1-14 of 14 Search Results for

pietro

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Journal of Music Theory (2007) 51 (1): 161–186.
Published: 01 April 2007
... practice. Prominent musicians and teachers like Pietro Raimondi, Pietro Platania, and Raimondo Boucheron tried to merge the partimento tradition with the harmonic and formal innovations of their own era. Raimondi and Platania, significant exponents of the late Neapolitan school of composition, searched...
Journal Article
Journal of Music Theory (2015) 59 (1): 1–61.
Published: 01 April 2015
... of the schemas allow us to describe the basic phrase syntax of recitative, grouping the schemas into three broad formal roles: initiatory, medial, and closing. Appendix 2 demonstrates this formal model by analyzing the dramatic climax of Leonardo Vinci and Pietro Metastasio’s opera Artaserse (1730). Additionally...
Journal Article
Journal of Music Theory (2007) 51 (1): 51–83.
Published: 01 April 2007
..., Conservatorio di Musica S. Pietro a Majella, Biblioteca (I-Nc) Rari 1.9.14/1. Durante, Francesco. Partimenti, ossia intero studio di numerati per ben suonare il cembalo . Bologna, Civico Museo Bibliografico Musicale (I-Bc) E.E 171. Furno, Giovanni. Regole di Partimenti . Naples, Conservatorio di Musica...
Journal Article
Journal of Music Theory (2008) 52 (1): 41–74.
Published: 01 April 2008
... Colloquia. ____. 2003 . “O quelle armonye: Dialogue Singing in Late Renaissance France.” Early Music History 22 : 1 -65. Buranello, Robert. 2004 . “Pietro Aretino between the locus mendacii and the locus veritatis.” In Printed Voices: The Renaissance Culture of Dialogue , ed. Dorothea Heitsch...
Journal Article
Journal of Music Theory (2007) 51 (1): 137–159.
Published: 01 April 2007
... Alunni del R. Collegio di Musica di Napoli.... Publ. No. 959. Naples: Stabilimento Musicale Partenopeo Antica Casa Girard Strada S. Pietro a Majella 30, 31, 32. Fenaroli, Fedele and Emanuele Imbimbo. 1814a . Partimenti ossia Basso numerato di Fedele Fenaroli Per uso degli alunni del Regal...
Journal Article
Journal of Music Theory (2007) 51 (1): 85–135.
Published: 01 April 2007
..., Pietro [or Pier] Maria. 1628 . Frutti delle moderne comedie et avisi a chi le recita. Padova. Trans. and excerpted in Actors on Acting , ed. Toby Cole and Helen Chinoy, 2nd ed., 50 -52. New York: Crown, 1954. Christensen, Thomas. 1992 . “The Règle de l'Octave in Thorough-Bass Theory and Practice...
Journal Article
Journal of Music Theory (2008) 52 (1): 151–158.
Published: 01 April 2008
..., in the types of information they impart about particu- lar theorists and treatises. Some entries give overviews of each work of a spe- cific theorist in chronological order (that on Pietro Aaron, e.g others briefly summarize the full contents of particular works...
Journal Article
Journal of Music Theory (2009) 53 (2): 255–304.
Published: 01 October 2009
... the Late Sixteenth to the Early Eighteenth Century.” Ph.D. diss., City University of New York. ____. 2007 . “Theories of Chromaticism from the Late Sixteenth to the Early Eighteenth Century.” Theoria 14 : 5 –40. Aron, Pietro. [1529] 1970 . Toscanello in Musica . Translated by Peter Bergquist...
Journal Article
Journal of Music Theory (2021) 65 (2): 239–285.
Published: 01 October 2021
...) distinction between essential and nonessential chromaticism. 38 This dissonance, my annotation suggests, is a chromaticized variation of a 4–3 syncopation. 39 A contemporaneous source that may support this approach is Pietro Pontio. See Morgan 2016 : 68–72. 40 This technique likely...
FIGURES | View All (59)
Journal Article
Journal of Music Theory (2012) 56 (2): 121–167.
Published: 01 October 2012
...–56 . ———. 1867 . Traité complet de la théorie et de la pratique de l’harmonie , 9th ed. Paris : G. Brandus and S. Dufour . Frege Gottlob . 1892 . “ Über Sinn und Bedeutung .” Zeitschrift für Philosophie und philosophische Kritik 100 : 25 – 50 . Gianotti Pietro . 1759...
Journal Article
Journal of Music Theory (2022) 66 (1): 1–42.
Published: 01 April 2022
...), by way of a quotation, hints that this idea of harmonic mediation may have been inspired by a remark of Pietro d'Abano in his commentary on Pseudo-Aristotle, Problems , XIX.12, as discussed in Cohen 2012 . A late echo of this debt of Gaffurio is found in Artusi ( 1603 : 6), though Artusi mistakenly...
FIGURES
Journal Article
Journal of Music Theory (1999) 43 (2): 315–347.
Published: 01 October 1999
..., and so, at the request of the dean, Porter secretly transferred to the department of music. Here, Porter studied harmony and counterpoint with the Italian organist-composer, Pietro Yon. Cole Porter’s notebooks and intricate species counterpoint exercises indicate a strong background in these areas...
Journal Article
Journal of Music Theory (2021) 65 (2): 185–237.
Published: 01 October 2021
... . Style and Music: Theory, History, and Ideology . Philadelphia : University of Pennsylvania Press . Mirka Danuta . 2009 . Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 . New York : Oxford University Press . Morasso Pietro , and Mohan...
FIGURES | View All (21)
Journal Article
Journal of Music Theory (2012) 56 (2): 225–283.
Published: 01 October 2012
... were initially favorable. Peter (Pietro) Lichtenthal, Milan correspondent for the Leipziger allgemeine musikalische Zeitung, regarded Il pirata (1827) and La straniera (1829) as more serious and “German” than Rossini’s operas (Witt- mann 1995, 203–4). The young...