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musical

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Journal Article
Journal of Music Theory (1 October 2003) 47 (2): 363–369.
Published: 01 October 2003
...Alexander Rehding Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber Jairo Moreno Indiana University Press, 2004 xii+232 pp. 2003 © Yale University, New Haven, Connecticut 06520 2003 Bent, Ian. (Ed.) 1993...
Journal Article
Journal of Music Theory (1 April 2006) 50 (1): 111–127.
Published: 01 April 2006
...Steven Rings David Lewin Generalized Musical Intervals and Transformations Oxford University Press, 2007: xxxi+258 pp. ($49.95 cloth); David Lewin Musical Form and Transformation: Four Analytic Essays Oxford University Press, 2007: xiv+168 pp. ($45.00 cloth); David Lewin Studies...
Journal Article
Journal of Music Theory (1 April 2000) 44 (1): 100–126.
Published: 01 April 2000
... durch die neuesten Kunstschöpfungen bewirkten Umgestaltung und Weiterbildung der Harmonik.” Neue Zeitschrift für Musik 54 : 4 -5, 9–14, 21–24, 29–34, 41–43, 53–54, 61–64. Mooney, Kevin. 1996 . “ The `Table of Relations' and Music Psychology in Hugo Riemann's Harmonic Theory .” Ph.D. diss...
Journal Article
Journal of Music Theory (1 October 2000) 44 (2): 323–379.
Published: 01 October 2000
...Candace Brower 2000 © Yale University, New Haven, Connecticut 06520 2000 Agawu, V. Kofi. 1991 . Playing with Signs: A Semiotic Interpretation of Classic Music . Princeton: Princeton University Press. Arnheim, Rudolf. 1984 . “Perceptual Dynamics in Musical Expression.” The Musical...
Journal Article
Journal of Music Theory (1 October 2013) 57 (2): 433–449.
Published: 01 October 2013
...Joseph Salem Joseph Salem is completing a Ph.D. on Pierre Boulez at Yale University. His research investigates the creative process through the analysis of musical manuscripts and contemporaneous writings, as well as the influence of musical form, media, and social function on the...
Journal Article
Journal of Music Theory (1 April 2016) 60 (1): 23–50.
Published: 01 April 2016
...Rob Schultz The advent of the numerical representation of contour was a watershed in the development of musical contour theory. Both Michael L. Friedmann and Robert D. Morris pioneered the practice by mapping pitches in ascending registral order onto the subset of nonnegative integers from 0 to n...
Journal Article
Journal of Music Theory (1 October 2000) 44 (2): 495–498.
Published: 01 October 2000
...Kevin Holm-Hudson Understanding Rock: Essays in Musical Analysis Edited by John Covach and Graeme M. Boone New York: Oxford University Press, 1997 xiii, 219 pp. 2000 © Yale University, New Haven, Connecticut 06520 2000 Understanding Rock: Essays in Musical Analysis Edited by John...
Journal Article
Journal of Music Theory (1 October 2004) 48 (2): 325–336.
Published: 01 October 2004
...Danuta Mirka Justin London Hearing in Time: Psychological Aspects of Musical Meter Oxford University Press, 2004: x+195 pp. ($39.95 cloth) 2004 © Yale University, New Haven, Connecticut 06520 2004 Baker, Nany Kovaleff, ed. and trans. 1983 . Introductory Essay on Composition. New...
Journal Article
Journal of Music Theory (1 October 2006) 50 (2): 181–210.
Published: 01 October 2006
... theoretical contexts. Ultimately, the dramatic and technical factors are intertwined. Context also plays an important role in arriving at a plausible interpretation: In these expositions, the first impression suggested by the local context often changes when the ensuing musical material, the global context...
Journal Article
Journal of Music Theory (1 October 2007) 51 (2): 245–276.
Published: 01 October 2007
...Elizabeth Hellmuth Margulis This article explores the functions of silence in common-practice music, with an emphasis on the characteristics of perceived silence as distinct from notated and acoustic silence. Context is shown to guide listening in complex ways that enable the same acoustic silence...
