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Journal Article
Journal of Music Theory (2007) 51 (1): 137–159.
Published: 01 April 2007
...Rosa Cafiero The tradition of the Neapolitan school of composition (in which the partimento and its teaching techniques played a significant role) had a major influence on musical training in Paris from the second half of the eighteenth century through the first half of the nineteenth century...
Journal Article
Journal of Music Theory (2008) 52 (1): 75–122.
Published: 01 April 2008
...-century troubadours and trouvères that delineate a “high style,” including chansons , and a “low style,” including dances and pastourelles . The dichotomy originated in the nineteenth century with Gaston Paris's concept of amour courtois , from which Roger Dragonetti later derived the term grand chant...
Journal Article
Journal of Music Theory (2003) 47 (2): 305–323.
Published: 01 October 2003
... Music. Béthizy, Jean-Laurent de. 1764. Exposition de la théorie et de la pratique de la musique. 2nd ed. Paris: Deschamps. Repr. Geneva: Minkoff, 1972. Castle, Conan Jennings. 1962. “The Grands Motets of André Campra.” Ph.D. diss., University of Michigan. Caus, Salomon de. 1615. Institution...
Journal Article
Journal of Music Theory (2012) 56 (2): 121–167.
Published: 01 October 2012
... . “ The Marpurg-Sorge Controversy .” Music Theory Spectrum 11 : 164 – 86 . Blainville Charles Henri de . 1746 . Harmonie théorico-pratique . Paris : Ballard . Bouvier Xavier . 1998 . “ Réponse à la critique de Rameau des basses de Corelli: un manuscrit inédit de Charles-Henri...
Journal Article
Journal of Music Theory (2005) 49 (1): 141–180.
Published: 01 April 2005
... of this article. 1. The essay, published posthumously in 1781, is difficult to date precisely. Rous- seau’s English translator suggests 1774 (Scott 1998, 602), the year that Gluck’s French Orfeo ed Euridice premiered in Paris, and we know that Rousseau saw it on numerous occasions. This seems...
Journal Article
Journal of Music Theory (2000) 44 (2): 261–322.
Published: 01 October 2000
... contribution in rhythm; (2) Fétis’s ideas about rhythm are scat- tered amongst the nearly 300 articles (many of them serialized) he wrote in the Revue musicale and the Revue et Gazette musicale de Paris be- tween 1827 and his death in 1871. The time has come to rediscover Fétis’s rhythmic ideas, ideas...
Journal Article
Journal of Music Theory (2018) 62 (2): 205–248.
Published: 01 October 2018
... .” Journal des débates , November 10 , 1 . Bolton Thaddeus L. 1894 . “ Rhythm .” American Journal of Psychology 6 / 2 : 145 – 238 . Briseux Charles-Étienne . 1853 . Traité du beau essentiel dans les arts . Paris . Brown Leslie E. 2001 . “ The Common Sense School...
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
...- cism” were at their core a Ramellian reshaping of an Italian music theory,4 just as the prevailing music theory at the Paris Conservatory was likewise minted in Italy.5 In Europe, the Ramellian and neo-Ramellian tradition was an essential music-theoretical...
Journal Article
Journal of Music Theory (2013) 57 (1): 119–129.
Published: 01 April 2013
.... It was 1903 and the director of the Paris Conservatory assigned the most recent winner of the Prix de Rome with the mission of bringing to Naples a list of desired partimento manuscripts, manuscripts to be copied so as to complete the partimento collection begun in Paris when the conser- vatory...
Journal Article
Journal of Music Theory (2011) 55 (1): 147–153.
Published: 01 April 2011
... Polignac (1865–1943) and Her Salon . London : Hamish Hamilton . d'Indy Vincent . 1912 . Cours de composition musicale (1897–98) , ed. Sérieyx Auguste . Vol. 1 . Paris : Durand . Forte Allen . 1991 . '' Debussy and the Octatonic. '' Music Analysis 10 : 125 – 69...
Journal Article
Journal of Music Theory (2015) 59 (1): 99–119.
