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Journal Article
Journal of Music Theory (2019) 63 (2): 231–260.
Published: 01 October 2019
... or conflicting relationships contribute to deeper interpretations of musical form. None of the metric spaces proposed to date is well suited to Afrodiasporic popular musics, which characteristically tend to pose regularly uneven metric foregrounds against rigid and recursively even metric backgrounds...
Journal Article
Journal of Music Theory (2009) 53 (2): 163–190.
Published: 01 October 2009
...-leading norms
almost a virtuosic feat.
Yet, the English concertina’s story provides further insight into the man-
ner in which physics, instrument building, and music theory overlapped in
nineteenth-century popular culture, as the recent work...
Journal Article
Journal of Music Theory (2019) 63 (1): 1–34.
Published: 01 April 2019
... Patterns in Rock Music .” Music Theory Spectrum 32 , no. 2 : 95 ∓ 110 . Björnberg Alf . 1989 . “ On Aeolian Harmony in Contemporary Popular Music .” In Critical Essays in Popular Musicology , edited by Moore Allan , 275 – 82 . Burlington VT. : Ashgate . Brown, Matthew...
Journal Article
Journal of Music Theory (2021) 65 (2): 375–386.
Published: 01 October 2021
... of rock music, if not popular music more generally. Temperley cites Allan Moore's Rock: The Primary Text , Ken Stephenson's What to Listen for in Rock , and Walter Everett's The Foundations of Rock as important precursors of his book (8). Among these, Stephenson's is the most similar because...
Journal Article
Journal of Music Theory (2021) 65 (1): 81–106.
Published: 01 April 2021
... separated by rank and access to dance training in addition to physical ability. But the contredanse's growth in popularity coincided with (and may have even triggered) a decline in status of social dance as an art form in Europe. I hope as music theorists we can learn from this history and embrace all...
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Journal Article
Journal of Music Theory (2016) 60 (2): 281–294.
Published: 01 October 2016
...Christopher Doll Christopher Doll is Chancellor's Scholar and associate professor of music theory and composition in the Mason Gross School of the Arts at Rutgers University. He specializes in the tonality, intertextuality, and pedagogy of recent popular and art music, and his monograph...
Journal Article
Journal of Music Theory (1999) 43 (2): 315–347.
Published: 01 October 1999
...Matthew Shaftel 1999 © Yale University, New Haven, Connecticut 06520 1999 Bergreen, Lawrence. 1990 . As Thousands Cheer: The Life of Irving Berlin . New York: Viking Penguin. Booth, Mark. 1983 . American Popular Music: A Reference Guide . Westport: Greenwood Press. Burton, Jack...
Journal Article
Journal of Music Theory (2001) 45 (2): 489–490.
Published: 01 October 2001
... Building, 1114 West
Nevada Street, Urbana, Illinois 61801, wkinder@uiuc.edu.
* * *
The next symposium of the International Musicological Society: co-hosted by
the International Council for Traditional Music, the International Association for
the Study of Popular...
Journal Article
Journal of Music Theory (2000) 44 (2): 495–498.
Published: 01 October 2000
... of “popular” music in musicology or music-
theory publications was generally limited to (traditional) folk ballads and
jazz; rock music was relegated to a token reference to The Beatles, usu-
ally invoking Sgt. Pepper’s Lonely Hearts Club Band (1967). Much of
the reluctance to embrace rock as a repertoire...
Journal Article
Journal of Music Theory (2000) 44 (2): 499.
Published: 01 October 2000
...)
and the author of articles published in Leonardo Music Journal, National Asso-
ciation of Schools of Music Proceedings, Ex Tempore, and Popular Music and
Society. His research interests include American twentieth-century experimental
music (especially the music of John Cage, Robert Ashley, Harry Partch...
Journal Article
Journal of Music Theory (2019) 63 (2): 261–267.
Published: 01 October 2019
... to follow than a hypothetical attempt at a completely new system or lexicon would be. The text refers to, and generalizes about, a wide range of styles, and even scholars of popular music might find their knowledge of repertoire chal- lenged.2 The introductory examples alone in chapter 1 take the reader...
Journal Article
Journal of Music Theory (2017) 61 (2): 143–170.
Published: 01 October 2017
... chorus and bridge
sections, the exception being the closing harmony.
Keywords rock music, popular music, harmony, form, corpus study
the analysis of a rock song, as with any piece of music, requires that we
consider its form, that is, how the song divides into sections and how those...
Journal Article
Journal of Music Theory (2011) 55 (1): 161–166.
Published: 01 April 2011
...Allan F. Moore Allan F. Moore is professor of popular music at the University of Surrey. His monograph Song Means: Analysing and Interpreting Recorded Song will be published in 2011. He is working on books on Anglo-Celtic folk song and on the music of U2. Everett Walter...
Journal Article
Journal of Music Theory (2016) 60 (2): 149–180.
Published: 01 October 2016
... and harmony in rock music received the Barry S. Brook Dissertation Award. © 2016 by Yale University 2016 rock music popular music harmonic function form Schenkerian analysis Works Cited Agawu Kofi . 1991 . Playing with Signs: A Semiotic Interpretation of Classic Music...
Journal Article
Journal of Music Theory (2018) 62 (1): 1–39.
Published: 01 April 2018
... the Truth’: Indie Pop and Kitsch Authenticity .” Popular Music 29 / 3 : 457 – 69 . Gollin Edward . 2000 . “ Representations of Space and Conceptions of Distance in Transformational Music Theories .” Ph.D. diss. , Harvard University . Heidegger Martin . 2008a . Basic Writings...
Journal Article
Journal of Music Theory (2005) 49 (1): 189–206.
Published: 01 April 2005
... Music . Bloomington: Indiana University Press. Haraway, Donna. 1991 . Simians, Cyborgs, and women: The Reinvention of Nature . New York: Routledge. Harris, Charles K. 1926 . How to write a Popular Song . New York: Charles K. Harris. Hayles, N. Katherine. 1999 . How we became Post-human...
Journal Article
Journal of Music Theory (2000) 44 (1): 236–249.
Published: 01 April 2000
...Stephen Banfield The American Popular Ballad of the Golden Era: 1924–1950 By Allen Forte Princeton, NJ: Princeton University Press, 1995 366 pp.; 354 music exx. 2000 © Yale University, New Haven, Connecticut 06520 2000 NOTES
1. Cross borrows this epigraph...
Journal Article
Journal of Music Theory (2013) 57 (1): 1–45.
Published: 01 April 2013
... : Stanford University Press . ———. 2002 . Questions de Sociologie . Paris : Minuit . Brackett David . 2005 . “ Questions of Genre in Black Popular Music .” Black Music Research Journal 25 : 73 – 92 . Briggs Charles Bauman Richard . 1992 . “ Genre, Intertextuality...
Journal Article
Journal of Music Theory (2021) 65 (1): 39–80.
Published: 01 April 2021
.... Here, on the contrary, both categories of music are fused, mutually supportive, and inevitably complementary. Obviously, in the New York salsa scene, the U.S. view of popular music never eradicated the Caribbean idea, which continued to guide the development of salsa, despite the “majestic...
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Journal Article
Journal of Music Theory (2020) 64 (2): 283–291.
Published: 01 October 2020
...; Mona- han 2013), and in the performance of popular and classical music (Burns 2002; Klorman 2016; the essays collected in Perry 2018). Interest in agency relates to the understanding of music as an active process, not a fixed object. Where Cone (1974: 1) asks, If music is a language, then who...
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