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phrase structure

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Published: 01 April 2021
Figure 5. Phrase structure and hypermetric analysis of Grupo Niche's “Cali pachanguero.” Figure 5. Phrase structure and hypermetric analysis of Grupo Niche's “Cali pachanguero.” More
Image
Published: 01 April 2021
Figure 5. Phrase structure and hypermetric analysis of Grupo Niche's “Cali pachanguero.” Figure 5. Phrase structure and hypermetric analysis of Grupo Niche's “Cali pachanguero.” More
Journal Article
Journal of Music Theory (2015) 59 (2): 235–271.
Published: 01 October 2015
... of Morley's balletts reveals four primary “Englishing” techniques. First, Morley establishes and confirms tonic more thoroughly than the Italians do. Second, the dominant chord plays a larger role in Morley's balletts, often yielding predictive statement-response phrase structures. Third, Morley uses pre...
Journal Article
Journal of Music Theory (2020) 64 (1): 1–36.
Published: 01 April 2020
... is provided to classify such pairs. This reframing of phrase-structural analysis in predictive terms opens it up to the hermeneutic strategies of dialogic analysis, by allowing for the exploration of the rhetorical and expressive effects of failed predictions. This article further proposes a way to use corpus...
Journal Article
Journal of Music Theory (2014) 58 (2): 103–154.
Published: 01 October 2014
.... Part I provides an account of the rules that generate phonological words and phrases in German, the principles that determine the normal placement of stress in words and phrases, and motivations for the abnormal placement of stress. Part II looks at higher-level, facultative structures in prosodic...
Journal Article
Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
...Alan Dodson This is an analytical study on metrical structure in Chopin's Mazurka op. 17/4 (complete) and excerpts from his Mazurkas opp. 59/2 and 63/3, and on the effects of expressive details in Paderewski's recordings upon that structure. The methodology is based mainly on Harald Krebs's theory...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2010) 54 (2): 179–234.
Published: 01 October 2010
..., the classification highlights salient structural and aural differences. A systematic study of sonority usage in Machaut's motets also reveals his preference for particular combinations of intervals over others. An examination of passages from several motets illustrates the classification's potential. A discussion...
Journal Article
Journal of Music Theory (2006) 50 (2): 277–290.
Published: 01 October 2006
...: Interactions with Hypermeter and Phrase Structure.” Music Theory Spectrum 28 : 23 -56. McKee, Eric. 2004 . “Extended Anacruses in Mozart's Instrumental Music.” Theory and Practice 29 : 1 -37. Ratner, Leonard. 1980 . Classic Music: Expression, Form, and Style . New York: Schirmer. Rosen...
Journal Article
Journal of Music Theory (2000) 44 (2): 323–379.
Published: 01 October 2000
... premise of the theory is that many tonal conventions are them- selves grounded in bodily experience. That is, the image schemas that lend coherence to our bodily experience are metaphorically reflected in con- ventional patterns of melody, harmony, phrase structure, and form. These conventional...
Journal Article
Journal of Music Theory (2003) 47 (1): 125–154.
Published: 01 April 2003
... is the distinction between group and phrase. A group is a unit of group- ing structure at any hierarchical level; the term “phrase” refers to a basic, intermediate level of group—roughly four to eight measures in length, though sometimes more or less.2 My main concern in this paper will be with phrases, though I...
Journal Article
Journal of Music Theory (2010) 54 (2): 235–282.
Published: 01 October 2010
.... As such, it illustrates hypermetrical irregularity 1 Throughout this article I use Koch’s (1782–93) terminology harmonic basis” (1983, 56 [1787, 457 in reference to for descriptions of phrase structure, usually following Nancy incises (Einschnitte) making up a phrase, but this relation- Kovaleff Baker’s...
Journal Article
Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
... progressions are not necessarily isomorphic with phrase structure. Nor are their spans knowable in advance. So, for listeners who depend, for exam- ple, on cadence-induced phrase boundaries for a sense of punctuation, learn- ing that a linear progression may or may not be initiated or completed...
Journal Article
Journal of Music Theory (2017) 61 (1): 141.
Published: 01 April 2017
... (contour) features, types of harmonic (continuo) support, seman- tic associations (for a few cases), and syntactic roles within phrase structures expressing initiatory, medial, and closing functions. They range widely through many relevant topics, including discussions of poetic...
Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
.... McClelland, Ryan. 2006 . “Extended Upbeats in the Classical Minuet: Interactions with Hypermeter and Phrase Structure.” Music Theory Spectrum 28 : 23 –56. McKee, Eric. 2004 . “Extended Anacruses in Mozart's Instrumental Music.” Theory and Practice 29 : 1 –37. Ratner, Leonard. 1980 . Classic...
Journal Article
Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
... it is—is a phrase-form category of cen- tral importance to tonal music. It is because of this last point that theorists’ descriptions of the period are so telling concerning their views about the nature of structure in tonal music. For, despite these abstract points of agree...
Journal Article
Journal of Music Theory (2003) 47 (1): 41–101.
Published: 01 April 2003
... phrase generates a certain structural tension in view of the expectation of aggre- gate completion. The missing element, pc 1, makes a dramatic appear- ance in the melody of the last phrase of the Menuetto, as the D≤ upbeat to m. 47. This pitch then recurs repeatedly in conjunction with the V7/IV...
Journal Article
Journal of Music Theory (2000) 44 (1): 81–99.
Published: 01 April 2000
... of Riemann’s analysis are obvious enough. What is worth emphasizing is his use of abstract categories to promote a hierarchical conception of musical form. In linguistic terms, one could assemble a rudimentary phrase structure grammar from the expansion techniques and examples that are set forth...
Journal Article
Journal of Music Theory (2016) 60 (2): 281–294.
Published: 01 October 2016
..., rhythm, phrase structure, large-scale form, harmony, melody, lyrics, semiotics, intertextuality, authenticity, cogni- tion, perception, and the history of popular style, it is the magnum opus of a distinguished scholar who has been writing on issues of popular-music analy- sis and interpretation...
Journal Article
Journal of Music Theory (2006) 50 (2): 181–210.
Published: 01 October 2006
.... 1981 . Reason, Truth and History . Cambridge: Cambridge University Press. Rosen, Charles. 1988 . Sonata Forms , rev. ed. New York: Norton. Rothstein, William. 1981 . Rhythm and the Theory of Structural Levels . Ph.D. diss., Yale University. ____. 1989 . Phrase Rhythm in Tonal Music...
Journal Article
Journal of Music Theory (1999) 43 (1): 165–190.
Published: 01 April 1999
... of molecular biology and gene technology. As for music, in particular, tonal music: Tovey’s approach to phrase structure, with its descriptions of phrase lengths and surface characteristics, is not incompatible with cur- rent theory. It is not sufficient, however. Lerdahl and Jackendoff, Roth- stein...