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Journal Article
Journal of Music Theory (1999) 43 (2): 231–255.
Published: 01 October 1999
... of neural impulses during perception to show how the brain creates interconnected neural maps from which memory, the foundation for consciousness, is constructed. Such maps are adaptive; they can change in response to a plethora of ongoing associations in the cortex. Hence, perceptions, rather than...
Journal Article
Journal of Music Theory (2011) 55 (1): 89–146.
Published: 01 April 2011
..., a contradiction inherent in both of their remarkably parallel theories. This deep unity in Schenker's and Schoenberg's musical thought invites a reassessment of the opposed historical categories of tonal and post-tonal music, which have informed our perception of a fundamental conflict between their theories...
Journal Article
Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
... of metrical dissonance but is also informed by William Caplin's theory of formal functions, by Robert Philip's categorization scheme for tempo rubato in early recordings, and by research in meter perception and empirical performance analysis. Several addenda to Krebs's taxonomy of metrical consonance...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2006) 50 (1): 103–110.
Published: 01 April 2006
... structure and the factors that govern our perception of it. I begin by considering one of Bach's four-part harmonizations of the chorale and then turn to the chorale prelude itself. © 2008 by Yale University 2008 David Temperley is associate professor of theory at Eastman School of Music. His...
Journal Article
Journal of Music Theory (2008) 52 (1): 75–122.
Published: 01 April 2008
... that a perception of “style” can be subjective and circular, and that the notion of “high style” and “low style” is an oversimplification. 2008 2008 Elizabeth Aubrey is professor of music at the University of Iowa. She is coeditor of Songs of the Women Trouvères (2001) and author of The Music...
Journal Article
Journal of Music Theory (2024) 68 (1): 1–34.
Published: 01 April 2024
... scripted listening strategies for attending to vocal melodies and their associated affective responses. It consequently regulated the perception of vocal timbre and perceived melodicity. 7 For the original French text, see Rousseau 1768 : 437–38. 8 For more on the romance, especially...
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Journal Article
Journal of Music Theory (2018) 62 (2): 205–248.
Published: 01 October 2018
..., and expectation. These concepts allow him to develop detailed speculations about a range of conscious and unconscious dispositions of perception. This study explicates the Essay ’s speculative theories and contextualizes them both within eighteenth-century music theory and in light of contemporary psychology...
Journal Article
Journal of Music Theory (2007) 51 (2): 245–276.
Published: 01 October 2007
..., embedded in different musical surroundings, to encourage widely divergent perceptions. Five functions of silence are explored: silence as boundary, silence as interruption, silence as a revealer of the inner ear, silence as a promoter of meta-listening, and silence as a communicator. The article's account...
Journal Article
Journal of Music Theory (2021) 65 (1): 17–38.
Published: 01 April 2021
... a common understanding of the underlying “feel” of the music. The results are discussed in light of recent theoretical perspectives on the multimodality of human perception. It is argued that the special feel of telespringar derives from embodied sensations related to the dance and how music and dance have...
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Journal Article
Journal of Music Theory (2002) 46 (1-2): 127–151.
Published: 01 October 2002
... that there are no temporal analogs
to octave and enharmonic equivalence and that there are no tonal analogs
to various limits on our temporal perception and acuity. These non-
isomorphisms in the spatial representations for pitch and meter call into
question the validity of broader claims about the unity of pitch-time...
Journal Article
Journal of Music Theory (2024) 68 (1): 133–140.
Published: 01 April 2024
... tonality to white-supremacist agendas. Thus, work in these scales may help break the coherence of tonality as a racist concept, by offering a logical extension to studying human perception, cognition, and learning of musical systems while not fitting into the evolutionary/teleological narrative. While...
Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
...David Temperley Caplin, William. 1998 . Classical Form . Oxford: Oxford University Press. DeBellis, Mark. 2009 . “Perceptualism, Not Introspectionism: The Interpretation of Intuition-Based Theories.” Music Perception 27 : 121 –30. Gjerdingen, Robert. 2007 . Music in the Galant...
Journal Article
Journal of Music Theory (2014) 58 (2): 155–178.
Published: 01 October 2014
... Intervals: Perceptual Judgments of Melodic Continuity .” Perception and Psychophysics 57/4 : 451 – 62 . Deutsch Diana . 1980 . “ The Processing of Structured and Unstructured Tonal Sequences .” Perception and Psychophysics 28/5 : 381 – 89 . Gauldin Robert . 1985 . A Practical...
Journal Article
Journal of Music Theory (2018) 62 (1): 1–39.
Published: 01 April 2018
... Development for Twelve-Pitch-Class Systems .” Journal of Music Theory 21 / 1 : 29 – 48 . Lewin David . 1986 . “ Music Theory, Phenomenology, and Modes of Perception .” Music Perception 3 / 4 : 327 – 92 . Lewin David . 1987 . Generalized Musical Intervals and Transformations...
Journal Article
Journal of Music Theory (2001) 45 (2): 345–433.
Published: 01 October 2001
... . “Music Cognition and Perceptual Facilitation: A Connectionist Framework.” Music Perception 5/1 : 1 -30. Boretz, Benjamin. 1995 . MetaVariations. Red Hook, New York: Open Space. Bregman, Albert S. 1993 . “Auditory Scene Analysis in Complex Environments.” In Thinking in Sound: The Cognitive...
Journal Article
Journal of Music Theory (2004) 48 (2): 147–218.
Published: 01 October 2004
... in Categorization: Music as a Case Study.” In Third Triennial ESCOM Conference: Proceedings, ed. Alf Gabrielsson. European Society for the Cognitive Sciences of Music, 533 -38. Uppsala, Sweden. ____. 2001 . “Melodic Cue Abstraction, Similarity, and Category Formation: A Formal Model.” Music Perception 18...
Journal Article
Journal of Music Theory (2023) 67 (1): 187–198.
Published: 01 April 2023
... intended as a theory of aesthetic value. Rather, it is intended as a tool to guide perception and action. Its role is to make the user aware of a range of possibilities” (20). As a baroque cellist, I sometimes found Ito's analyses of focal impulse placement more conservative (i.e., more metrical) than my...
FIGURES
Journal Article
Journal of Music Theory (2018) 62 (1): 41–84.
Published: 01 April 2018
... . Browne Richmond . 1981 . “ Tonal Implications of the Diatonic Set .” In Theory Only 5 / 6–7 : 3 – 21 . Butler David . 1989 . “ Describing the Perception of Tonality in Music: A Critique of the Tonal Hierarchy Theory and a Proposal for a Theory of Intervallic Rivalry .” Music Perception...
Journal Article
Journal of Music Theory (2024) 68 (1): 59–88.
Published: 01 April 2024
.... This practical function of the tonality concept, with its historical orientation, contrasts with the idea of tonality as a musical property, having to do with the perception of keys and tonics. This essay explains how the dual senses of tonality are incoherent and serve to perpetuate the racist origins...
Journal Article
Journal of Music Theory (1999) 43 (1): 1–19.
Published: 01 April 1999
... . “Memory and the Perception of Rhythm.” Music Theory Spectrum 15 ( 1 ): 19 -35. Butler, David. 1992 . The Musician's Guide to Perception and Cognition . New York: Schirmer Books. Cooper, Grosvenor and Leonard B. Meyer. 1960 . The Rhythmic Structure of Music. Chicago: The University...
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