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Journal Article
Journal of Music Theory (1 April 2010) 54 (1): 37–60.
Published: 01 April 2010
...Franklin Cox Cavell's influential mid-1960s critique of the “new music” of the postwar era poses significant challenges for contemporary composers who value this music. As with postmodernist critics, he has ably identified shortcomings in justifications for recent modernist music. With the benefit...
Journal Article
Journal of Music Theory (1 April 2013) 57 (1): 131–149.
Published: 01 April 2013
...Joseph Kraus Joseph Kraus is professor of music theory at the Florida State University College of Music, where he has been teaching since 2006. His research focuses on the music of the late nineteenth century, particularly the works of Peter Tchaikovsky. He has published articles on the...
Journal Article
Journal of Music Theory (1 April 2001) 45 (1): 162–169.
Published: 01 April 2001
...Roger Kamien The Masterwork in Music: A Yearbook , 3 vols. Heinrich Schenker edited by William Drabkin translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies in Music Theory and Analysis vols. 5, 8, and 10 Ian Bent, general...
Journal Article
Journal of Music Theory (1 April 2001) 45 (1): 176–190.
Published: 01 April 2001
...Stephen Peles Schenker's Argument and the Claims of Music Theory Leslie D. Blasius Studies in Music Theory and Analysis vol. 9 New York: Cambridge University Press, 1996 200 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 NOTES 1...
Journal Article
Journal of Music Theory (1 October 2018) 62 (2): 347–358.
Published: 01 October 2018
...Yayoi U. Everett Parsons Laurel Ravenscroft Brenda , eds., Analytical Essays on Music by Women Composers: Concert Music, 1960–2000 , Oxford University Press , 2016 : viii + 244 pp. ( $69.00 cloth, $29.95 paper) Copyright © 2018 by Yale University 2018 Works Cited...
Journal Article
Journal of Music Theory (1 October 1999) 43 (2): 231–255.
Published: 01 October 1999
... remaining fixed in memory, are acts of reconstruction, a perspective that encourages one to view music less as a collection of immutable structures and more as a subject for intentional creative perception. An analysis of Berg's Op. 2, No. 3 tests these ideas by bringing intentionalism and the biological...
Journal Article
Journal of Music Theory (1 April 2008) 52 (1): 41–74.
Published: 01 April 2008
...Cristle Collins Judd This article takes Thomas Morley's A Plaine and Easie Introduction to Practicall Musicke (1597) as a point of departure for exploring a group of sixteenth-century texts that place music, especially as represented by musical notation, within the form of a dialogue. Music and...
Journal Article
Journal of Music Theory (1 April 2006) 50 (1): 111–127.
Published: 01 April 2006
...Steven Rings David Lewin Generalized Musical Intervals and Transformations Oxford University Press, 2007: xxxi+258 pp. ($49.95 cloth); David Lewin Musical Form and Transformation: Four Analytic Essays Oxford University Press, 2007: xiv+168 pp. ($45.00 cloth); David Lewin Studies...
Journal Article
Journal of Music Theory (1 October 2016) 60 (2): 263–279.
Published: 01 October 2016
...Zachary Bernstein Zachary Bernstein is assistant professor of music theory at the Eastman School of Music. He received the 2014 Patricia Carpenter Emerging Scholar Award from the Music Theory Society of New York State. Boss Jack . Schoenberg's Twelve-Tone Music: Symmetry and the...
Journal Article
Journal of Music Theory (1 October 2018) 62 (2): 205–248.
Published: 01 October 2018
...Carmel Raz Among the most exciting aspects of John Holden’s Essay towards a Rational System of Music (1770) is its explicit ambition to explain musical practice by means of a limited set of psychological first principles. Relying primarily on introspection, it nonetheless describes phenomena that...
Journal Article
Journal of Music Theory (1 October 2018) 62 (2): 369–370.
Published: 01 October 2018
...Charlotte M. Cross Boss Jack , Schoenberg’s Twelve-Tone Music: Symmetry and the Musical Idea , Cambridge University Press , 2014 : xxviii + 437 pp. ( $110.00 cloth) Copyright © 2018 by Yale University 2018 Works Cited Bernstein Zachary . 2016 . Review of...
Journal Article
Journal of Music Theory (1 April 2000) 44 (1): 100–126.
Published: 01 April 2000
... durch die neuesten Kunstschöpfungen bewirkten Umgestaltung und Weiterbildung der Harmonik.” Neue Zeitschrift für Musik 54 : 4 -5, 9–14, 21–24, 29–34, 41–43, 53–54, 61–64. Mooney, Kevin. 1996 . “ The `Table of Relations' and Music Psychology in Hugo Riemann's Harmonic Theory .” Ph.D. diss...
Journal Article
Journal of Music Theory (1 October 2003) 47 (2): 363–369.
Published: 01 October 2003
...Alexander Rehding Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber Jairo Moreno Indiana University Press, 2004 xii+232 pp. 2003 © Yale University, New Haven, Connecticut 06520 2003 Bent, Ian. (Ed.) 1993...
Journal Article
Journal of Music Theory (1 October 2012) 56 (2): 169–223.
Published: 01 October 2012
...Panayotis Mavromatis This article presents a general-purpose formalism for modeling musical syntax as a probabilistic musical grammar. The formal probabilistic framework offers a precise yet flexible characterization of musical style as structure and process. Moreover, the grammar can be built...
Journal Article
Journal of Music Theory (1 April 2008) 52 (1): 151–158.
Published: 01 April 2008
...Rebecca Maloy David Russell Williams and C. Matthew Balensuela Music Theory from Boethius to Zarlino: A Bibliography and Guide Pendragon Press, 2007: 341 pp. ($86.00 cloth) Rebecca Maloy is associate professor of music at the University of Colorado at Boulder. She is the author, most...
Journal Article
Journal of Music Theory (1 April 2008) 52 (1): 159–180.
Published: 01 April 2008
...Virginia Newes Elizabeth Eva Leach Sung Birds: Music, Nature, and Poetry in the Later Middle Ages Cornell University Press, 2007: xiii + 345 pp. ($55.00 cloth) Virginia Newes is an independent scholar living in Cambridge, Massachusetts. She was associate professor of music history and...
Journal Article
Journal of Music Theory (1 October 2008) 52 (2): 273–320.
Published: 01 October 2008
...Brent Auerbach Tiered polyphony describes segments of music that manifest rhythmic/metric layering (Lester 1986) in the presence of polyphony. This texture, though a hallmark of the baroque era, is capable of generating a variety of musical effects over many style periods. This article establishes...
Journal Article
Journal of Music Theory (1 October 2009) 53 (2): 305–328.
Published: 01 October 2009
...David Temperley is associate professor of Music Theory at Eastman School of Music. His book Music and Probability was published in 2007 by MIT Press. Danuta Mirka Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 Oxford University Press, 2009: 332 pp...
Journal Article
Journal of Music Theory (1 April 2010) 54 (1): 25–36.
Published: 01 April 2010
...Lawrence Kramer Stanley Cavell's 1967 essay “Music Discomposed” claims that twentieth-century musical modernism incorporates the constant possibility of “fraudulence,” thus provoking the Philistine objection: why can't we write like Mozart any more? For Cavell the question is preeminently a matter...
Journal Article
Journal of Music Theory (1 October 2010) 54 (2): 235–282.
Published: 01 October 2010
...Danuta Mirka Two closely interrelated techniques of phrase expansion occasionally used by eighteenth-century composers but so far not recognized by music theorists are twisted caesuras and overridden caesuras . Both of them represent complex games played by composers with their listeners on two...