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perception

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Journal Article
Journal of Music Theory (1 October 1999) 43 (2): 231–255.
Published: 01 October 1999
... of neural impulses during perception to show how the brain creates interconnected neural maps from which memory, the foundation for consciousness, is constructed. Such maps are adaptive; they can change in response to a plethora of ongoing associations in the cortex. Hence, perceptions, rather than...
Journal Article
Journal of Music Theory (1 April 2011) 55 (1): 89–146.
Published: 01 April 2011
... contradiction inherent in both of their remarkably parallel theories. This deep unity in Schenker's and Schoenberg's musical thought invites a reassessment of the opposed historical categories of tonal and post-tonal music, which have informed our perception of a fundamental conflict between their theories and...
Journal Article
Journal of Music Theory (1 April 2009) 53 (1): 57–94.
Published: 01 April 2009
... of metrical dissonance but is also informed by William Caplin's theory of formal functions, by Robert Philip's categorization scheme for tempo rubato in early recordings, and by research in meter perception and empirical performance analysis. Several addenda to Krebs's taxonomy of metrical consonance...
Includes: Supplementary data
Journal Article
Journal of Music Theory (1 October 2018) 62 (2): 205–248.
Published: 01 October 2018
... expectation. These concepts allow him to develop detailed speculations about a range of conscious and unconscious dispositions of perception. This study explicates the Essay ’s speculative theories and contextualizes them both within eighteenth-century music theory and in light of contemporary psychology...
Journal Article
Journal of Music Theory (1 April 2006) 50 (1): 103–110.
Published: 01 April 2006
... structure and the factors that govern our perception of it. I begin by considering one of Bach's four-part harmonizations of the chorale and then turn to the chorale prelude itself. © 2008 by Yale University 2008 David Temperley is associate professor of theory at Eastman School of Music. His...
Journal Article
Journal of Music Theory (1 October 2007) 51 (2): 245–276.
Published: 01 October 2007
..., embedded in different musical surroundings, to encourage widely divergent perceptions. Five functions of silence are explored: silence as boundary, silence as interruption, silence as a revealer of the inner ear, silence as a promoter of meta-listening, and silence as a communicator. The article's account...
Journal Article
Journal of Music Theory (1 April 2008) 52 (1): 75–122.
Published: 01 April 2008
... that a perception of “style” can be subjective and circular, and that the notion of “high style” and “low style” is an oversimplification. 2008 2008 Allen, Philip S. 1931 . Medieval Latin Lyrics . Chicago: University of Chicago Press. Andersen-Wyman, Kathleen. 2007 . Andreas...
Journal Article
Journal of Music Theory (1 October 2018) 62 (2): 359–368.
Published: 01 October 2018
... Analysis .” Perspectives of New Music 6 / 1 : 33 – 51 . Lewin David . 1969 . “ Behind the Beyond: A Response to Edward T. Cone .” Perspectives of New Music 7 / 2 : 59 – 69 . Lewin David . 1986 . “ Music Theory, Phenomenology, and Modes of Perception .” Music Perception 3...
Journal Article
Journal of Music Theory (1 April 2019) 63 (1): 139–144.
Published: 01 April 2019
... Expectation . Cambridge, MA : MIT Press . McDermott Josh H. Schultz Alan F. Undurraga Eduardo A. Godoy Ricardo A. 2016 . “ Indifference to Dissonance in Native Amazonians Reveals Cultural Variation in Music Perception .” Nature , no. 7613 : 547 – 50 . ...
Journal Article
Journal of Music Theory (1 October 2002) 46 (1-2): 373.
Published: 01 October 2002
... Music Theory at Indiana University, where he received his Ph.D. in 2002. Justin London is Professor of Music at Carleton College in Northfield, Min- nesota. His book on the perception and cognition of musical meter, Hearing in Time, is forthcoming from Oxford University Press. Robert Peck is...
Journal Article
Journal of Music Theory (1 April 2018) 62 (1): 1–39.
Published: 01 April 2018
... . Lewin David . 1977b . “ A Label-Free Development for Twelve-Pitch-Class Systems .” Journal of Music Theory 21 / 1 : 29 – 48 . Lewin David . 1986 . “ Music Theory, Phenomenology, and Modes of Perception .” Music Perception 3 / 4 : 327 – 92 . Lewin David . 1987...
