... C. F. 2000 . `` Staging Authenticity: A Critique of Cavell's Modernism .'' Philosophy and Literature 24 : 294 – 311 . Bernstein J. M. 2003 . `` Aesthetics, Modernism, Literature: Cavell's Transformations of Philosophy .'' In Stanley Cavell , ed. Eldridge Richard , 107...

...Stephen Decatur Smith This article offers a comparative reading of Theodor Adorno's and Stanley Cavell's philosophies of music. It does not attempt a survey or summary of their respective approaches but rather focuses on one moment in a text by Cavell—namely, his reading and critique, in an essay...

...Michael Gallope This article attempts to elucidate the main characteristics of Stanley Cavell's philosophy of music by comparing it to the work of French philosopher Gilles Deleuze. The analysis begins from the simple observation that both philosophers affirmed and supported the broad outlines...

...Brian Kane Stanley Cavell's thinking on music may appear an odd theme for a special issue of the Journal of Music Theory . According to Cavell, “although I have written very little explicitly about music... something I have demanded from philosophy has been an understanding precisely of what I had...

...Dmitri Tymoczko Part personal reminiscence and part scholarly disquisition, this article discusses some ways in which Stanley Cavell's work has shaped my own thinking and composing. I begin by suggesting that Cavell's overarching goal is to “redeem” traditional philosophy (and secondarily, avant...

..., which is in turn motivated by his Hanslickian musical absolutism. What emerges from this triangulation of commitments is that Schenker's interpretive practice accords with the scientific precepts Kant's philosophy of biology attempts to establish. This result casts new light on the purport of Schenker's...

..., Austin, Derrida . Cambridge : Blackwell . ———. 2005 . Philosophy the Day after Tomorrow . Cambridge, MA : Harvard University Press . Hicks Michael . 1982 . `` Text, Music, and Meaning in the Third Movement of Luciano Berio's Sinfonia .'' Perspectives of New Music 20 / 1 : 199...

... Fassung von 1923. Frankfurt am Main: Suhrkamp. Engl. trans. of pp. 49–208, “Philosophie der Musik,” by Peter Palmer in Bloch, Essays on the Philosophy of Music , ed. Drew David , 1 – 139 . Cambridge : Cambridge University Press , 1985 . Covach John . 1996 . “ The Sources...

... to explain the nature of time and to determine how and on what grounds it may be quantified and measured, both abstractly and concretely. Roger Mathew Grant’s book places theories of musical time mea- surement in the context of changing philosophies of time from about 1500 through the early nineteenth...

..., Norwood Russell. 1958 . Patterns of Discovery . Cambridge: Cambridge University Press. Kripke, Saul A. 1980 . Naming and Necessity . Cambridge, Mass.: Harvard University Press. Langford, C. H. 1942 . “The Notion of Analysis in Moore's Philosophy.” In The Philosophy of G. E. Moore, ed. P...

...Bryan J. Parkhurst Bryan Parkhurst teaches music and philosophy at the University of South Florida in Tampa. Walton Kendall . In Other Shoes: Music, Metaphor, Empathy, Existence . Oxford University Press , 2014 : 295 pp. ( $29.95 , paperback) © 2016 by Yale University...

... . Moellendorf Darren . 1992 . “ Racism and Rationality in Hegel's Philosophy of Subjective Spirit .” History of Political Thought 13 , no. 2 : 243 – 55 . Moreno Jairo . 2015 . “ Difference Unthought .” In Rethinking Difference in Musical Scholarship , edited by Bloechl Olivia , Lowe...

...: Some Implications for the Analysis of Chromaticism in Tonal Music.” Music Theory Spectrum 13 : 147 –78. Rosenberg, Alexander. 2000 . Philosophy of Science: A Contemporary introduction . New York: Routledge. Sarkar, Sahotra, and Jessica Pfeifer, eds. 2006 . The Philosophy of Science...

... . Edited by Krell David Farrell . New York : Harper-Collins . Heidegger Martin . 2008b . Towards the Definition of Philosophy: With a Transcript of the Lecture-Course “On the Nature of the University and Academic Study” (Freiburg Lecture-Courses 1919) . Translated by Sadler Ted...

... Grundlage für die Theorie der Musik . Braunschweig : F. Vieweg und Sohn . ———. 1867 . Handbuch der physiologischen Optik . Leipzig : L. Voss . Herbart Johann Friedrich . 1813 . Lehrbuch zur Einleitung in die Philosophie . Königsberg : August Wilhelm Unzer . ———. [1831] 1850...

...- tion and editing. 170 Schenker covers his topic in four broadly-defined, and somewhat overlapping areas:2 1. The philosophy and aesthetics of performance 2. The interpretation of specific modes of notation 3. Suggestions as to how one should physically play one’s instru- ment...

.../Musique (IRCAM), and a mathematics- and philosophy-trained musicologist comfortable with serial composition, Gold- man represents a younger generation of scholars who have received an accel- erated introduction to Boulez’s writings and works.2 Working alongside some...

... vitupera- tive barbs aimed at Schenker’s contemporaries excised without notice— an aspect of the history of Schenkerian reception in this country that I said I hoped we might find the time to learn a bit more about. Perhaps a tad less gently, I suggested she take a look at Hegel’s Philosophy of His...

... “attempts several philosophical tasks” in re- sponse to Schenker’s attribution to composers of “the intention to craft movements as organic unities” (79). The best of these is the argument that Schenker was directly influenced (through reading for his law de- gree) by Hegel’s Philosophy of History. Thus...

... . www.mtosmt.org/issues/mto.16.22.2/mto.16.22.2.schmalfeldt.html . Swinkin Jeffrey . 2015 . Teaching Performance: A Philosophy of Piano Pedagogy . Cham : Springer . Tovey Donald Francis . 1931 . A Companion to Beethoven’s Pianoforte Sonatas . London : Associated Board of the Royal...