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Journal Article
Journal of Music Theory (2008) 52 (2): 273–320.
Published: 01 October 2008
...Brent Auerbach Tiered polyphony describes segments of music that manifest rhythmic/metric layering (Lester 1986) in the presence of polyphony. This texture, though a hallmark of the baroque era, is capable of generating a variety of musical effects over many style periods. This article establishes...
Journal Article
Journal of Music Theory (2008) 52 (1): 3–8.
Published: 01 April 2008
...Jennifer Bain 2008 2008 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. Bain, Jennifer Lynne. 2001 . “Fourteenth-Century French Secular Polyphony and the Problem of Tonal Structure.” Ph.D. diss., State University...
Journal Article
Journal of Music Theory (2008) 52 (1): 9–12.
Published: 01 April 2008
...Jennifer Bain; Meredith Evans 2008 2008 A Sarah Fuller Bibliography
Compiled by Jennifer Bain and Meredith Evans
Dissertation
1969. “ Aquitanian Polyphony of the Eleventh and Twelfth Centuries.” Ph.D.
diss., University of California, Berkeley...
Journal Article
Journal of Music Theory (2003) 47 (2): 325–362.
Published: 01 October 2003
..., Warren, trans. and Claude Palisca, ed. 1978 . Hucbald, Guido, and John on Music: Three Medieval Treatises. New Haven: Yale University Press. Bain, Jennifer. 2001 . “ Fourteenth-Century French Secular Polyphony and the Problem of Tonal Structure .” Ph.D. diss., State University of New York at Stony...
Journal Article
Journal of Music Theory (1999) 43 (1): 21–82.
Published: 01 April 1999
... of Music Theory 39 ( 1 ): 101 -138. Kurth, Richard. 1992 . “Mosaic Polyphony: Formal Balance, Imbalance, and Phrase Formation in Schoenberg's Suite, Op. 25.” Music Theory Spectrum 14 ( 2 ): 188 -208. Kurth, Richard. 1993 . “Mosaic Isomorphism and Mosaic Polyphony: Balance and Imbalance...
Journal Article
Journal of Music Theory (2022) 66 (1): 1–42.
Published: 01 April 2022
... for the past three centuries and more have found the arguments against any sort of true polyphony in ancient Greek music persuasive. It is, at any rate, a fact that neither Plato in this passage nor any other ancient author unambiguously defines harmonia in either of the ways with which we are concerned. I...
FIGURES
Journal Article
Journal of Music Theory (2008) 52 (1): 159–180.
Published: 01 April 2008
... University Press. Kügle, Karl. 1993 . “The Manuscript Ivrea, Biblioteca capitolare 115: Studies in the Transmission and Composition of Ars Nova Polyphony.” Ph.D. diss., New York University. Main, Alexander. 1965 . “Lorenzo Masini's Deer Hunt.” In The Commonwealth of Music, in Honor of Curt Sachs...
Journal Article
Journal of Music Theory (2008) 52 (1): 41–74.
Published: 01 April 2008
... of Nottingham. Ong, Walter. 1982 . Orality and Literacy: The Technologizing of the Word . New York: Methuen. Schick, Paul. 1997 . “Concordia Discourse: Polyphony and Dialogue in Willaert, Wert, and Monteverdi.” Ph.D. diss., Yale University. Snyder, Jon R. 1989 . Writing the Scene of Speaking...
Journal Article
Journal of Music Theory (2023) 67 (2): 356–368.
Published: 01 October 2023
... the conceptual model of hexachordal solmization and the ways in which the principal layer of core tones—roughly equivalent to Gjerdingen's full-sized analytical circles—relates to solmization, while hidden polyphony frameworks for diminution represent tricks involving elements borrowed from the “wrong” hexachord...
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Journal Article
Journal of Music Theory (2023) 67 (1): 171–186.
Published: 01 April 2023
... for this focus on the tenor as prior in status to the texted upper voices of triplum and motetus (and untexted contratenor if present) and contrapuntal foundation to the polyphony. Foremost, the tenor has status as preexistent borrowed material incorporated in a motet, and this borrowed material carries...
