Example 26. Labeling chromatic semitones in the bass (i) when one or both notes of the chromatic semitone are overdetermined leading tones. More

Example 4. One subset of each set of equivalence classes for the eight equivalence relations in the IRK scope. More

Figure 6.2. One way to conceptualize the relations among open-position pentachordal voicings. More

Figure 16. A potential clique space for Novara . Vertices are labeled using the numbering scheme from Table 1 . Each edge represents the exchange of one constituent event for another. More

Example 11. Little Richard, “Long Tall Sally” (1956, Robert Blackwell, Enotris Johnson, and Richard Penniman), second verse (0:16). The “Caldonia” type with AB/R/R poetic form and 8,5,5 phrase rhythm (if one considers the vocables “extra”). The refrain has a rhythmic rhyme but no poetic rhyme. More

Figure 5.7. The single-semitone layer of chromatic tetrachordal set-class space, superimposing the one-step layer of diatonic tetrachordal set-class space. Circles represent generated collections. Shapes represent clustered (triangle), tertian (quadrilateral), quartal (pentagon), and equipollent More