...Stephen Peles Schenker's Argument and the Claims of Music Theory Leslie D. Blasius Studies in Music Theory and Analysis vol. 9 New York: Cambridge University Press, 1996 200 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 NOTES 1...

...Yayoi U. Everett Parsons Laurel Ravenscroft Brenda , eds., Analytical Essays on Music by Women Composers: Concert Music, 1960–2000 , Oxford University Press , 2016 : viii + 244 pp. ( $69.00 cloth, $29.95 paper) Copyright © 2018 by Yale University 2018 Works Cited...

... remaining fixed in memory, are acts of reconstruction, a perspective that encourages one to view music less as a collection of immutable structures and more as a subject for intentional creative perception. An analysis of Berg's Op. 2, No. 3 tests these ideas by bringing intentionalism and the biological...

...Cristle Collins Judd This article takes Thomas Morley's A Plaine and Easie Introduction to Practicall Musicke (1597) as a point of departure for exploring a group of sixteenth-century texts that place music, especially as represented by musical notation, within the form of a dialogue. Music...

...Franklin Cox Cavell's influential mid-1960s critique of the “new music” of the postwar era poses significant challenges for contemporary composers who value this music. As with postmodernist critics, he has ably identified shortcomings in justifications for recent modernist music. With the benefit...

...Joseph Kraus Works Cited Agawu Kofi . 1991 . Playing with Signs: A Semiotic Interpretation of Classic Music . Princeton, NJ : Princeton University Press . ———. 1999 . “ The Challenge of Semiotics .” In Rethinking Music , ed. Cook Nicholas Everist Mark , 138 – 60...

...Will Mason [email protected] Youn Kim . Body and Force in Music: Metaphoric Constructions in Music Psychology . Routledge , 2022 : 172 pp. ( $170.00 hardcover, $52.95 paper, $52.95 ebook). Copyright © 2024 by Yale University 2024 embodiment has become a near...

...Roger Kamien 2001 © Yale University, New Haven, Connecticut 06520 2001 The Masterwork in Music: A Yearbook , 3 vols. Heinrich Schenker edited by William Drabkin translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies...

... in Stravinsky’s Early Ballets .” Journal of the American Musicological Society 39 / 3 : 578 – 614 . Babbitt Milton . 1987 . Milton Babbitt: Words about Music , edited by Dembski Stephen Straus Joseph N. , 33 – 62 . Madison : University of Wisconsin Press . Bailey Kathryn...

...Brett Clement This article establishes an expanded theory of tonicization for harmonic progressions in rock music. While previous discussions of tonicization have largely focused on the role of the V chord, this theory allows for a much larger number of tonicizing chords, which may articulate...

..., Warren, trans. and Claude Palisca, ed. 1978 . Hucbald, Guido, and John on Music: Three Medieval Treatises. New Haven: Yale University Press. Bain, Jennifer. 2001 . “ Fourteenth-Century French Secular Polyphony and the Problem of Tonal Structure .” Ph.D. diss., State University of New York at Stony...

...Dora A. Hanninen 2004 © Yale University, New Haven, Connecticut 06520 2004 Aldwell, Edward and Carl Schachter. 2003 . Harmony & Voice Leading. 3rd ed. New York: Thomson/Schirmer. Babbitt, Milton. 1972 . “Contemporary Music Composition and Music Theory as Contemporary...

...David Carson Berry This article addresses the role played by Allen Forte in establishing the Journal of Music Theory as a journal of record for the American discipline of music theory, as it emerged and evolved in the 1960s. The journal was founded at Yale University in 1957 by editor David...

...Steven Rings David Lewin Generalized Musical Intervals and Transformations Oxford University Press, 2007: xxxi+258 pp. ($49.95 cloth); David Lewin Musical Form and Transformation: Four Analytic Essays Oxford University Press, 2007: xiv+168 pp. ($45.00 cloth); David Lewin Studies...

...Paul Steinbeck George E. Lewis A Power Stronger Than Itself: The AACM and American Experimental Music University of Chicago Press, 2008: xlviii+676 pp. ($35.00 cloth) 2007 2007 Paul Steinbeck is a postdoctoral fellow in music theory at the University of Chicago. His current...

...Rebecca Maloy David Russell Williams and C. Matthew Balensuela Music Theory from Boethius to Zarlino: A Bibliography and Guide Pendragon Press, 2007: 341 pp. ($86.00 cloth) Rebecca Maloy is associate professor of music at the University of Colorado at Boulder. She is the author, most...

...Brent Auerbach Tiered polyphony describes segments of music that manifest rhythmic/metric layering (Lester 1986) in the presence of polyphony. This texture, though a hallmark of the baroque era, is capable of generating a variety of musical effects over many style periods. This article establishes...

...Benjamin Steege Hermann von Helmholtz's theory of melodic “affinity,” which he considered his primary contribution to music-theoretical thought, is inherently historicist in its conception. It seeks not only to explain local tonal relationships but also to provide a rationale for transhistorical...

...Stephen Decatur Smith This article offers a comparative reading of Theodor Adorno's and Stanley Cavell's philosophies of music. It does not attempt a survey or summary of their respective approaches but rather focuses on one moment in a text by Cavell—namely, his reading and critique, in an essay...

...Stephen Blum Stephen Blum is professor of ethnomusicology at the Graduate Center of the City University of New York. Rothfarb Lee A. August Halm: A Critical and Creative Life in Music Eastman Studies in Music . University of Rochester Press , 2009 : xix + 293 pp. $85.00...