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Journal Article
Journal of Music Theory (2021) 65 (1): 3–9.
Published: 01 April 2021
... or even irregular pulses (e.g., 2 + 2+3 + 2+3 spans within one measure, and these spans are already only an approximation), as in isochronous or nonisochronous meters. This research tells us about the problems of notation as well as the subtleties of the dance movement and its relation to music...
Journal Article
Journal of Music Theory (2021) 65 (2): 325–374.
Published: 01 October 2021
... method and concepts of meter, especially nonisochronous meter, maximally even rhythmic patterns, and the potential of rhythmic canons to interlock and make different kinds of combinatorial patterns. Figure 27. Spectra of the canons and reduced melody in Sextet ii. Figure 27. Spectra...
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Journal Article
Journal of Music Theory (2021) 65 (1): 17–38.
Published: 01 April 2021
...Mari Romarheim Haugen Abstract This article studies the rhythm of Norwegian telespringar , a tradition with an intimate relationship between music and dance that features a nonisochronous meter; that is, the durations between adjacent beats are unequal. A motion-capture study of a fiddler and dance...
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Journal Article
Journal of Music Theory (2019) 63 (2): 231–260.
Published: 01 October 2019
... space can be isomorphic with pitch space. Keywords meter, hemiola, Baden Powell, nonisochronous, Afro-diasporic Led by the pathbreaking work of Yeston (1976) and Lerdahl and Jacken- doff (1983), metric theory has advanced significantly over the past forty years. For meter analysts, one promising line...
Journal Article
Journal of Music Theory (2015) 59 (2): 321–332.
Published: 01 October 2015
... that lessen the need for conscious control. While a great deal of literature on expressive timing focuses on depar- tures from isochrony, more recent work (e.g., Polak and London 2014, 107) establishes flexible and sophisticated nonisochronous patterns as norms. Such work proposes that temporal...
Journal Article
Journal of Music Theory (2021) 65 (1): 107–137.
Published: 01 April 2021
... in slow motion with annotations, while the melodic line of the musical phrase outlines nonisochronous groups of eighth notes: 6+6+4. Furthermore, the “running” bourrée couru at the beginning of the danced phrase (the pickup to m. 5) lacks a corresponding musical anacrusis, even though both musical...
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