1-20 of 31 Search Results for

node

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Journal of Music Theory (2008) 52 (1): 123–149.
Published: 01 April 2008
... appeared first in the eleventh century. Detailed analysis and comparison of the music (and theory) of Hermannus Contractus (1013-1054) with Hildegard's demonstrates a shared emphasis on Hermannus's modal nodes of final, fifth, and octave. Further analyses of antiphons from the later Middle Ages for Saints...
Journal Article
Journal of Music Theory (2005) 49 (1): 1–43.
Published: 01 April 2005
... itself formally in the construct of a “network of networks,” in which a Journal of Music Theory, 49:1 DOI 10.1215/00222909-2007-001  © 2008 by Yale University 1 network repeats structural features of the networks it contains in its nodes...
Journal Article
Journal of Music Theory (2006) 50 (1): 111–127.
Published: 01 April 2006
... network, this one requires verbal gloss to communicate fully. We will begin by discussing the node contents, before moving on to the arrows and the network structure. The nodes contain the words “Theory,” “Interpretation,” and “Method- ology...
Journal Article
Journal of Music Theory (2014) 58 (2): 179–233.
Published: 01 October 2014
... GTSs,” but I prefer a metaphoric designation: plane dance.25 The plane dance is a planar graph consisting of nodes and arrows representing the fundamental GTSs and the commatic transitions, respectively. Obviously, each node of this regu- lar...
Journal Article
Journal of Music Theory (2019) 63 (2): 231–260.
Published: 01 October 2019
..., in the middle (B) with Cohn s numeric conver- sions, and on the right (C) with my own. Ski hills are not metric spaces, as they do not define distance relations among meters. Rather, they graph the pulses (nodes) of all possible I meters per a given unit pulse cardinality. The vertices are the divisors...
Journal Article
Journal of Music Theory (2005) 49 (1): 45–108.
Published: 01 April 2005
...) beginning 02. In the map in Figure 9, these two stacks are conflated, with the result that the nodes contain two slots: the upper position for set- classes from the first stack and the lower position for set-classes from the second. There are now five kinds of connections, corresponding...
Journal Article
Journal of Music Theory (2014) 58 (2): 257–263.
Published: 01 October 2014
... transformational relationships with directionality, or Schlusskraft— qualities foreign to the group-mathematical domain from which they origi- nate. Rings introduces a notational convention: marking the tonic node (or harmonic root, or local tone of focus) of a graph with a double, rather than single, line...
Journal Article
Journal of Music Theory (2011) 55 (1): 1–41.
Published: 01 April 2011
... one. As a demonstration, Figure 9 presents transformational graphs in the matter of Lewin 1987 to represent the constraints that the expressions for soprano and alto impose upon each other. (Each node may contain a member of Z7, and each...
Journal Article
Journal of Music Theory (2017) 61 (2): 201–242.
Published: 01 October 2017
... modeling Figure 2 and other levels of structure in Domaines Figure 3 models several levels of structure in Domaines.13 The nodes in the graph can be filled with each of the sets that derive from the parsing of the original row...
Journal Article
Journal of Music Theory (2010) 54 (2): 143–177.
Published: 01 October 2010
.... A canonical example appears in the K-classes (O’Donnell 1998; Lambert 2002) of K-net theory, as illustrated by Figure 1, which presents three strongly isographic K-nets from Philip Lambert’s analysis of Arnold Schoenberg’s Piano Piece, op. 19/6.21 These networks have nodes labeled in the set...
Journal Article
Journal of Music Theory (2014) 58 (2): 235–256.
Published: 01 October 2014
... is and to recognize points of arrival at chordal nodes. In doing so, he or she refers imaginatively to the pitch- class collections (chords and scales) that these pitch unfoldings represent. In NR theory, it is the pitch-class collections themselves that transform into one another, tracing a path...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 285–345.
Published: 01 October 2002
... explorations. Nevertheless, the study is not free of subtle problems that lead to confusion, at least for this reader. The safest node from which to launch our investigation is the book’s organization. II. Organization Overall, the book can be divided into three main parts: part...
Journal Article
Journal of Music Theory (2011) 55 (1): 43–88.
Published: 01 April 2011
... formal constraints, whose Gollin 2000. nodes represent objects, and whose arrows, linking 4  Lambert adduces Lewin’s (1993) analyses of Dallapic­ the nodes in some way, express the transformational...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2002) 46 (1-2): 127–151.
Published: 01 October 2002
... that mark the edges of metric envelope. First, note also that some nodes lie near the edge of the envelope (81ms and 5.9 sec). While it may be possi- ble to hear these metric relationships, it may require more attentional effort as they fall near a perceptual or cognitive limit. As one also might...
Journal Article
Journal of Music Theory (2014) 58 (1): 79–101.
Published: 01 April 2014
... corrected and reprinted as Figure 2.2 Cube Dance turns the four disconnected hexatonic cycles of nearly even con- sonant triads into a single connected graph by integrating the four perfectly even augmented triads as nodes but continuing to use single semitone dis...
Journal Article
Journal of Music Theory (2020) 64 (2): 241–281.
Published: 01 October 2020
... 29 The networks at steps 2 and 3 are the same; they dif- fer only in their graphical representation of registral placement. Step 1. Harmonize node X with lower voice Y by transposition a. Step 2. Transpose nodes X and Y en bloc by b to nodes X and Y (bold arrows), and connect nonadjacent nodes...
Journal Article
Journal of Music Theory (2013) 57 (1): 47–85.
Published: 01 April 2013
... node in this web is strongly cadential music, with the associa- tions particularly robust in the case of the postcadential extension. This cen- tral node has two strong connections with hypermeter; while many passages realize both connections, they are independent in principle and in practice...
Journal Article
Journal of Music Theory (2004) 48 (2): 147–218.
Published: 01 October 2004
... property that involves members of A. One can represent reidentification of x as an A with a graph of two nodes, x (=Am) and An, connected by an edge (Example 18a). Associative and transformational perspectives on music analysis suggest different interpretations of this basic graph. The analyst...
Journal Article
Journal of Music Theory (2013) 57 (1): 1–45.
Published: 01 April 2013
...; by the mobilization of countervailing resources to justify the band’s actions and thus its continuing inclusion in the genre; or by the aban- donment of the genre by some portion of its audience. What is vital to note is that the identification of some discordant node...
Journal Article
Journal of Music Theory (2022) 66 (1): 93–128.
Published: 01 April 2022
... the nodes carries a probability that such a move will occur in the family. Examining the sum of all the arrows activated by the cseg's pathway shows us the degree to which it resides in the family. In this case, the pathway sums to 1.15 (0.962 + 0.074 + 0.111 = 1.15). Dividing 1.15 by the three moves...
FIGURES | View All (25)