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Journal Article
Journal of Music Theory (2015) 59 (1): 121–181.
Published: 01 April 2015
...Jason Yust This article introduces a type of harmonic geometry, Fourier phase space, and uses it to advance the understanding of Schubert’s tonal language and comment upon current topics in Schubert analysis. The space derives from the discrete Fourier transform on pitch-class sets developed by...
Journal Article
Journal of Music Theory (2016) 60 (2): 213–262.
Published: 01 October 2016
... proposes the use of phase spaces and Quinn's harmonic qualities in analysis of a wide variety of twentieth-century styles. The main focus is on how these ideas relate to scale-theoretic concepts and the repertoires to which they are applied, such as the music of Debussy, Satie, Stravinsky, Ravel, and...
Journal Article
Journal of Music Theory (2006) 50 (2): 253–275.
Published: 01 October 2006
...) poetical context. A range of late-eighteenth- and early-nineteenth-century thought on both sequential progression and harmonic analysis in general, by Emanuel Aloys Förster, Johann Philipp Kirnberger, and Gottfried Weber, among others, is assayed. Opportunities for chromaticism within the 5 and 6 phases...
Journal Article
Journal of Music Theory (2013) 57 (1): 47–85.
Published: 01 April 2013
... respect to both period and phase. The downbeats of these heard measures are the hyperbeats that relate to one another by means of the hypermetrical schemas. Metrical orientation is top-down and schema driven; it thus complements low-level, bottom-up cognitive accounts of meter. The hypermetrical schemas...
Journal Article
Journal of Music Theory (2019) 63 (1): 103–138.
Published: 01 April 2019
... they marshal different criteria and model out-of-phase relationships between, say, formal boundaries and Schenkerian tonal pillars. Throughout, the emphasis is on dynamic interactions between a type 2 movement’s generic formal characteristics and its compositional idiosyncrasies. Two movements...
Journal Article
Journal of Music Theory (2015) 59 (2): 273–320.
Published: 01 October 2015
Journal Article
Journal of Music Theory (2007) 51 (2): 277–332.
Published: 01 October 2007
....” Perspectives of New Music 34/2 : 6 -39. Rosenblat, Joseph. 1984 . “Phase Retrieval.” Communications in Mathematical Physics 39 : 77 -100. Rust, Douglas. 1995 . “Conversation with Witold Lutosławski.” Musical Quarterly 79 : 207 -23. Scott, Damon and Eric J. Isaacson. 1998 . “The Interval...
Journal Article
Journal of Music Theory (2003) 47 (1): 125–154.
Published: 01 April 2003
... group- ing are “in phase” (1983, 25–29). Three of Lerdahl and Jackendoff’s examples are shown in Example 1, along with their grouping and metri- cal analyses. A highly “in-phase” passage is one in which the strongest beat in each group occurs exactly at the beginning, as in the scherzo of...
Journal Article
Journal of Music Theory (1999) 43 (1): 165–190.
Published: 01 April 1999
... Tempo Discrimination of Isochronous Tone Sequences.” Human Perception and Performance 24 ( 6 ): 1 -15. Tass, P.A. 1999 . Phase Resetting in Medicine and Biology . Heidelberg and New York: Springer Verlag. Zaslaw, N. 1989 . Mozart's Symphonies: Context, Performance Practice, Reception. New...
Journal Article
Journal of Music Theory (1999) 43 (2): 359–371.
Published: 01 October 1999
...-methodology . . . : mistrust anything that tells you not to explore an aural impression you have once formed.”1 Yet I believe that Hasty’s formula embodies an unusually rich seam of ambiguity, indicat- ing that his topic is a particularly suitable one for a phase of late-moder- nity in culture and...
Journal Article
Journal of Music Theory (2001) 45 (1): 204–227.
Published: 01 April 2001
Journal Article
Journal of Music Theory (2016) 60 (2): 97–148.
Published: 01 October 2016
Journal Article
Journal of Music Theory (2013) 57 (2): 287–320.
Published: 01 October 2013
Journal Article
Journal of Music Theory (2006) 50 (1): 128–139.
Published: 01 April 2006
... is a closed book, bounded on both ends by viable literate tradition, which Taruskin sees as having entered a “culminating phase” dur- ing the middle of the twentieth century (1:xxiii). The gracious exit thus takes place after the stage lights have been...
Journal Article
Journal of Music Theory (2017) 61 (2): 289–296.
Published: 01 October 2017
... 293 The independence of tempo and style from meter characterizes the final phase of Grant’s historical survey and the beginning of a way of think- ing that is typical of theoretical thought about meter today. The essential feature of this viewpoint is that meter is a result of the mental...
Journal Article
Journal of Music Theory (2011) 55 (1): 1–41.
Published: 01 April 2011
... Theory Spectrum 11 : 187 – 206 . Clough John . 1979 . '' Aspects of Diatonic Sets. '' Journal of Music Theory 23 : 45 – 61 . Cohn Richard . 1992 . '' Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music. '' Perspectives of New Music 30...
Journal Article
Journal of Music Theory (2003) 47 (2): 363–369.
Published: 01 October 2003
... treatise in historiography and episte- mology is a different question. Foucault’s concern in The Order of Things, the pinnacle of his “archae- ological” phase, centered on the concept of the episteme, which can broadly be defined as the rules underlying a period’s systems of thought, which...
Journal Article
Journal of Music Theory (2000) 44 (1): 81–99.
Published: 01 April 2000
...]. Rhythmic groups move in and out of phase with the underlying meter, but never completely lose their mooring. As a counterexample, Riemann cites Schumann’s Toccata in C major, op. 7. The passage in question, shown in Example 5a, involves a sixteenth-note grouping that shifts from the first to the...
Journal Article
Journal of Music Theory (2014) 58 (1): 67–77.
Published: 01 April 2014
... displacement of grouping against meter. While grouping is a factor of metric perception, grouping and meter can be out of phase when meter is articulated by other factors.3 What Rumph calls “metrical displacement” can be translated into...
Journal Article
Journal of Music Theory (2015) 59 (2): 321–332.
Published: 01 October 2015
... Greater Love,” are analyzed by measur- ing relative phase. This measurement shows the degree of alignment between the concurrent rhythmic cycles of any pair of instruments in the group, and the strength of that coupling. Doffman demonstrates that the members of the...