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Journal Article
Journal of Music Theory (1 October 1999) 43 (2): 231–255.
Published: 01 October 1999
... remaining fixed in memory, are acts of reconstruction, a perspective that encourages one to view music less as a collection of immutable structures and more as a subject for intentional creative perception. An analysis of Berg's Op. 2, No. 3 tests these ideas by bringing intentionalism and the biological...
Journal Article
Journal of Music Theory (1 April 2008) 52 (1): 41–74.
Published: 01 April 2008
...Cristle Collins Judd This article takes Thomas Morley's A Plaine and Easie Introduction to Practicall Musicke (1597) as a point of departure for exploring a group of sixteenth-century texts that place music, especially as represented by musical notation, within the form of a dialogue. Music and...
Journal Article
Journal of Music Theory (1 April 2010) 54 (1): 37–60.
Published: 01 April 2010
...Franklin Cox Cavell's influential mid-1960s critique of the “new music” of the postwar era poses significant challenges for contemporary composers who value this music. As with postmodernist critics, he has ably identified shortcomings in justifications for recent modernist music. With the benefit...
Journal Article
Journal of Music Theory (1 April 2013) 57 (1): 131–149.
Published: 01 April 2013
...Joseph Kraus Joseph Kraus is professor of music theory at the Florida State University College of Music, where he has been teaching since 2006. His research focuses on the music of the late nineteenth century, particularly the works of Peter Tchaikovsky. He has published articles on the music of...
Journal Article
Journal of Music Theory (1 April 2001) 45 (1): 162–169.
Published: 01 April 2001
...Roger Kamien The Masterwork in Music: A Yearbook , 3 vols. Heinrich Schenker edited by William Drabkin translated by Ian Bent, Alfred Clayton, William Drabkin, Richard Kramer, Derrick Puffet, John Rothgeb, and Hedi Siegel Studies in Music Theory and Analysis vols. 5, 8, and 10 Ian Bent, general ed...
Journal Article
Journal of Music Theory (1 April 2001) 45 (1): 176–190.
Published: 01 April 2001
...Stephen Peles Schenker's Argument and the Claims of Music Theory Leslie D. Blasius Studies in Music Theory and Analysis vol. 9 New York: Cambridge University Press, 1996 200 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 NOTES 1. Apparently, there are examples in the original...
Journal Article
Journal of Music Theory (1 April 2006) 50 (1): 111–127.
Published: 01 April 2006
...Steven Rings David Lewin Generalized Musical Intervals and Transformations Oxford University Press, 2007: xxxi+258 pp. ($49.95 cloth); David Lewin Musical Form and Transformation: Four Analytic Essays Oxford University Press, 2007: xiv+168 pp. ($45.00 cloth); David Lewin Studies in Music with...
Journal Article
Journal of Music Theory (1 April 2000) 44 (1): 100–126.
Published: 01 April 2000
... die neuesten Kunstschöpfungen bewirkten Umgestaltung und Weiterbildung der Harmonik.” Neue Zeitschrift für Musik 54 : 4 -5, 9–14, 21–24, 29–34, 41–43, 53–54, 61–64. Mooney, Kevin. 1996 . “ The `Table of Relations' and Music Psychology in Hugo Riemann's Harmonic Theory .” Ph.D. diss...
Journal Article
Journal of Music Theory (1 October 2003) 47 (2): 363–369.
Published: 01 October 2003
...Alexander Rehding Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber Jairo Moreno Indiana University Press, 2004 xii+232 pp. 2003 © Yale University, New Haven, Connecticut 06520 2003 Bent, Ian. (Ed.) 1993 . Music...
Journal Article
Journal of Music Theory (1 October 2016) 60 (2): 263–279.
Published: 01 October 2016
...Zachary Bernstein Zachary Bernstein is assistant professor of music theory at the Eastman School of Music. He received the 2014 Patricia Carpenter Emerging Scholar Award from the Music Theory Society of New York State. Boss Jack . Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea...
Journal Article
Journal of Music Theory (1 October 2012) 56 (2): 169–223.
