 April 2013
...: History, Theory, and Practice . Oxford University Press , 2012 : xiv+385 pp. ( $49.95 cloth ) Baragwanath Nicholas The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera . Indiana University Press , 2011 : xxiv+407 pp. ( $49.95 cloth ) ©...
Journal Article
Journal of Music Theory (2017) 61 (2): 243–287.
Published: 01 October 2017
... with polystylism, the importation of historical styles into contemporary compositions. This article argues that polystylism is a distinct practice from the PSM framework and that the very features of the framework are avoided in polystylistic reference. The PSM framework constitutes an integral aspect...
Journal Article
Journal of Music Theory (2020) 64 (2): 293–296.
Published: 01 October 2020
...Philippa Ovenden 293 Journal of Music Theory 64:2, October 2020 DOI 10.1215/00222909-8550819 © 2020 by Yale University Karen Desmond Music and the Moderni, 1300 1350: The Ars Nova in Theory and Practice Cambridge University Press, 2018: xxiii + 300 pp. ($99.99) Philippa Ovenden In the early...
Journal Article
Journal of Music Theory (2020) 64 (2): 297–308.
Published: 01 October 2020
...Daniel Harrison 297 Journal of Music Theory 64:2, October 2020 DOI 10.1215/00222909-8550831 © 2020 by Yale University Pedagogy into Practice: Teaching Music Theory in the Twenty-First Century. Conference organized and sponsored by the Gail Boyd de Stwolinski Center for Music Theory Pedagogy...
Journal Article
Journal of Music Theory (2001) 45 (1): 190–204.
Published: 01 April 2001
...David Neumeyer Schenker's Interpretive Practice Robert Snarrenberg Studies in Music Theory and Analysis vol. 11 New York: Cambridge Univ. Press, 1997 xxiii, 175 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 of that anxiety is offered by Max Nordau (1849–1923...
Journal Article
Journal of Music Theory (2013) 57 (1): 159–191.
Published: 01 April 2013
... on the analysis of world music, including the Oxford collection of essays Analytical and Cross-Cultural Studies in World Music , which he coedited with Michael Tenzer. Tymoczko Dmitri A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice . New York : Oxford University...
Journal Article
Journal of Music Theory (1999) 43 (1): 135–163.
Published: 01 April 1999
...Robert P. Morgan 1999 © Yale University, New Haven, Connecticut 06520 1999 ARE THERE TWO TONAL PRACTICES
IN NINETEENTH-CENTURY MUSIC?
Robert P. Morgan
Article/review of The Second Practice of Nineteenth-Century Tonality,
William Kinderman and Harald Krebs...
Journal Article
Journal of Music Theory (2017) 61 (2): 171–200.
Published: 01 October 2017
... practice. Copyright © 2017 by Yale University 2017 sonata form big data recapitulation double return end-rhyme Works Cited Allsop Peter . 1999 . Arcangelo Corelli: New Orpheus of Our Times . Oxford : Oxford University Press . Bonds Mark Evan . 1988 . “ Haydn’s False...
Journal Article
Journal of Music Theory (2018) 62 (1): 85–118.
Published: 01 April 2018
... is a complex and multifaceted phenomenon, a feature true especially of Sibelius’s later compositions. Sibelius’s tonal practice in Tapiola is based neither on first-practice functional harmony nor on second-practice triadic chromaticism but rather on the use of distinct scale collections and their interaction...
Journal Article
Journal of Music Theory (2023) 67 (1): 71–98.
Published: 01 April 2023
... a sonata rondo (type 4 in Hepokoski and Darcy's sonata theory), while a two-part design is so typical of Brahms's practice that it has become known as a “Brahmsian deformation” (expanded type 1). Yet numerous cases exist in which neither reading above is permitted—most notably, three-part sonata forms...
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Journal Article
Journal of Music Theory (2010) 54 (1): 107–120.
Published: 01 April 2010
... modernism. Cavell's commitment to intentions, his frustration with the preponderance of precompositional schema sustained by rationalized composition, and his preoccupation with the practice of criticism lead him to develop a humanist metaphysics built around the responsibility of third parties to determine...
Journal Article
Journal of Music Theory (2016) 60 (2): 149–180.
Published: 01 October 2016
... conceptions of harmonic function, but theories rooted in common-practice repertoire nearly always involve chord category to some degree. Separating syntactical and categorical elements not only leads us to a fuller understanding of rock's harmonic idiom, but also reveals similarities between rock music...
Journal Article
Journal of Music Theory (2023) 67 (2): 209–249.
Published: 01 October 2023
... graphs and transpositional networks, prompting a novel understanding between twelve-tone chordal harmony and form. The study proposes to contribute to the analytical reappraisal of a set of pieces that anchor an influential harmonic practice in twentieth- and twenty-first-century music. jmartins...
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Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... nonetheless remains directly indebted to musical practice and consistently rejects that esprit du système that is so characteristic of Rameau's theory. While Rameau, acting in the modern, scientific spirit of the early Enlightenment, attempts to derive all aspects of his theory from a few fundamental...
Journal Article
Journal of Music Theory (2007) 51 (1): 51–83.
Published: 01 April 2007
... of music, and their practice bestowed on practitioners a fluency in composition unparalleled since then. The Neapolitan masters usually recommended different stages of realization, from the simplest ( con le sole consonanze ) to highly elaborate textures. The rules for the realization of partimenti have...
Journal Article
Journal of Music Theory (2007) 51 (1): 161–186.
Published: 01 April 2007
... practice. Prominent musicians and teachers like Pietro Raimondi, Pietro Platania, and Raimondo Boucheron tried to merge the partimento tradition with the harmonic and formal innovations of their own era. Raimondi and Platania, significant exponents of the late Neapolitan school of composition, searched...
Journal Article
Journal of Music Theory (2007) 51 (2): 245–276.
Published: 01 October 2007
...Elizabeth Hellmuth Margulis This article explores the functions of silence in common-practice music, with an emphasis on the characteristics of perceived silence as distinct from notated and acoustic silence. Context is shown to guide listening in complex ways that enable the same acoustic silence...
Journal Article
Journal of Music Theory (2009) 53 (2): 163–190.
Published: 01 October 2009
... harmonics and empirical acoustics, and music theory and musical practice in the mid-nineteenth century. 2009 2009 Anna Gawboy is assistant professor of music at Ohio State University. She plays English concertina in several folk ensembles in Michigan's Upper Peninsula. Adams, William. 1876...
Journal Article
Journal of Music Theory (2018) 62 (2): 205–248.
Published: 01 October 2018
...Carmel Raz Among the most exciting aspects of John Holden’s Essay towards a Rational System of Music (1770) is its explicit ambition to explain musical practice by means of a limited set of psychological first principles. Relying primarily on introspection, it nonetheless describes phenomena...
Journal Article
Journal of Music Theory (2018) 62 (2): 165–204.
Published: 01 October 2018
...; (3) the close relationship of row cycles and retrograde inversional symmetry; and (4) cycles that produce cyclic row areas. The article closes with an extended analysis that ties Webern’s late cyclic practice to his broader organicist views of nature, finding a match in cyclic composition...
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