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musical form

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Journal Article
Journal of Music Theory (1 April 2006) 50 (1): 111–127.
Published: 01 April 2006
...Steven Rings David Lewin Generalized Musical Intervals and Transformations Oxford University Press, 2007: xxxi+258 pp. ($49.95 cloth); David Lewin Musical Form and Transformation: Four Analytic Essays Oxford University Press, 2007: xiv+168 pp. ($45.00 cloth); David Lewin Studies...
Journal Article
Journal of Music Theory (1 April 2017) 61 (1): 1–28.
Published: 01 April 2017
...Daphne Tan Ernst Kurth's writings on musical form, while celebrated by many scholars, have been subject to differing interpretations and outright dismissal. Bruckner (1925), his best-known exposition on form, is daunting in scope and idiosyncratic in tone. A more sizable challenge, however, is...
Journal Article
Journal of Music Theory (1 October 2006) 50 (2): 181–210.
Published: 01 October 2006
..., is taken into consideration. 2006 2006 Form, Structure, and Musical Drama in Two Mozart Expositions Lauri Suurpää Abstract  This study examines interactions among form, Schenkerian voice-leading structure, and certain dra- matic...
Journal Article
Journal of Music Theory (1 October 2003) 47 (2): 363–369.
Published: 01 October 2003
.... This rather surprising peroration, Moreno argues, is “motivated by my belief that in some sense the Carte- sian idea of self-staging constitutes the dominant form of subjectivity in music theory and analysis” (165). Against this declaration, the succession of the book’s four chapters suddenly...
Journal Article
Journal of Music Theory (1 April 2016) 60 (1): 51–88.
Published: 01 April 2016
... in the concert repertoire. Still, one searches in vain for analysis of the Concerto that takes advantage of the advances of Schenkerian theory and recent theories of musical form. Such an analysis acquires urgency in light of the renewed interest in Schumann's late style, the relative neglect in...
Journal Article
Journal of Music Theory (1 April 2013) 57 (1): 151–158.
Published: 01 April 2013
...Su Yin Mak Schmalfeldt Janet In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music . Oxford University Press , 2011 : xi+333 pp. ( $49.95 cloth ) © 2013 by Yale University 2013 Works Cited Caplin William...
Journal Article
Journal of Music Theory (1 October 2017) 61 (2): 143–170.
Published: 01 October 2017
...Trevor de Clercq In this article I present empirical work that investigates what, if any, harmonic characteristics are found to typically associate with standard form categories in rock music. Specifically, I use statistical analysis to compare and contrast the harmonic traits of verse, chorus, and...
Journal Article
Journal of Music Theory (1 April 2019) 63 (1): 71–102.
Published: 01 April 2019
... comprehension not only of its technical aspects but also of its central role in the shaping of musical form. Copyright © 2019 by Yale University 2019 liquidation dissolution Auflösung obligations Arnold Schoenberg Anton Webern Works Cited Adorno Theodor W. 1971 . Berg: Der...
Journal Article
Journal of Music Theory (1 October 2011) 55 (2): 167–220.
Published: 01 October 2011
... purposive form, eschewing “charms and emotions”; and on the other hand, Hegel’s focus on art’s spirituality, its “ideal content,” in characterizing the specifically musical, which for Hanslick embodies a “full share of ideality.” Clustered ideologically around Kant, Hegel, and Hanslick in closer or more...
Journal Article
Journal of Music Theory (1 October 2013) 57 (2): 287–320.
Published: 01 October 2013
... structuralism. A good survey of the many areas is Hawkes 1977. 294 JOURNAL of MUSIC THEORY them, for example, become the successive constituents, and each constituent is provided with a prototypical or fundamental figure. The most complete and common form...
Journal Article
Journal of Music Theory (1 October 2004) 48 (2): 337–354.
