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Journal Article
Journal of Music Theory (2022) 66 (1): 129–134.
Published: 01 April 2022
...Trevor Bača trevor.baca@yale.edu Daphne Leong . Performing Knowledge: Twentieth-Century Music in Analysis and Performance . Oxford University Press , 2019 : 432 pp. ( $69.00 cloth). Copyright © 2022 by Yale University 2022 WHAT HAPPENS WHEN music analysis centers...
Journal Article
Journal of Music Theory (2018) 62 (1): 155–164.
Published: 01 April 2018
...Edward Klorman Jeffrey Swinkin
Performative Analysis: Reimagining Music Theory for Performance
University of Rochester Press, 2016: vii + 260 pp. ($95.00 cloth)
Edward Klorman
“Players should understand what they play.” This modest assertion, with
which Donald Francis Tovey opens...
Journal Article
Journal of Music Theory (1999) 43 (1): 165–190.
Published: 01 April 1999
... Discrimination of Isochronous Tone Sequences.” Human Perception and Performance 24 ( 6 ): 1 -15. Tass, P.A. 1999 . Phase Resetting in Medicine and Biology . Heidelberg and New York: Springer Verlag. Zaslaw, N. 1989 . Mozart's Symphonies: Context, Performance Practice, Reception. New York: Oxford...
Journal Article
Journal of Music Theory (2001) 45 (1): 170–176.
Published: 01 April 2001
...Leslie Kinton The Art of Performance Heinrich Schenker edited by Heribert Esser translated by Irene Schreier Scott New York: Oxford Univ. Press, 2000 xxvii, 101 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 The Art of Performance
Heinrich Schenker
edited by Heribert...
Journal Article
Journal of Music Theory (2021) 65 (2): 287–323.
Published: 01 October 2021
... of this article proposes a conceptual revision of lyric form as a conventional configuration of both music and text, which are united by a shared set of music-rhetorical functions. The second part shows how Wagner's lyric forms integrate into the surrounding dramatic continuity as extroverted, performative...
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Journal Article
Journal of Music Theory (2015) 59 (2): 321–332.
Published: 01 October 2015
...Daphne Leong Daphne Leong is associate professor of music theory and chair of the Theory and Composition Department at the University of Colorado at Boulder. Clayton Martin , Dueck Byron , and Leante Laura , eds. Experience and Meaning in Music Performance . Oxford...
Journal Article
Journal of Music Theory (1999) 43 (2): 257–281.
Published: 01 October 1999
...Steven Strunk 1999 © Yale University, New Haven, Connecticut 06520 1999 CHICK COREA’S 1984 PERFORMANCE
OF “NIGHT AND DAY”*
Steven Strunk
Chick Corea recorded “Night and Day” in September 1984 with the
group Trio Music (Miroslav Vitous, bass...
Journal Article
Journal of Music Theory (1999) 43 (2): 283–314.
Published: 01 October 1999
... (4): 11 –31. Larson, Steve. 1993 . Dave McKenna's Performance of “Have You Met Miss Jones?.” American Music 11 (3): 283 –315. Larson, Steve. 1994 . Another Look at Schenker's Counterpoint.” Indiana Theory Review 15 (1): 35 –52. Larson, Steve. 1996 . `Strict Use' of Analytic...
Journal Article
Journal of Music Theory (2023) 67 (1): 99–139.
Published: 01 April 2023
... used to study the performance of music. Through case studies drawn from improvised and notated music, this article introduces the questions and methodologies by which analogous spaces for performance, which the author terms performance spaces , may be generated and analyzed. The author also considers...
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Published: 01 April 2023
Figure 2. Graph of Sabine Liebner's performance of Intermission 6 .
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Published: 01 April 2023
Figure 9. The Scambi performance space annotated with the number of parameters that change across each family of audio segments.
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Published: 01 April 2023
Figure 3. Graph of Intermission 6 based on the performance corpus. The thickness of each edge indicates the number of times a sequence occurred, and the size of each vertex indicates the number of edges directed toward it.
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Published: 01 April 2023
Figure 7. A performance space for Scambi derived from the compositional space.
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Published: 01 April 2023
Figure 4. Bar graph depicting the prevalence of each sound in the performance corpus. The uniform distribution is given by the dashed horizontal line.
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Published: 01 April 2023
Figure 8. The Scambi performance space annotated with step classes relative to family 3. Each step class is illustrated with a different line style.
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Published: 01 April 2023
Figure 20. Inversional pitch center versus semitonal span performance space for Intermission 6.
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Published: 01 April 2023
Figure 23. Two hypothetical “once-through” performances of Intermission 6 depicted in inversional pitch center versus semitonal span performance space: (a) a minimally contrasting performance (smallest average distance traversing each vertex once) and (b) a maximally contrasting performance
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Published: 01 April 2023
Figure 22. Average distance per move in realizations of Intermission 6 in performance space comprising inversional pitch center versus semitonal span, including human performances, simulated performances, and derived reference values. Solid lines, values derived from the simulation; dotted
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Published: 01 October 2022
Figure 1. Modification of Lowe's (2003) schema of interpretation as mediator between analysis and performance.
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Journal Article
Journal of Music Theory (2022) 66 (2): 223–253.
Published: 01 October 2022
...Figure 1. Modification of Lowe's (2003) schema of interpretation as mediator between analysis and performance. ...
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