...Joseph Salem Joseph Salem is completing a Ph.D. on Pierre Boulez at Yale University. His research investigates the creative process through the analysis of musical manuscripts and contemporaneous writings, as well as the influence of musical form, media, and social function...

...C. Catherine Losada This article examines the transfer between precompositional material and score in Pierre Boulez’s Domaines . It demonstrates how this stage of the compositional process and the gestural content of the work derive from and are linked to Boulez’s innovative serial and derivational...

... is passed off as art, what reward does the perpetrator stand to gain? What does the victim stand to lose? To flesh out the stakes involved in Cavell's notion of fraudulence, this article reframes the issue in terms of the peculiar economy of music. As Pierre Bourdieu and others have suggested, the art world...

... courtois , now a common label for “high-style” songs. Other literary scholars, notably Paul Zumthor and Pierre Bec, have discussed problems in classifying styles and genres. References to genres in medieval texts are ambiguous, and manuscripts rarely group songs by genre. Theorists such as Raimon Vidal...

... of Evil . Translated by Hallward Peter . London : Verso . Borges Jorge Luis . [ 1939 ] 2007 . `` Pierre Menard, Author of the Quixote .'' Reprinted in Labyrinths: Selected Stories and Other Writings , ed. Yates Donald Irby James E. , trans. Irby James E. , 36 – 44...

.... Traité de la musique théorique et pratique. Paris: Pierre Ballard. Repr., Geneva: Minkoff, 1972 . Pierre, Constant. 1975 . Histoire du Concert Spirituel: 1725-1790 . Paris: Société française de musicologie, Heugel. Rameau, Jean-Philippe. 1722. Traité de l'harmonie. Paris: Jean-Baptiste...

... Research Press. Briscoe, Roger. 1975 . “ Rameau's Démonstration du principe de l'harmonie and Nouvelles réflexions de M. Rameau sur sa Démonstration du principe de l'harmonie: An Annotated Translation of Two Treatises by Jean-Philippe Rameau.” Ph.D. diss., Indiana University. Burette, M. [Pierre...

... 1975; Hicks 1982). Owing to its size and notoriety, quoting the score at length is neither practical nor particularly useful. The next best thing will be Berio’s own program note, written for the 1986 Erato recording, conducted by Pierre Boulez: The third part of Sinfonia calls for more...

... Production .” Cultural Sociology 4 : 171 – 208 . Bourdieu Pierre . 1984 . Distinction: A Social Critique of the Judgement of Taste . Translated by Nice Richard . Cambridge, MA : Harvard University Press . ———. 1998 . Practical Reason: On the Theory of Action . Stanford, CA...

... . Appalachia Waltz . Sony Classical . Osbourne Ozzy . 1981 . Diary of a Madman . Jet . Shimabukuro Jake . 2011 . Peace Love Ukulele . Hitchhike Records . Halen Van . 1982 . Diver Down . Warner Bros . Works Cited Aubin Jean-Pierre Frankowska Hélène . 1990...

... Martini, et autres. Ouvrage classique Servant d'Introduction à l'étude de la Composition Traduit de l'italien, disposé dans l'ordre le plus propre à en faciliter l'intelligence et la pratique. Et dedié à Monsieur Tarchi par Alexandre Choron et Vincenzo Fiocchi Ci-devant Organiste de S.t Pierre du...

... Ferdinand Romary). I thank Jean-Pierre Allgemeinen mit der Praxis des 12. Jahrhunderts Noiseux for drawing my attention to this letter and provid- überein.” ing me with digital scans. Jennifer Bain Hildegard, Hermannus, and Late Chant Style 125...

..., Jack. “Schoenberg's Op. 22 Radio Talk and Developing Variation in Atonal Music.” Music Theory Spectrum 14/2 ( 1992 ): 125 -49. ____. “Schoenberg on Ornamentation and Structural Levels.” Journal of Music Theory 38/2 ( 1994 ): 187 -216. Boulez, Pierre. “Arnold Schoenberg...

... of sound and tone on Pierre Schaeffer’s reha- bilitation of the notion of acousmatic, which licenses the separation of sound from its cause (p. 12), and therefore insists on the distinction 489 between sound as sound, and sound within a musical...

... of the book’s goals (73). For instance, in my recent work (Losada 2013, 2014), I create a theoretical framework for Pierre Boulez’s music written between 1955 and 1970. Through her invocation of structural criteria, Hanninen throws into relief the impor...

.... “Twelve-Tone Rhythmic Structure and the Electronic Medium.” In Perspectives on Contemporary Music Theory, ed. B. Boretz and E. T. Cone. New York: W.W. Norton, 148–79. Berz, William L. 1995. “Working Memory in Music: A Theoretical Model.” Music Perception 12(3): 353–64. Boulez, Pierre. 1971...

... analysis, Auerbach performs side-by-side analyses of the first four bars of Pierre Leemans's “March of the Belgian Paratroopers.” Since the two analyses yield similar results, the laurels are awarded to EDR because it is easier to apply: it does not require “prolonged study both of strict and free...

...). These are the passages where, in the words of his friend Pierre Souvtchinsky, “Stravinsky adds a dimension to Western music” (qtd. in Craft 1972, 329). Horlacher’s nuanced accounting of this dialectic of stasis and dynamism marks a major advance in Stravinsky studies. When...

... and well into the postwar period. Pierre Boulez, for instance, the preeminent spokesperson for postwar modernism, continues to echo Fétis, even into the twenty-first century, when he says, “The tonal system has gone through a kind of historical evolution, and you cannot go back. That's impossible” (Here...

... Sue , 23 – 47 . Ann Arbor : Steglein . Chakrabarty Dipesh . 2007 . Provincializing Europe: Postcolonial Thought and Historical Difference . 2nd ed. Princeton, NJ : Princeton University Press . Charrak André , ed. 1997 . Pierre Estève: Nouvelle découverte du principe de...