Published: 01 October 2004
...Heather Platt Peter H. Smith Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in His Werther Quartet Indiana University Press, 2005: ix+325 pp. ($49.95 cloth) 2004 © Yale University, New Haven, Connecticut 06520 2004 Agawu, Kofi. 1997 . “Analyzing Music under...
Journal Article
Journal of Music Theory (1 October 2018) 62 (2): 369–370.
Published: 01 October 2018
... University Press . Carpenter Patricia . 1983 . “ Grundgestalt as Tonal Function .” Music Theory Spectrum 5 : 15 – 38 . Carpenter Patricia . 1984 . “ Musical Form and Musical Idea: Reflections on a Theme of Schoenberg, Hanslick, and Kant .” In Music and Civilization: Essays in Honor...
Journal Article
Journal of Music Theory (1 October 2013) 57 (2): 433–449.
Published: 01 October 2013
...Joseph Salem Joseph Salem is completing a Ph.D. on Pierre Boulez at Yale University. His research investigates the creative process through the analysis of musical manuscripts and contemporaneous writings, as well as the influence of musical form, media, and social function on the...
Journal Article
Journal of Music Theory (1 October 2016) 60 (2): 263–279.
Published: 01 October 2016
... Musical Idea . Cambridge University Press , 2014 : xxviii + 437 pp. ( $110.00 cloth) © 2016 by Yale University 2016 Works Cited Bonds Mark Evan . 1991 . Wordless Rhetoric: Musical Form and the Metaphor of the Oration . Cambridge, MA : Harvard University Press . Caplin...
Journal Article
Journal of Music Theory (1 October 2007) 51 (2): 245–276.
Published: 01 October 2007
... of Musical Form.” In Musical Form and Musical Performance , 11 -31. New York: Norton. Frisch, Walter. 2005 . German Modernism: Music and the Arts . Berkeley: University of California Press. Goldman-Eisler, Frieda. 1972 . “Pauses, Clauses, and Sentences.” Language and Speech 15 : 103...
Journal Article
Journal of Music Theory (1 April 2000) 44 (1): 100–126.
Published: 01 April 2000
... harmony, now in root position.11 This form of the cadence is the prototype of all musical form.12 [12] This so-called große Cadenz thus has three prominent ele- ments, which we shall call thetic elements: thesis, thetic fifth, and thetic third. We call the transitional elements antithesis and...
Journal Article
Journal of Music Theory (1 October 2000) 44 (2): 495–498.
Published: 01 October 2000
...” draws upon art-music elements at the foreground, middleground, and background level. Cov- ach takes issue with the widespread supposition that “Close to the Edge” is a rock example of sonata form, instead presenting the piece as a hyper- extended song form (AABA) held together by the self-conscious...
Journal Article
Journal of Music Theory (1 October 2000) 44 (2): 323–379.
Published: 01 October 2000
.... ______. 1997 . “Pathway, Blockage, and Containment in Density 21.5.” Theory and Practice 22 : 35 –54. Butler, David. 1992 . The Musician's Guide to Perception and Cognition . New York: Schirmer Books. Carey, Norman, and David Clampitt. 1989 . “Aspects of Well-Formed Scales.” Music Theory Spectrum...
Journal Article
Journal of Music Theory (1 October 2004) 48 (2): 325–336.
Published: 01 October 2004
... regularly recurring events in the environment” (4). According to London, “meter is a musically partic- ular form of entrainment” (ibidmeter is in the listener, not in the music, and periodicities occurring between events at the musical surface are entrained by the listener, whose attention is thereby...
Journal Article
Journal of Music Theory (1 April 1999) 43 (1): 1–19.
Published: 01 April 1999
.... Paul Henry Lang, 108-21. New York: Norton, 1962.) Bailey, Katherine. 1991 . The Twelve-Note Music of Anton Webern: Old Forms in a New Language. Cambridge and New York: Cambridge University Press. Barker, Andrew, ed. 1989 . Greek Musical Writings, Volume II: Harmonic and Acoustic Theory...