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Journal Article
Journal of Music Theory (2006) 50 (2): 181–210.
Published: 01 October 2006
...Lauri Suurpää This study examines interactions among form, Schenkerian voice-leading structure, and certain dramatic features in two Mozart expositions: the second movement of the G-minor symphony, K. 550, and the opening movement of the G-minor string quintet, K. 516. The analyses frequently...
Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
...David Temperley is associate professor of Music Theory at Eastman School of Music. His book Music and Probability was published in 2007 by MIT Press. Danuta Mirka Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 Oxford University Press, 2009: 332 pp...
Journal Article
Journal of Music Theory (2014) 58 (1): 67–77.
Published: 01 April 2014
...Danuta Mirka Danuta Mirka is reader in music at the University of Southampton and the editor of The Oxford Handbook of Topic Theory (forthcoming). Her book Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791 (2009) won the 2011 Wallace Berry Award from...
Journal Article
Journal of Music Theory (2001) 45 (1): 144–150.
Published: 01 April 2001
...Edward Laufer 2001 © Yale University, New Haven, Connecticut 06520 2001 APPENDIX Edward Laufer REVISED SKETCH OF MOZART, K. 545/I AND COMMENTARY This movement presents many unusual features, which perhaps arise out of Mozart s wish to make the movement very compact and psychologi- cally short...
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Published: 01 April 2021
Example 4. A Mozart theme in comparison to two themes from La Cuisse. Example 4. A Mozart theme in comparison to two themes from La Cuisse. More
Journal Article
Journal of Music Theory (2008) 52 (2): 181–218.
Published: 01 October 2008
...Roman Ivanovitch The article examines a group of closing gestures in Mozart's piano concertos, passages of soloistic virtuosity just before the last tuttis of the exposition and recapitulation. Serving as grand cadential clinchers and clothed in conventional figuration, these spots—sometimes called...
Journal Article
Journal of Music Theory (2018) 62 (2): 339–346.
Published: 01 October 2018
...Scott Burnham Klorman Edward , Mozart’s Music of Friends: Social Interplay in the Chamber Works Cambridge University Press , 2016 : 358 pp. ( $120.00 cloth) Copyright © 2018 by Yale University 2018 Works Cited Beethoven Ludwig van . 1981 . Ludwig van Beethovens...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 364–368.
Published: 01 October 2002
... toward a position Rothstein comes close to articulating, which is that Schenker does indeed “work” best for Bach. 5. Schenker uses the actual term (Ruckschritt) in the opening paragraphs of “Mozart: Sinfonie G-Moll,” from Das Meisterwerk in der Musik (1926), Vol. 2, 107. He works out...
Journal Article
Journal of Music Theory (2010) 54 (1): 25–36.
Published: 01 April 2010
...Lawrence Kramer Stanley Cavell's 1967 essay “Music Discomposed” claims that twentieth-century musical modernism incorporates the constant possibility of “fraudulence,” thus provoking the Philistine objection: why can't we write like Mozart any more? For Cavell the question is preeminently a matter...
Journal Article
Journal of Music Theory (2015) 59 (1): 1–61.
Published: 01 April 2015
..., some schemas have focused semantic connotations and are used to mark such utterance types as questions and witticisms. The article concludes with an analysis of scenes from act 1 of Mozart’s Così fan tutte , which shows how sensitivity to manipulations of galant recitative schemas can reveal subtle...
Journal Article
Journal of Music Theory (2014) 58 (2): 179–233.
Published: 01 October 2014
... of generated heptachords leading to an attractive scalar model. The theoretical model is illustrated by analyses of chromatic passages from music by Mozart, Chopin, and Debussy. A preliminary version of this article was presented at the Clough Memorial Conference, New Haven, Connecticut, June 13, 2012. I...
Journal Article
Journal of Music Theory (2018) 62 (1): 41–84.
Published: 01 April 2018
... on connections between schematic skeletons and statistical learning research. Finally, it offers an analytical application to the opening phrase of Mozart’s aria “Dies Bildnis ist bezaubernd schön,” which is briefly compared to Niccolò Piccinni’s “Una povera ragazza.” Copyright © 2018 by Yale University 2018...
Journal Article
Journal of Music Theory (2000) 44 (2): 381–450.
Published: 01 October 2000
...Joel Galand 2000 © Yale University, New Haven, Connecticut 06520 2000 Allanbrook, Wye J. 1994 . “Mozart's Tunes and the Comedy of Closure.” In On Mozart , ed. James M. Morris, 169 –86. New York: Woodrow Wilson Center and Cambridge University Press. Badura-Skoda, Eva. 1972 . Mozart...
Journal Article
Journal of Music Theory (2006) 50 (2): 211–251.
Published: 01 October 2006
... Klavierkonzert in C-moll, K.V. 491 . Vienna: Verlag Doblinger. ____. 1962 . Interpreting Mozart on the Keyboard , trans. L. Black. London: Barrie & Rockliff. ____. 1967 . Kadenzen, Eingänge und Auszierungen zu Klavierkonzerten von W.A. Mozart . Kassel: Bärenreiter Verlag. Beach, David. 1967...
Journal Article
Journal of Music Theory (2006) 50 (2): 277–290.
Published: 01 October 2006
... , trans. John Rothgeb. New York: Schirmer. Kamien, Roger. 1993 . “Conflicting Metrical Patterns in Accompaniment and Melody in Works by Beethoven and Mozart: A Preliminary Study.” Journal of Music Theory 37 : 311 -48. McClelland, Ryan. 2006 . “Extended Upbeats in the Classical Minuet...
Journal Article
Journal of Music Theory (2013) 57 (2): 383–418.
Published: 01 October 2013
... , 27 – 54 . Lincoln : University of Nebraska Press . ———. 1998 . Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Beethoven and Mozart . Oxford : Oxford University Press . Caplin William E. Hepokoski James Webster James . 2009 . Musical Form...
Journal Article
Journal of Music Theory (2018) 62 (1): 145–154.
Published: 01 April 2018
... . Mozart’s Music of Friends: Social Interplay in the Chamber Works . Cambridge : Cambridge University Press . Mitchell William . 1973 . “ Beethoven’s La Malinconia from the String Quartet, opus 18, no. 6: Techniques and Structure .” In vol. 3 of Music Forum , ed. Mitchell William...
Journal Article
Journal of Music Theory (2003) 47 (1): 125–154.
Published: 01 April 2003
.... 1993 . “Conflicting Metrical Patterns in Accompaniment and Melody in Works by Mozart and Beethoven: A Preliminary Study.” Journal of Music Theory 37 : 311 -50. Keller, Hans. 1960 . “Principles of Composition (II).” The Score 27 : 9 -21. Komar, Arthur. 1971 . Theory of Suspensions...
Journal Article
Journal of Music Theory (2009) 53 (2): 191–226.
Published: 01 October 2009
... Voice Exchange in Mozart Expositions.” Music Theory Spectrum 19 : 1 –12. Kresky, Jeffrey. 1994 . A Reader's Guide to the Chopin Preludes . Westport, CT: Greenwood Press. Neumeyer, David and Susan Tepping. 1992 . A Guide to Schenkerian Analysis . Englewood Cliffs, NJ: Prentice-Hall...
Journal Article
Journal of Music Theory (2002) 46 (1-2): 370–371.
Published: 01 October 2002
... 2002 © Yale University, New Haven, Connecticut 06520 2002 ERRATUM We regret that elements were incorrectly entered in Edward Laufer's sketch of Mozart K. 545, 1st movement, that appeared in the Appendix to Gordon Sly's article in vol. 45, no. 1. The corrected...