Published: 01 April 2015
.... For although he owed his practical introduc- tion to rhetoric to his Jesuit schoolteachers, his training as a theologian and philosopher came from the University of Paris. There it was Aristotle, not Cicero, who was master. And whereas some seventeenth-century thinkers...
Journal Article
Journal of Music Theory (2021) 65 (1): 171–183.
Published: 01 April 2021
... . Ewell Philip A. 2020b . “ Confronting Racism and Sexism in American Music Theory .” Music Theory's White Racial Frame: Confronting Racism and Sexism in American Music Theory . musictheoryswhiteracialframe.wordpress.com . Fauser Annegret . 2005 . Musical Encounters at the 1889 Paris...
Journal Article
Journal of Music Theory (2013) 57 (2): 373–381.
Published: 01 October 2013
... . Cerquiglini Bernard . 1989 . Éloge de la variante: Histoire critique de la philologie . Paris : Éditions du Seuil . Translated by Wing Betsy . 1999. In Praise of the Variant: A Critical History of Philology. Baltimore: Johns Hopkins University Press . Christensen Thomas . Forthcoming...
Journal Article
Journal of Music Theory (2007) 51 (1): 85–135.
Published: 01 April 2007
... cues of real music. In his Principes de composition (ca. 1720s), Nicolas Bernier (1665–1734), who was a student of Antonio Caldara (1671–1736) in Rome and later became master of music at the Sainte-Chapelle in Paris (the private JMT 51:1 Gjerdingen ex...
Journal Article
Journal of Music Theory (2000) 44 (1): 127–169.
Published: 01 April 2000
... that his work will relieve the lopsided musi- cal education in schools (i.e., the Paris Conservatoire) that concentrates on har- mony at the expense of other topics. Detailed consideration of this matter lies be- yond the scope of this article. For background to the debates Reicha mentions, see...
Journal Article
Journal of Music Theory (2008) 52 (1): 9–12.
Published: 01 April 2008
... et 6 juillet 1985. Paris: Fondation Royaumont, 29–30. 1987. “ Line, Contrapunctus and Structure in a Machaut Song.” Music Analysis 6/1–2: 37–58. 1990. “ Early Polyphony.” In The New Oxford History of Music, Volume II: The Early...
Journal Article
Journal of Music Theory (2021) 65 (1): 81–106.
Published: 01 April 2021
.... In 1716, the Paris Opera held its first series of bals publics , balls open to anyone who could pay the admission fee and where all were required to wear a mask. Richard Templar Semmens ( 2004 ) notes that, by 1744, eighteenth-century Paris opera balls had become the model for court balls at Versailles...
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Journal Article
Journal of Music Theory (2006) 50 (2): 253–275.
Published: 01 October 2006
..., François-Joseph. [1844] 1849 . Traité complet de la théorie et de la pratique de l'harmonie , 2nd ed. Paris: Schlesinger. Förster, Emanuel Aloys. [ 1805 ]. Anleitung zum General-Bass . Vienna: A. Steiner. Harrison, Daniel. 2003 . “Rosalia, Aloysius, and Arcangelo: A Genealogy of the Sequence...
Journal Article
Journal of Music Theory (2013) 57 (1): 1–45.
Published: 01 April 2013
... are [Gérard] Grisey, Tristan Murail, Michäel Levinas and Hugues Dufourt” (Hasegawa 2009, 349). All participated in l’Itinéraire, an “ensemble formed in 1973 by students in Olivier Messiaen’s class at the Paris Conservatory” (Wilson 1989, 55), which was “in part responsible for the diffusion...
Journal Article
Journal of Music Theory (2007) 51 (2): 333–340.
Published: 01 October 2007
... . “Charlie Parker: Techniques of Improvisation.” Ph.D. diss., University of California, Los Angeles. Pfleiderer, Martin. 1997 . “Das Art Ensemble of Chicago in Paris, Sommer 1969: Annäherungen an den Improvisationsstil eines Musikerkollektivs.” Jazzforschung 29 : 87 -157. Pressing, Jeff. 1982...