1-20 of 197 Search Results for

page

Sort by
Image
Published: 01 April 2022
Example 1. Excerpt from page 4 of Miller, Elements of Thorough Bass and Composition ( [1787] ). More
Image
Published: 01 April 2023
Example 2. Page 1 of Novara by Earle Brown. Copyright © 1962 by Henry Litolff's Verlag. Permission by C. F. Peters Corporation. All rights reserved. More
Image
Published: 01 April 2023
Figure 10. Page 1 of Novara as an instrumentation-based graph. The instrumentation for each event is listed next to the corresponding vertex. More
Image
Published: 01 April 2023
Example 3. Detail of page 2 of Available Forms I by Earle Brown. Copyright © 1962 (Renewed) by Associated Music Publishers, Inc. All rights reserved. International copyright secured. Used by permission. More
Image
Published: 01 April 2023
Figure 11. Graphs of each of the four pages of Novara based on instrumentation. More
Journal Article
Journal of Music Theory (2008) 52 (1): 75–122.
Published: 01 April 2008
..., Jofre de Foixà, and Johannes de Grocheio do not present a clear-cut or consistent stratification of genres. John Stevens, Christopher Page, and others have proposed features of “high style” and “low style” that do not entirely agree. An examination of their examples and additional ones demonstrates...
Image
Published: 01 April 2023
Figure 12. Graph of Novara with edges representing instrumentation-based continuities between events on all pages. More
Image
Published: 01 April 2023
Figure 13. Graph of Available Forms I with edges representing instrumentation-based continuities between events on all pages. More
Image
Published: 01 October 2021
Example 1. Der fliegende Holländer , act 1: Dutchman, “Durch Sturm” (47, 3, 5–48, 1, 4). Numbers refer to page, system, and measure numbers in the Schirmer vocal score. Der fliegende Holländer , act 1: Dutchman, “Durch Sturm” (48, 1, 5–48, 4, 3). Der fliegende Holländer , act 1: Dutchman More
Image
Published: 01 October 2021
Example 1. Der fliegende Holländer , act 1: Dutchman, “Durch Sturm” (47, 3, 5–48, 1, 4). Numbers refer to page, system, and measure numbers in the Schirmer vocal score. Der fliegende Holländer , act 1: Dutchman, “Durch Sturm” (48, 1, 5–48, 4, 3). Der fliegende Holländer , act 1: Dutchman More
Image
Published: 01 October 2021
Example 1. Der fliegende Holländer , act 1: Dutchman, “Durch Sturm” (47, 3, 5–48, 1, 4). Numbers refer to page, system, and measure numbers in the Schirmer vocal score. Der fliegende Holländer , act 1: Dutchman, “Durch Sturm” (48, 1, 5–48, 4, 3). Der fliegende Holländer , act 1: Dutchman More
Image
Published: 01 April 2021
Figure 3. On-1 footwork pattern of the dancing couple: (a) bird's-eye perspective on floor and (b) dancer perspectives on staff. In Figure 3b the dancers appear to be moving as mirror-image inversions of each other, but this is only because the lead's footwork has been reoriented on the page More
Journal Article
Journal of Music Theory (2009) 53 (2): 255–304.
Published: 01 October 2009
... Rev.2.14 100% By: bonnie Page 1 of 1 pages 256 Journal of Music Theory The listener understands the chord only in light of the following sonorities, since both progressions begin the same way.1 Second...
Journal Article
Journal of Music Theory (2009) 53 (2): 191–226.
Published: 01 October 2009
... 191 cutler_01 (code) /home/jobs/journals/jmt/j8/2_cutler Wed May 5 12:09 2010 Rev.2.14 100% By: bonnie Page 1 of 1 pages 192 Journal of Music Theory m. 2 harmonizes neighboring motions in the tenor and soprano...
Journal Article
Journal of Music Theory (2010) 54 (2): 235–282.
Published: 01 October 2010
... is shown by Riepel (1752, 31). Journal of Music Theory  54:2, Fall 2010 DOI 10.1215/00222909-1214930  © 2011 by Yale University 235 mirka_01 (section) /home/jobs/journals/jmt/j10/mirka Wed Dec 22 09:36 2010 Rev.2.14 100% By: bonnie Page 1 of 2 pages...
Journal Article
Journal of Music Theory (2008) 52 (2): 273–320.
Published: 01 October 2008
....2.14 100% By: bonnie Page 1 of 1 pages The top voice continues to stake out territory that, although seemingly allied with the bass in terms of its quarter-note pulse, distinguishes itself through surface...
Journal Article
Journal of Music Theory (2023) 67 (1): 99–139.
Published: 01 April 2023
...Example 2. Page 1 of Novara by Earle Brown. Copyright © 1962 by Henry Litolff's Verlag. Permission by C. F. Peters Corporation. All rights reserved. ...
FIGURES | View All (28)
Journal Article
Journal of Music Theory (2011) 55 (1): 161–166.
Published: 01 April 2011
... double-spaced pages, and a title index to 128.) Toward the end of the book Everett resorts to tables (for example, his list of modal chord successions, 260–61), and I think this manner of presentation would have been preferable throughout...
Journal Article
Journal of Music Theory (2007) 51 (2): 245–276.
Published: 01 October 2007
... 2009 by Yale University 245 margulis_01 (section) /home/jobs/journals/jmt/j4/margulis Wed May 20 12:56 2009 Rev.2.14 100% By: bonnie Page 1 of 1 pages JMT 51:2 149-4 Margulis Example 1 246 Journal of Music Theory...
Journal Article
Journal of Music Theory (2008) 52 (2): 181–218.
Published: 01 October 2008
.... It is worth noting that the seemingly “natural” two- it arrives at the final trill” (1971, 42). phrase strategy outlined here is particularly idiomatic to the ivanovich_01 (section) /home/jobs/journals/jmt/j6/ivanovich Wed Oct 14 10:19 2009 Rev.2.14 100% By: bonnie Page 1 of 2 pages JMT 52...