Published: 01 October 2012
...Panayotis Mavromatis This article presents a general-purpose formalism for modeling musical syntax as a probabilistic musical grammar. The formal probabilistic framework offers a precise yet flexible characterization of musical style as structure and process. Moreover, the grammar can be built...
Journal Article
Journal of Music Theory (1 October 2017) 61 (2): 143–170.
Published: 01 October 2017
...Trevor de Clercq In this article I present empirical work that investigates what, if any, harmonic characteristics are found to typically associate with standard form categories in rock music. Specifically, I use statistical analysis to compare and contrast the harmonic traits of verse, chorus...
Journal Article
Journal of Music Theory (1 October 2017) 61 (2): 201–242.
Published: 01 October 2017
..., beyond elucidating aspects of structural organization that have been overlooked in his music, the article suggests ways of formally defining aspects of his style. What this study adds to our understanding of Boulez’s music from this period is a theoretical framework that explains the functional role of...
Journal Article
Journal of Music Theory (1 October 2017) 61 (2): 289–296.
Published: 01 October 2017
...Ruth I. DeFord Grant Roger Mathew , Beating Time and Measuring Music in the Early Modern Era , Oxford University Press , 2014 : viii + 309 pp. ( $45.00 cloth) Copyright © 2017 by Yale University 2017 Works Cited Bank J. A. 1972 . Tactus, Tempo, and Notation in Mensural Music...
Journal Article
Journal of Music Theory (1 April 2018) 62 (1): 155–164.
Published: 01 April 2018
...Edward Klorman Swinkin Jeffrey , Performative Analysis: Reimagining Music Theory for Performance , University of Rochester Press , 2016 : vii + 260 pp. ( $95.00 cloth) Copyright © 2018 by Yale University 2018 Works Cited Austin J. L. 1962 . How to Do Things with Words . 2nd...
Journal Article
Journal of Music Theory (1 April 2000) 44 (1): 81–99.
Published: 01 April 2000
.... 1994 . Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents . Chicago and London: University of Chicago Press. Hauptmann, Moritz. 1991 [1853]. The Nature of Harmony and Metre , trans. W. E. Heathcote. New York: Da Capo. Inwood, Michael. 1992 . A...
Journal Article
Journal of Music Theory (1 April 2000) 44 (1): 171–229.
Published: 01 April 2000
..., Edward C., D. V. Kohl, and Mark A. Pitt. 1986 . “Similarities Among Transformed Melodies: The Abstraction of Invariants.” Music Perception 3 (4): 393 -410. Deutsch, Diana. 1969 . “Music Recognition.” Psychological Review 76 : 300 -307. Deliège, Irène. 1987 . “Grouping Conditions in...
Journal Article
Journal of Music Theory (1 October 2000) 44 (2): 487–494.
Published: 01 October 2000
...Kofi Agawu The Aesthetics of Music Roger Scruton New York: Oxford University Press, 530 pp., 1999 xx, 530 pp 2000 © Yale University, New Haven, Connecticut 06520 2000 REVIEWS The Aesthetics of Music Roger Scruton New York: Oxford University Press, 1997; paperback ed., 1999 xx, 530 pp...
Journal Article
Journal of Music Theory (1 October 2001) 45 (2): 345–433.
Published: 01 October 2001
...Dora A. Hanninen 2001 © Yale University, New Haven, Connecticut 06520 2001 Agawu, Kofi. 1996 . “Ambiguity in Tonal Music: A Preliminary Study.” In Theory, Analysis, and Meaning in Music, edited by Anthony Pople. Cambridge: Cambridge University Press. Alegant, Brian and Donald McLean. 2001...
Journal Article
Journal of Music Theory (1 October 2001) 45 (2): 483–487.
Published: 01 October 2001
...Susan Tepping Analysis of Tonal Music: A Schenkerian Approach Allen Cadwallader and David Gagné New York: Oxford Univ. Press, 1998 viii + 422 pp. 2001 © Yale University, New Haven, Connecticut 06520 2001 13. Schenker Studies 2: 68. 14. Free Composition: 104, and Fig.124/5b. 15. Schenker...