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Journal Article
Journal of Music Theory (1999) 43 (2): 257–281.
Published: 01 October 1999
...Steven Strunk 1999 © Yale University, New Haven, Connecticut 06520 1999 CHICK COREA’S 1984 PERFORMANCE OF “NIGHT AND DAY”* Steven Strunk Chick Corea recorded “Night and Day” in September 1984 with the group Trio Music (Miroslav Vitous, bass...
Journal Article
Journal of Music Theory (2015) 59 (2): 321–332.
Published: 01 October 2015
...Daphne Leong Daphne Leong is associate professor of music theory and chair of the Theory and Composition Department at the University of Colorado at Boulder. Clayton Martin , Dueck Byron , and Leante Laura , eds. Experience and Meaning in Music Performance . Oxford...
Journal Article
Journal of Music Theory (2018) 62 (1): 155–164.
Published: 01 April 2018
...Edward Klorman Jeffrey Swinkin Performative Analysis: Reimagining Music Theory for Performance University of Rochester Press, 2016: vii + 260 pp. ($95.00 cloth) Edward Klorman “Players should understand what they play.” This modest assertion, with which Donald Francis Tovey opens...
Journal Article
Journal of Music Theory (2022) 66 (1): 129–134.
Published: 01 April 2022
...Trevor Bača trevor.baca@yale.edu Daphne Leong . Performing Knowledge: Twentieth-Century Music in Analysis and Performance . Oxford University Press , 2019 : 432 pp. ( $69.00 cloth). Copyright © 2022 by Yale University 2022 WHAT HAPPENS WHEN music analysis centers...
Journal Article
Journal of Music Theory (1999) 43 (1): 165–190.
Published: 01 April 1999
... Discrimination of Isochronous Tone Sequences.” Human Perception and Performance 24 ( 6 ): 1 -15. Tass, P.A. 1999 . Phase Resetting in Medicine and Biology . Heidelberg and New York: Springer Verlag. Zaslaw, N. 1989 . Mozart's Symphonies: Context, Performance Practice, Reception. New York: Oxford...
Journal Article
Journal of Music Theory (2001) 45 (1): 170–176.
Published: 01 April 2001
...Leslie Kinton The Art of Performance Heinrich Schenker edited by Heribert Esser translated by Irene Schreier Scott New York: Oxford Univ. Press, 2000 xxvii, 101 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 The Art of Performance Heinrich Schenker edited by Heribert...
Journal Article
Journal of Music Theory (1999) 43 (2): 283–314.
Published: 01 October 1999
... (4): 11 –31. Larson, Steve. 1993 . Dave McKenna's Performance of “Have You Met Miss Jones?.” American Music 11 (3): 283 –315. Larson, Steve. 1994 . Another Look at Schenker's Counterpoint.” Indiana Theory Review 15 (1): 35 –52. Larson, Steve. 1996 . `Strict Use' of Analytic...
Journal Article
Journal of Music Theory (2021) 65 (2): 287–323.
Published: 01 October 2021
... of this article proposes a conceptual revision of lyric form as a conventional configuration of both music and text, which are united by a shared set of music-rhetorical functions. The second part shows how Wagner's lyric forms integrate into the surrounding dramatic continuity as extroverted, performative...
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Journal Article
Journal of Music Theory 9930901.
Published: 08 September 2022
...Ben Duinker Abstract This article explores the notion of interpretive difficulty in contemporary music, treating it as a structural, tangible aspect of analysis. Interpretive difficulty comprises any challenge a performer may encounter—physical, cognitive, emotional, specific to a musical passage...
Journal Article
Journal of Music Theory (2018) 62 (2): 249–278.
Published: 01 October 2018
... recordings illustrate the strategies that the performers use to realize Braxton’s complex score, uncovering the structure of a composition previously thought to be resistant to analysis. The article also sheds light on the diverse influences that can be seen in the graphic score—and heard in the performances...
Journal Article
Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
... of metrical dissonance but is also informed by William Caplin's theory of formal functions, by Robert Philip's categorization scheme for tempo rubato in early recordings, and by research in meter perception and empirical performance analysis. Several addenda to Krebs's taxonomy of metrical consonance...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2008) 52 (2): 181–218.
Published: 01 October 2008
... “display episodes”—appear to highlight performative prowess at the expense of compositional invention. As such, beyond an acknowledgment of the appropriateness of stock passagework at this point, analysis can have little to say: the episodes are either self-evidently simple or transparent to theoretical...
Journal Article
Journal of Music Theory (2006) 50 (2): 211–251.
Published: 01 October 2006
... of music outside cadenza space—rehearings that give us pause to reconsider both the cadenza-as-parenthesis metaphor and the artificial boundaries we construct among composer, performer, and analyst. 2006 2006 Matthew Bribitzer-Stull is associate professor of music theory at the University...
Journal Article
Journal of Music Theory (2015) 59 (1): 99–119.
Published: 01 April 2015
... of Mersenne’s theorization is the notion that both musical performance and oratorical delivery share their foundations in the physical world of sound channeled through the vibrating vocal apparatus of the human body. Delivery is thus in principle amenable to the physical analysis that Mersenne so valued...
Journal Article
Journal of Music Theory (2018) 62 (1): 1–39.
Published: 01 April 2018
... in generalized fretboard space. Musical examples in the essay involve guitar, mandolin, banjo, and ukulele, with extended analyses of pieces by Eddie Van Halen and Mark O’Connor. This investigation, with its blend of formalization and performance analysis, is framed by reflections on space, instruments...
Journal Article
Journal of Music Theory (2019) 63 (1): 35–70.
Published: 01 April 2019
... modifies the prototypical big-band arrangement by merging the solo section with the ensemble feature, resulting in a trademark “Solo-Recapitulation trajectory,” which creates a deep-level structure comprising three “Spaces.” “Space division criteria” capture how broad expectations for jazz performance...
Journal Article
Journal of Music Theory (2020) 64 (1): 37–61.
Published: 01 April 2020
... of passages from Intermittences clarify the interaction of notational and registral silence in the work. A comparison of four recordings of Intermittences explores how performers realize the work’s notational silences as acoustic ones. Copyright © 2020 by Yale University 2020 Elliott Carter...
Journal Article
Journal of Music Theory (2021) 65 (1): 11–16.
Published: 01 April 2021
...Richard Cohn Abstract Scholars of music and dance have subtly different conceptions of musical time, which can lead to misunderstandings in interdisciplinary communication. These conceptual distinctions may be rooted in the embodied experience of performance: the energy required to create dance...
FIGURES
Journal Article
Journal of Music Theory (2021) 65 (1): 17–38.
Published: 01 April 2021
... couple revealed a long-medium-short duration pattern at the beat level in both the fiddler's and the dancers' periodic movements. The results also revealed a correspondence between how the fiddler and the dancers executed the motion patterns. This correspondence suggests that the performers share...
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Journal Article
Journal of Music Theory (2021) 65 (1): 81–106.
Published: 01 April 2021
... supported the development of hypermetrical hearing. The contredanse had surpassed the minuet in popularity by the second half of the eighteenth century, probably in part because of its participatory rather than performative nature. More important, it was the first dance in which alignment of choreography...
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