Journal Article
Journal of Music Theory (2021) 65 (2): 239–285.
Published: 01 October 2021
... approach to classifying, comparing, contrasting, and interpreting most contrapuntal uses of chromatic semitones that a scholar or performer may encounter in sixteenth-century polyphony. For scholars it provides a framework not only to distinguish similarities or changes of style within or among composers...
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Journal Article
Journal of Music Theory (2013) 57 (1): 159–191.
Published: 01 April 2013
... an “extended common practice of tonality” that
has endured from the earliest notated examples of Western polyphony through
to recent jazz and minimalism. One might demur that melody, harmony,
counterpoint, scales, and centricity are all rich concepts whose meanings and
correlations vary in different...
Journal Article
Journal of Music Theory (2024) 68 (1): 141–148.
Published: 01 April 2024
... immerse ourselves in their pedagogy, their theory texts, and their music. Peter Schubert has learned to improvise counterpoint (e.g., Schubert 2020 ). After years of working with music that has never been edited into score, I've learned to audiate fragments of polyphony from partbooks (Van Orden 2015...
Journal Article
Journal of Music Theory (2010) 54 (2): 179–234.
Published: 01 October 2010
... Music History 10 : 15 -27. ———. 1997 . “Polyphony of Texts and Music in the Fourteenth-Century Motet: Tribum que non abhorruit/Quoniam secta Iatronum/Merito hec patimur and Its Quotations.” In Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance , ed. Dolores Pesce, 82 -103...
Journal Article
Journal of Music Theory (2019) 63 (1): 71–102.
Published: 01 April 2019
... : 35 – 36 . Heneghan Áine . 2005 . “An Affinity with Bach: Form and Function in Schoenberg’s ‘New Polyphony .’” Journal of the Arnold Schönberg Center 7 : 99 – 123 . Heneghan Áine . 2018a . “ Schoenberg’s Fundamentals of Musical Composition: A Source Study .” Journal...
Journal Article
Journal of Music Theory (2000) 44 (1): 171–229.
Published: 01 April 2000
... (Messiaen’s Can-
téyodjayâ in section II.3), and polyphony (Bartók’s “Diminished Fifth”
from Mikrokosmos, Bk.4, in section II.4). It is important to note that, for
clarity of presentation, aspects of the theory are not explored until the
analytic section, in the context of those complete analyses...
Journal Article
Journal of Music Theory (2000) 44 (1): 100–126.
Published: 01 April 2000
... independently of its
metric foundation.55 And just as sound combinations having no chordal
meaning can arise melodically, conflicts often arise between rhythmic
motion and metric accentuation, which require each element to be under-
stood for itself. In harmony we speak much of polyphony; in meter we
speak...
Journal Article
Journal of Music Theory (2024) 68 (1): 157–163.
Published: 01 April 2024
... common consensus around modal seems to be that modal music is anything that is neither tonal nor atonal—a vast world-encircling bucket into which medieval chant, Renaissance polyphony, Sacred Harp music, later jazz, most rock, and every kind of non-Europe-originating music on Earth all get tossed...
FIGURES
Journal Article
Journal of Music Theory (2022) 66 (2): 223–253.
Published: 01 October 2022
... 11. Messiaen, La Nativité du Seigneur , mm. 493–4 (movement IX). Example 11. Messiaen, La Nativité du Seigneur, mm. 493–4 (movement IX). The second issue concerns polyphonic passages. Polyphony involves two or more independent voices; if these voices are clearly performed, listeners might...
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Journal Article
Journal of Music Theory (2000) 44 (1): 45–79.
Published: 01 April 2000
....” Plainsong and Medieval Music 4 /2: 117 -47. Moll, Kevin N., ed. 1997 . Counterpoint and Compositional Process in the Time of Dufay . New York and London: Garland. ———. 1994 . “ Structural Determinants in Polyphony for the Mass Ordinary from French and Related Sources (ca. 1320-1410) .” Ph.D...
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