Journal Article
Journal of Music Theory (1 October 2000) 44 (2): 499.
Published: 01 October 2000
... Theory at Northwestern Uni- versity. Her work on embodied metaphor, perception of rhythm, and musical nar- ative has been published in Theory and Practice, Music Theory Spectrum, and Music Research Forum. She is currently writing a book entitled Pattern and Meaning in Music. Joel Galand is...
Journal Article
Journal of Music Theory (1 October 2002) 46 (1-2): 127–151.
Published: 01 October 2002
..., William L. 1995 . “Working Memory in Music: A Theoretical Model.” Music Perception 12 ( 3 ): 353 -64. Boulez, Pierre. 1971 . Thoughts on Music Today, trans. S. Bradshaw and R. R. Bennett, Harvard University Press. Bregman, Albert. 1990 . Auditory Scene Analysis . Cambridge: MIT Press...
Journal Article
Journal of Music Theory (1 April 2018) 62 (1): 41–84.
Published: 01 April 2018
... . Browne Richmond . 1981 . “ Tonal Implications of the Diatonic Set .” In Theory Only 5 / 6–7 : 3 – 21 . Butler David . 1989 . “ Describing the Perception of Tonality in Music: A Critique of the Tonal Hierarchy Theory and a Proposal for a Theory of Intervallic Rivalry .” Music Perception...
Journal Article
Journal of Music Theory (1 April 2019) 63 (1): 1–34.
Published: 01 April 2019
... : 196 – 214 . Agmon Eytan . 2004 . “ Review: Pitch-Class Constellations: Studies in the Perception of Tonal Centricity by Erkki Huovinen .” Music Theory Spectrum 26 , no. 1 : 131 – 43 . Bates Ian . 2009 . “ Generalized Diatonic Modality and Ralph Vaughan Williams...
Journal Article
Journal of Music Theory (1 October 2009) 53 (2): 305–328.
Published: 01 October 2009
.... ($55.00 cloth) 2009 2009 Caplin, William. 1998 . Classical Form . Oxford: Oxford University Press. DeBellis, Mark. 2009 . “Perceptualism, Not Introspectionism: The Interpretation of Intuition-Based Theories.” Music Perception 27 : 121 –30. Gjerdingen, Robert. 2007 . Music in the...
Journal Article
Journal of Music Theory (1 October 2001) 45 (2): 345–433.
Published: 01 October 2001
... . “Music Cognition and Perceptual Facilitation: A Connectionist Framework.” Music Perception 5/1 : 1 -30. Boretz, Benjamin. 1995 . MetaVariations. Red Hook, New York: Open Space. Bregman, Albert S. 1993 . “Auditory Scene Analysis in Complex Environments.” In Thinking in Sound: The Cognitive...
Journal Article
Journal of Music Theory (1 October 2014) 58 (2): 155–178.
Published: 01 October 2014
... by Melodic Intervals: Perceptual Judgments of Melodic Continuity .” Perception and Psychophysics 57/4 : 451 – 62 . Deutsch Diana . 1980 . “ The Processing of Structured and Unstructured Tonal Sequences .” Perception and Psychophysics 28/5 : 381 – 89 . Gauldin Robert...
Journal Article
Journal of Music Theory (1 April 1999) 43 (1): 1–19.
Published: 01 April 1999
... . “Memory and the Perception of Rhythm.” Music Theory Spectrum 15 ( 1 ): 19 -35. Butler, David. 1992 . The Musician's Guide to Perception and Cognition . New York: Schirmer Books. Cooper, Grosvenor and Leonard B. Meyer. 1960 . The Rhythmic Structure of Music. Chicago: The University of...
Journal Article
Journal of Music Theory (1 October 2004) 48 (2): 147–218.
Published: 01 October 2004
... Categorization: Music as a Case Study.” In Third Triennial ESCOM Conference: Proceedings, ed. Alf Gabrielsson. European Society for the Cognitive Sciences of Music, 533 -38. Uppsala, Sweden. ____. 2001 . “Melodic Cue Abstraction, Similarity, and Category Formation: A Formal Model.” Music Perception 18...