Search Results for phenomenology

...Henry Burnam [email protected] Benjamin Steege . An Unnatural Attitude: Phenomenology in Weimar Musical Thought . New Material Histories of Music Series , edited by James Q. Davies and Nicholas Mathew . University of Chicago Press , 2021 : ix + 281 pp. ( $55.00 cloth...

... entails, however, often yields counterintuitive and inconsistent results when comparing contour segments (csegs) of different cardinalities. In some instances, it falsely implies that an expansion or contraction of contour space has transpired. In other cases, it grossly misrepresents the phenomenological...

..., and embodiment, which juxtapose Lewinian thinking with the phenomenology of Maurice Merleau-Ponty. Copyright © 2018 by Yale University 2018 transformational theory performance analysis musical instruments phenomenology popular music Works Cited Aubin Jean-Pierre Frankowska Hélène...

... (especially Varela, Thompson, and Rosch 1991 , a key citation in Kozak's framing of his own project) use Maurice Merleau-Ponty's phenomenology as their methodological foundation and main vocabulary. A key consequence of the enactivist perspective is that we as listeners simultaneously both create...

... by” in diverse contexts. Among the previously published essays are some of Lewin’s most famous, including his analyses of Parsifal (“Amfortas’s Prayer . .  Schubert’s “Auf dem Fluße,” and the opening duet from Figaro. Pride of place, however, must go to “Music Theory, Phenomenology, and Modes...

... Now: Current Perspectives in Kittler Studies , edited by Sale Stephen Salisbury Laura , 132 – 53 . Cambridge : Polity . Bogost Ian . 2012 . Alien Phenomenology; or, What It’s Like to Be a Thing . Minneapolis : University of Minnesota Press . Bryant Levy . 2012...

... insights from the convictions with which he supported them. As Rothfarb notes, Halm occasionally described his analytic practice as “phenomenological,” given his intention to produce “narrative accounts of pieces as networks of dynamic relations” rather than formalized theory (55). Alexander...

... of temporal motion the motion through time, and the motion of time which is itself a 126 J O U R N A L o f M U S I C T H E O R Y product of metaphoric reasoning (109). Thus the more general discussion addresses what Cox calls the phenomenology of temporal experience, or how we conceptualize temporal motion...

...-and-society-figure . Fraleigh Sondra . 1991 . “ A Vulnerable Glance: Seeing Dance through Phenomenology .” Dance Research Journal 23 , no. 1 : 11 – 16 . Franko Mark . 2011 . “ What Is Dead and What Is Alive in Dance Phenomenology .” Dance Research Journal 43 , no. 2 : 1 – 4...

... Analysis .” Perspectives of New Music 6 / 1 : 33 – 51 . Lewin David . 1969 . “ Behind the Beyond: A Response to Edward T. Cone .” Perspectives of New Music 7 / 2 : 59 – 69 . Lewin David . 1986 . “ Music Theory, Phenomenology, and Modes of Perception .” Music Perception 3...

... for the phenomenologically minded. Its ability to accommodate metrically displaced family members allows for deeper insights into the inner workings of Reich's compositional process, as well as the listeners’ potential perceptions of the work. The analytical capabilities of this model could be expanded even further...

....” In The Invented Reality: How Do We Know What We Believe We Know? , ed. Paul Watzlawick. New York: W. W. Norton. Headlam, Dave. 1996 . The Music of Alban Berg . New Haven: Yale University Press. Husserl, Edmund. 1893–1917/ 1991 . On the Phenomenology of the Consciousness of Internal Time . Trans. John...

... : Yale University Press . ———. 2006 . “ Phenomenology and Modes of Perception .” In Studies in Music with Text , 53 – 108 . New York : Oxford University Press . Schachter Carl . 2008 . “ E Pluribus Unum: Large-Scale Connections in the Opening Scenes of Don Giovanni .” In Essays from...

...:26). 6292775354001 myAudio5 Copyright © 2021 by Yale University 2021 meter kinesthesis phenomenology heavy metal feeling JUSTIN LONDON'S ( 2012 : 182) “many meters hypothesis” states that “a listener's metric competence resides in her or his knowledge of a very large number...

... and Other Music Theories.” Perspectives of New Music 21 / 1–2 : 312 –71. ———. 1986 . “Music Theory, Phenomenology, and Modes of Perception.” Music Perception 3 : 327 –92. Reprinted in Studies in Music with Text, Oxford Studies in Music Theory. Oxford: Oxford University Press, 2006; 53–108...

... purely deterministic” (38). The ninth chapter traverses the embodied cognition literature, treat- ing themes relevant to musical experience. These themes include mind-body dualism (and associated dichotomies), phenomenological and biological (or, roughly, conscious and unconscious) embodied...

... of Similarity.” Music Perception 18 : 245 -74. Lewin, David. 1980 . “A Response to A Response: On Pcset Relatedness.” Perspectives of New Music 18/2 : 498 -502. ____. 1986 . “Music Theory, Phenomenology, and Modes of Perception.” Music Perception 3 : 327 -92. ____. 1987 . Generalized...

... to terms with the activity of listening in time. Moreno’s Weber marks the turn of music theory toward an ironic mode— Weber presents a thoroughgoing phenomenological account of our lis- tening activity, but questions its own validity at every turn. Moreno reads the basis of Weber’s conception...

... interrogation of the interrelations between dance and culture while drawing on phenomenology as a key tool for making direct contact with the feelings and meanings suggested through dance. Meanwhile, the term theory as applied in recent dance scholarship tends to refer to cultural and political...

... and Pleasure in Seventeenth-Century Music . Berkeley : University of California Press . McClary Susan . 2016 . “ Doing the Time Warp in Seventeenth-Century Music .” In Music in Time: Phenomenology, Perception, Performance: A Festschrift in Honor of Christopher Hasty , edited by Clark Susannah...