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Journal Article
Journal of Music Theory (2001) 45 (1): 204–227.
Published: 01 April 2001
...William Rothstein Articles on Schenker and Schenkerian theory in The New Grove Dictionary of Music and Musicians , 2nd edition edited by Stanley Sadie executive editor John Tyrrell New York: Grove's Dictionaries, 2001 also available online (by subscription) at <> 2001 © Yale...
Journal Article
Journal of Music Theory (2000) 44 (2): 487–494.
Published: 01 October 2000
...Kofi Agawu The Aesthetics of Music Roger Scruton New York: Oxford University Press, 530 pp., 1999 xx, 530 pp 2000 © Yale University, New Haven, Connecticut 06520 2000 REVIEWS The Aesthetics of Music Roger Scruton New York: Oxford University Press, 1997; paperback ed., 1999 xx...
Journal Article
Journal of Music Theory (2000) 44 (2): 495–498.
Published: 01 October 2000
...Kevin Holm-Hudson Understanding Rock: Essays in Musical Analysis Edited by John Covach and Graeme M. Boone New York: Oxford University Press, 1997 xiii, 219 pp. 2000 © Yale University, New Haven, Connecticut 06520 2000 Understanding Rock: Essays in Musical Analysis Edited by John...
Journal Article
Journal of Music Theory (2001) 45 (2): 263–343.
Published: 01 October 2001
...Michael Buchler 2001 © Yale University, New Haven, Connecticut 06520 2001 Buchler, Michael. 1997 . “ Broken and Unbroken Interval Cycles and Their Use in Determining Pitch-Class Set Resemblance .” Ph.D. diss., University of Rochester. ____. 2000 . “Relative Saturation of Subsets...
Journal Article
Journal of Music Theory (2009) 53 (2): 255–304.
Published: 01 October 2009
... describe and give detailed criteria for identifying each technique. In doing so, I provide a new vocabulary by which scholars and analysts can model the way in which they hear chromatic music from this period. 2009 2009 Kyle Adams is assistant professor of music theory and aural skills...
Journal Article
Journal of Music Theory (2010) 54 (1): 75–90.
Published: 01 April 2010
... and the Absolute is forthcoming from Ashgate. Yale University 2010 Works Cited Adorno Theodor W. 1930 . `` Reaktion und Fortschritt .'' Anbruch 12 : 18 – 21 . ———. [ 1955 ] 2002 . `` The Aging of the New Music .'' Translated by Hullot-Kentor Robert Will Frederic...
Journal Article
Journal of Music Theory (2001) 45 (1): 162–169.
Published: 01 April 2001
... ed. New York: Cambridge University Press, 1994, 1996, 1997 2001 © Yale University, New Haven, Connecticut 06520 2001 32. He apparently possessed an unusually keen sense of time. One evening in 1927 when he and Furtwängler were together at Hoboken’s house, he reports: “we spend more...
Journal Article
Journal of Music Theory (2001) 45 (1): 170–176.
Published: 01 April 2001
...Leslie Kinton The Art of Performance Heinrich Schenker edited by Heribert Esser translated by Irene Schreier Scott New York: Oxford Univ. Press, 2000 xxvii, 101 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 The Art of Performance Heinrich Schenker edited by Heribert...
Journal Article
Journal of Music Theory (2001) 45 (1): 176–190.
Published: 01 April 2001
...Stephen Peles Schenker's Argument and the Claims of Music Theory Leslie D. Blasius Studies in Music Theory and Analysis vol. 9 New York: Cambridge University Press, 1996 200 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 NOTES 1...
Journal Article
Journal of Music Theory (2001) 45 (1): 190–204.
Published: 01 April 2001
...David Neumeyer Schenker's Interpretive Practice Robert Snarrenberg Studies in Music Theory and Analysis vol. 11 New York: Cambridge Univ. Press, 1997 xxiii, 175 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 of that anxiety is offered by Max Nordau (1849–1923...
Journal Article
Journal of Music Theory (2011) 55 (1): 147–153.
Published: 01 April 2011
...Deborah Mawer Deborah Mawer is professor of music at Lancaster University, UK. Her recent books include The Ballets of Maurice Ravel: Creation and Interpretation (2006) and Ravel Studies (2010). Kahan Sylvia In Search of New Scales: Prince Edmond de Polignac, Octatonic...
Journal Article
Journal of Music Theory (2008) 52 (1): 159–180.
Published: 01 April 2008
...Virginia Newes Elizabeth Eva Leach Sung Birds: Music, Nature, and Poetry in the Later Middle Ages Cornell University Press, 2007: xiii + 345 pp. ($55.00 cloth) Virginia Newes is an independent scholar living in Cambridge, Massachusetts. She was associate professor of music history...
Journal Article
Journal of Music Theory (2010) 54 (1): 37–60.
Published: 01 April 2010
...Franklin Cox Cavell's influential mid-1960s critique of the “new music” of the postwar era poses significant challenges for contemporary composers who value this music. As with postmodernist critics, he has ably identified shortcomings in justifications for recent modernist music. With the benefit...
Journal Article
Journal of Music Theory (2020) 64 (2): 147–201.
Published: 01 October 2020
... of the century, composers and theorists used ad hoc and asymmetrical strategies ♭ to create new keys. Composers explored new flat keys through the process of signature creep, while theorists devised new sharp keys when they identified the parallel key relationship. Finally, theoretical interventions at the end...
Journal Article
Journal of Music Theory (2014) 58 (2): 103–154.
Published: 01 October 2014
...Robert Snarrenberg Proceeding from the premise that a nineteenth-century German lyric song is a reading of its text, the author develops new resources for describing acts of reading poetry and establishes the analytical relevance of the approach using examples drawn mainly from songs by Brahms...
Journal Article
Journal of Music Theory (2006) 50 (1): 77–101.
Published: 01 April 2006
... stimulates new levels and types of connection, just as a melodic pattern continually recalibrates and interacts with potential harmonic and contrapuntal orientations. Changing or shifting emphases in one orientation respond to the demands or constraints of another; in particular, I track the tonal potential...
Journal Article
Journal of Music Theory (2008) 52 (1): 13–40.
Published: 01 April 2008
... considered rather routine. Through scrutiny of modal references and explanatory rhetoric within the treatise, this study corrects some modern readings of Hucbald's teaching on mode and offers a new assessment of the relationship between modal lore and venerable Boethian theory in Hucbald's theoretical...
Journal Article
Journal of Music Theory (2008) 52 (2): 181–218.
Published: 01 October 2008
... apparatus. I suggest, however, that by using the vantage point of variation, conceived broadly, not just as a technique but as a manner of organizing musical thoughts, new insights can emerge about these passages. This wider conception of variation is sanctioned both by historical precedent (Daube, Koch...
Journal Article
Journal of Music Theory (2010) 54 (1): 61–74.
Published: 01 April 2010
...Eric Drott In his classic essay “Music Discomposed,” Stanley Cavell draws attention to the threat of fraudulence that pervades contemporary art music. With the erosion of convention, not only is the ability of listeners to comprehend new music called into question, so too is their ability...
Journal Article
Journal of Music Theory (2010) 54 (1): 121–140.
Published: 01 April 2010
... entitled “Philosophy and the Unheard,” of a particular moment in Adorno's Philosophy of New Music . In reading this moment in Cavell—in reading Cavell reading Adorno—the present article seeks to demonstrate that with this critique, Cavell's philosophy of music swerves from Adorno's precisely at the point...