..., Jofre de Foixà, and Johannes de Grocheio do not present a clear-cut or consistent stratification of genres. John Stevens, Christopher Page, and others have proposed features of “high style” and “low style” that do not entirely agree. An examination of their examples and additional ones demonstrates...

... Rev.2.14 100% By: bonnie Page 1 of 1 pages 256 Journal of Music Theory The listener understands the chord only in light of the following sonorities, since both progressions begin the same way.1 Second...

... 191 cutler_01 (code) /home/jobs/journals/jmt/j8/2_cutler Wed May 5 12:09 2010 Rev.2.14 100% By: bonnie Page 1 of 1 pages 192 Journal of Music Theory m. 2 harmonizes neighboring motions in the tenor and soprano...

... is shown by Riepel (1752, 31). Journal of Music Theory  54:2, Fall 2010 DOI 10.1215/00222909-1214930  © 2011 by Yale University 235 mirka_01 (section) /home/jobs/journals/jmt/j10/mirka Wed Dec 22 09:36 2010 Rev.2.14 100% By: bonnie Page 1 of 2 pages...

....2.14 100% By: bonnie Page 1 of 1 pages The top voice continues to stake out territory that, although seemingly allied with the bass in terms of its quarter-note pulse, distinguishes itself through surface...

... double-spaced pages, and a title index to 128.) Toward the end of the book Everett resorts to tables (for example, his list of modal chord successions, 260–61), and I think this manner of presentation would have been preferable throughout...

... 2009 by Yale University 245 margulis_01 (section) /home/jobs/journals/jmt/j4/margulis Wed May 20 12:56 2009 Rev.2.14 100% By: bonnie Page 1 of 1 pages JMT 51:2 149-4 Margulis Example 1 246 Journal of Music Theory...

.... It is worth noting that the seemingly “natural” two- it arrives at the final trill” (1971, 42). phrase strategy outlined here is particularly idiomatic to the ivanovich_01 (section) /home/jobs/journals/jmt/j6/ivanovich Wed Oct 14 10:19 2009 Rev.2.14 100% By: bonnie Page 1 of 2 pages JMT 52...

... and actual metrical displacement”) in order to avoid dodson_01a (code) /home/jobs/journals/jmt/j7/dodson Mon Jan 25 11:26 2010 Rev.2.14 100% By: bonnie Page 1 of 1 pages dodson_01b (code) /home/jobs/journals/jmt/j7/dodson Mon Jan 25 11:26 2010 Rev.2.14 100% By: bonnie Page 1 of 1 pages...

... 2010 Rev.2.14 100% By: bonnie Page 1 of 1 pages JMT 54:2 A-R Job 149-10 Hartt Example 1 182 Journal of Music Theory Perfect (P) Imperfect (I) Doubly Imperfect (I2...

... correlation between the real numbers murphy_02a (section) /home/jobs/journals/jmt/j7/murphyrepresenting pulses and Mon the Jan traditional25 11:30 2010 fractions Rev.2.14 100% of ABy:merican bonnie Page and 1 ofGerman 1 pages durational nomenclature—but the third liberty...

... Theory 42/2 . Unnumbered page. Clough, John, John Cuciurean, and Jack Douthett. 1997 . “Hyperscales and the Generalized Tetrachord.” Journal of Music Theory 41/1 : 67 –100. Clough, John and Jack Douthett. 1991 . “Maximally Even Sets.” Journal of Music Theory 35/1–2 : 93 –173. Cohen...

... Reviews    Auner on Hall 59 seven archives; at forty-nine pages, it takes up nearly a quarter of the book. Hall has included an unusually generous collection of facsimiles and tran- scriptions, but still more generous is the companion website she has created, hosted through Oxford...

... advantage in a book that sets out to prove, as per John Chalmers s foreword, that [Wilson s] work is not [just] empty speculation and audibly impercepti- ble theoretical invention (xiv). This is perhaps the book s greatest strength: in barely over two hundred pages Narushima not only distills Wilson s...

..., see Bailey 1991 and Wintle 1982. The melody of the move- ment is discussed in Straus 2004. straus_01 (section) /home/jobs/journals/jmt/j11/straus Mon Feb 7 15:33 2011 Rev.2.14 100% By: bonnie Page 1 of 1 pages 58 JJMTourn 55:1al A-Rof M Jobusic 149-11 Theo...