Search Results for moreno

...Jairo Moreno 2000 © Yale University, New Haven, Connecticut 06520 2000 Baker, Nancy. 1983 . Introductory Essay in Composition . New Haven and London: Yale University Press. Partial translation of vols. 2 –3 of Koch (1974). ———. 1992 . “An Ars Poetica for Music: Reicha's System...

...Alexander Rehding Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber Jairo Moreno Indiana University Press, 2004 xii+232 pp. 2003 © Yale University, New Haven, Connecticut 06520 2003 Bent, Ian. (Ed.) 1993...

... received a Houghton Visiting Fellowship at Harvard University in support of this project. Jairo Moreno is Assistant Professor of Music at Duke University, where he is music theory coordinator. He is currently writing a book entitled Musical Sub- jects and Representations: Music Theories...

....: Harvard University Press. Malcolm, Alexander. 1721 . A Treatise of Musick: Speculative, Practical, and Historical. Edinburgh: printed for the author. Mann, Alfred. 1958 . The Study of Fugue . New Brunswick, N.J.: Rutgers University Press. Moreno, Jairo. 1996 . “ Theoretical Reception...

... Information .” Psychological Review 63 / 2 : 81 – 97 . Moreno Jairo . 2004 . Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber . Bloomington : Indiana University Press . Phillips Natalie M. 2016...

... categories of pitch, see Walden 2019 . 12 See also Moreno 2015 : 386 on the merits of adopting “a principled indifference to difference.” 13 Another important critique of Agawu's arguments in favor of sameness appears in Scherzinger 2003 . 14 Spivak's invention (and later disavowal...

..., Marin. 1636 . Harmonie universelle, contenant la théorie et la pratique de la musique . Paris: S. Cramoisy. Moreno, Jairo. 2004 . Musical Representation, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber . Bloomington: Indiana University Press...

... Julian . 2011 . “ Spelled Heptachords .” In Mathematics and Computation in Music , edited by Agon Carlos Amiot Emmanuel Andreatta Moreno Assayag Gérard Bresson Jean Mandereau John , 84 – 97 . Heidelberg : Springer . Hook Julian . 2017 . “ Generalized Normal...

... Moreno Assayag Gérard Bresson Jean Mandereau John , 84 – 97 . Berlin : Springer . Kochavi Jonathan . 2008 . “A Parsimony Metric for Diatonic Sequences ”. In Music Theory and Mathematics: Chords, Collections, and Transformations , edited by Douthett Jack Hyde Martha M...

... : 239 – 60 . Mcclary Susan . 1991 . Feminine Endings: Music, Gender, and Sexuality . Minneapolis : University of Minnesota Press . McCreless Patrick . 1989 . '' Reading Schenker's Kontrapunkt. '' Intégral 3 : 201 – 25 . Moreno Jairo . 2001 . '' Schenker's...

...) , ed. G. S. Bozarth, 13 -27. Oxford: Clarendon Press. Meyer, Leonard. 1989 . Style and Music: Theory, History and Ideology . Philadelphia: University of Pennsylvania Press. Moreno, Jairo. 2000 . “Challenging Views of Repetition: From Satzlehre to Melodielehre.” Journal of Music Theory 44...

.... , 137 – 60 . Rochester, NY : University of Rochester Press . Hook Julian . 2011 . “ Spelled Heptachords .” In Mathematics and Computation in Music , edited by Agon Carlos Andreatta Moreno Assayag Gérard Bresson Jean Amiot Emmanuel Mandereau...

.... Other discussions of sequences include Bass 1996 ; Moreno 1996 ; Harrison 2003 ; Ricci 2004 ; Sprick 2018 ; Waltham-Smith 2018 ; and Frederick 2019 . 26 Zarlino (1558) 1968 : 188, writes, “Musicians often write the sixth in place of the fifth, and this is fine” (my italics). 27 I...

... thank Jairo Moreno for his thoughts on this essay. And I thank all of this issue’s contributors—my work here has benefitted greatly from the opportunity to pursue an editorial dialogue with them. 1  The reading to which Derrida subjects this poem in his “Rams” (2005, 135–63) has been highly...

...): resources developed by Moreno Andreatta and Carlos Agon support the enumer- ation of classes of transpositionally and inversionally equivalent sets in any mod- ular space, and a forthcoming version of the present author’s OMPitchField library operates in these spaces as well...

... also like to thank Jairo Moreno and the students in his spring 2012 seminar on listening at the University of Pennsylvania, whose comments on the research presented in this article were immensely helpful in preparing it for publication. © 2013 by Yale University 2013 Works Cited Adorno...

... International Conference, MCM 2011 , ed. Agon Carlos Andreatta Moreno Assayag Gerard Amiot Emmanuel Bresson Jean Mandereau John , 84 – 97 . Heidelberg : Springer . Fisk Charles . 2000 . “ Comment and Chronicle .” Nineteenth-Century Music 23/3 : 301 – 3...

... , ed. Agon Carlos Andreatta Moreno Assayag Gerard Amiot Emmanuel Bresson Jean Mandereau John , 84 – 97 . Heidelberg : Springer . Howat Roy . 2000 . “Ravel and the Piano.” In The Cambridge Companion to Ravel , ed. Mawer Deborah , 71 – 96 . Cambridge...

... for Mathematics and Computation in Music, Paris, June 2011, edited by Agon Carlos , Amiot Emmanuel , Andreatta Moreno , and Assayag Gerard , 84 – 97 . Heidelberg, Germany : Springer . Mead Andrew . 1999 . “ Bodily Hearing: Physiological Metaphors and Musical Understanding...