Journal Article
Journal of Music Theory (1 October 2009) 53 (2): 227–254.
Published: 01 October 2009
...Dmitri Tymoczko Taking David Lewin's work as a point of departure, this essay uses geometry to reexamine familiar music-theoretical assumptions about intervals and transformations. Section 1 introduces the problem of “transportability,” noting that it is sometimes impossible to say whether two...
Journal Article
Journal of Music Theory (1 October 2011) 55 (2): 167–220.
Published: 01 October 2011
... purposive form, eschewing “charms and emotions”; and on the other hand, Hegel’s focus on art’s spirituality, its “ideal content,” in characterizing the specifically musical, which for Hanslick embodies a “full share of ideality.” Clustered ideologically around Kant, Hegel, and Hanslick in closer or more...
Journal Article
Journal of Music Theory (1 April 2010) 54 (1): 91–105.
Published: 01 April 2010
...Richard Beaudoin Examples of borrowing strategies in both musical and philosophical texts are outlined. Cavell's position on quotation as `being the other to one's self' is explored. Three cases of musical versus philosophical modes of borrowing are surveyed: Cavell borrowing Thoreau versus Ignaz...
Journal Article
Journal of Music Theory (1 October 2013) 57 (2): 287–320.
Published: 01 October 2013
... as well as scholars make claims about hearing and learning, often unexamined, the author refers to distinctions and experimental work drawn from the cognitive sciences. Allan Keiler is professor of music at Brandeis University. His research areas include the history of theory and Franz Liszt...
Journal Article
Journal of Music Theory (1 October 2016) 60 (2): 263–279.
Published: 01 October 2016
...Zachary Bernstein Zachary Bernstein is assistant professor of music theory at the Eastman School of Music. He received the 2014 Patricia Carpenter Emerging Scholar Award from the Music Theory Society of New York State. Boss Jack . Schoenberg's Twelve-Tone Music: Symmetry and the...
Journal Article
Journal of Music Theory (1 April 1999) 43 (1): 1–19.
Published: 01 April 1999
...Andrew Mead 1999 © Yale University, New Haven, Connecticut 06520 1999 Babbitt, Milton. 1960 . “Twelve-Tone Invariants as Compositional Determinants.” Musical Quarterly 46 ( 2 ): 246 -59. (Reprinted in Problems of Modern Music: The Princeton Seminar in Advanced Musical Studies. Ed...
Journal Article
Journal of Music Theory (1 April 1999) 43 (1): 83–99.
Published: 01 April 1999
...Mark DeBellis 1999 © Yale University, New Haven, Connecticut 06520 1999 THE PARADOX OF MUSICAL ANALYSIS Mark DeBellis Amanda is a music analyst. Writing an analysis of a piece for this jour- nal, she details aspects of its...
Journal Article
Journal of Music Theory (1 October 2018) 62 (2): 205–248.
Published: 01 October 2018
...Carmel Raz Among the most exciting aspects of John Holden’s Essay towards a Rational System of Music (1770) is its explicit ambition to explain musical practice by means of a limited set of psychological first principles. Relying primarily on introspection, it nonetheless describes phenomena that...
Journal Article
Journal of Music Theory (1 October 2018) 62 (2): 369–370.
Published: 01 October 2018
...Charlotte M. Cross Copyright © 2018 by Yale University 2018 Works Cited Bernstein Zachary . 2016 . Review of Schoenberg’s Twelve-Tone Music: Symmetry and the Musical Idea, by Jack Boss . Journal of Music Theory 60 / 2 : 263 – 79 . Boss Jack . 2000–2001 . “ The...
Journal Article
Journal of Music Theory (1 April 2019) 63 (1): 139–144.
Published: 01 April 2019
...Elizabeth Hellmuth Margulis Huron David Voice Leading: The Science behind a Musical Art MIT Press , 2016 : vii + 263 pp. ( $38.00 cloth) Copyright © 2019 by Yale University 2019 Works Cited Huron David . 2006 . Sweet Anticipation: Music and the Psychology of...