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Journal Article
Journal of Music Theory (2021) 65 (1): 3–9.
Published: 01 April 2021
... perception that can be of general application. This leads her to examine the specifics of a particular Norwegian dance-music type, the social dance telespringar , an example of nonisochronous meter. Following with analysis of the salsa social dance form, Rebecca Simpson-Litke examines how dancers respond...
Journal Article
Journal of Music Theory (2019) 63 (2): 231–260.
Published: 01 October 2019
... space can be isomorphic with pitch space. Keywords meter, hemiola, Baden Powell, nonisochronous, Afro-diasporic Led by the pathbreaking work of Yeston (1976) and Lerdahl and Jacken- doff (1983), metric theory has advanced significantly over the past forty years. For meter analysts, one promising line...
Journal Article
Journal of Music Theory (2021) 65 (1): 17–38.
Published: 01 April 2021
...Mari Romarheim Haugen Abstract This article studies the rhythm of Norwegian telespringar , a tradition with an intimate relationship between music and dance that features a nonisochronous meter; that is, the durations between adjacent beats are unequal. A motion-capture study of a fiddler and dance...
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Journal Article
Journal of Music Theory (2021) 65 (2): 325–374.
Published: 01 October 2021
... method and concepts of meter, especially nonisochronous meter, maximally even rhythmic patterns, and the potential of rhythmic canons to interlock and make different kinds of combinatorial patterns. Copyright © 2021 by Yale University 2021 Steve Reich rhythmic canon meter discrete Fourier...
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Journal Article
Journal of Music Theory (2015) 59 (2): 321–332.
Published: 01 October 2015
... control. While a great deal of literature on expressive timing focuses on depar- tures from isochrony, more recent work (e.g., Polak and London 2014, 107) establishes flexible and sophisticated nonisochronous patterns as norms. Such work proposes that temporal expressiveness consists...
Journal Article
Journal of Music Theory (2021) 65 (1): 107–137.
Published: 01 April 2021
... outlines nonisochronous groups of eighth notes: 6+6+4. Furthermore, the “running” bourrée couru at the beginning of the danced phrase (the pickup to m. 5) lacks a corresponding musical anacrusis, even though both musical and danced phrases end together in m. 8. 10.1215/00222909...
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