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Journal Article
Journal of Music Theory (2001) 45 (2): 263–343.
Published: 01 October 2001
... Press. Rahn, John. 1979 -80. “Relating Sets.” Perspectives of New Music 18 : 483 -498. ____. 1989 . “Toward a Theory for Chord Progression.” In Theory Only 11/1 : 1 -10. RELATIVE SATURATION OF INTERVAL AND SET CLASSES: A NEW MODEL...
Journal Article
Journal of Music Theory (2021) 65 (1): 11–16.
Published: 01 April 2021
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Published: 01 April 2022
Figure 1a. Conceptual model for the category “motive forms of the opening of Beethoven's Fifth Symphony” (Zbikowski 2002 : 47). More
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Published: 01 April 2022
Figure 1b. Conceptual model representing Quinn's motivic categorization for his “family M,” showing the hidden category of cardinality. More
Journal Article
Journal of Music Theory (2003) 47 (1): 103–123.
Published: 01 April 2003
... Music 36 : 107 -42. THE PROGRESSION VECTOR: MODELLING ASPECTS OF POST-TONAL HARMONY Paul Nauert Overview Post-tonal harmonic progressions can be conceived in terms of suc- cessions of pitch class sets...
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Published: 01 October 2021
Example 25. Reinterpretations of chromatic progressions using the proposed analytic model. More
Journal Article
Journal of Music Theory (2022) 66 (1): 93–128.
Published: 01 April 2022
...Figure 1a. Conceptual model for the category “motive forms of the opening of Beethoven's Fifth Symphony” (Zbikowski 2002 : 47). ...
FIGURES | View All (25)
Journal Article
Journal of Music Theory (2015) 59 (2): 235–271.
Published: 01 October 2015
...Megan Kaes Long In 1595 Thomas Morley published The First Booke of Balletts , a collection of “Italian madrigals Englished.” Rather than writing English words for unaltered Italian works as his predecessors had done, Morley created original compositions loosely modeled on Italian works. Analysis...
Journal Article
Journal of Music Theory (2007) 51 (2): 211–243.
Published: 01 October 2007
...Daphne Leong Building upon recent geometric models of metric states by Richard Cohn and Scott Murphy, this article proposes a complementary model that expands the metric states that can be considered, relates states by symmetries , and creates systems of such states. Application of the model...
Journal Article
Journal of Music Theory (2023) 67 (1): 1–70.
Published: 01 April 2023
...Dmitri Tymoczko Abstract This article describes an approximate set theory modeling intuitions shared by musicians such as Cowell, Schoenberg, Messiaen, and Persichetti. The author considers five approximation strategies, showing that in each case the result resembles an exact seven-tone set theory...
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Journal Article
Journal of Music Theory (2009) 53 (2): 255–304.
Published: 01 October 2009
...Kyle Adams This article is intended as a solution to a perceived problem with existing theories of pretonal chromatic music: Many modern theories of this repertoire have made anachronistic uses of models from major/minor tonality, and contemporaneous theories were not broad enough to adequately...
Journal Article
Journal of Music Theory (2012) 56 (2): 169–223.
Published: 01 October 2012
...Panayotis Mavromatis This article presents a general-purpose formalism for modeling musical syntax as a probabilistic musical grammar. The formal probabilistic framework offers a precise yet flexible characterization of musical style as structure and process. Moreover, the grammar can be built...
Journal Article
Journal of Music Theory (2014) 58 (2): 179–233.
Published: 01 October 2014
... just-intonation systems. On the other hand, various families of generated tone systems based on subchromatic comma lattices provide relevant models of structures found in chromatic music. They include families of triads, seventh chords, and heptachords. Special attention is paid to three families...
Journal Article
Journal of Music Theory (2012) 56 (1): 1–52.
Published: 01 April 2012
...Dmitri Tymoczko This article relates two categories of music-theoretical graphs, in which points represent notes and chords, respectively. It unifies previous work by Brower, Callender, Cohn, Douthett, Gollin, O’Connell, Quinn, Steinbach, and myself, while also introducing new models of voice...
Journal Article
Journal of Music Theory (2010) 54 (1): 37–60.
Published: 01 April 2010
... or she is unable to individually affirm the value of a music that conforms to no recognizable models for music yet accepts the fact that this music is, according to Cavell's model of modernism, the fruit of an inexorable historical development. Cavell's interest in this dilemma stems from the wider aims...
Journal Article
Journal of Music Theory (2012) 56 (1): 87–120.
Published: 01 April 2012
... a computational model, which I have proposed elsewhere, to estimate the information content a listener would perceive when listening to a piece of music. I then compare this model’s output to traditional musical analyses of several string-quartet expositions, demonstrating a qualitative correlation between...
Journal Article
Journal of Music Theory (2015) 59 (2): 273–320.
Published: 01 October 2015
...José Oliveira Martins The article proposes that a construct I call the Dasian space provides an effective framework to interpret harmonic aspects of scale relations in twentieth-century polymodality, particularly in the music of Bartók. Based on Bartók's intuition that the pitch space modeled after...
Journal Article
Journal of Music Theory (1999) 43 (2): 193–230.
Published: 01 October 1999
... numbers, and outlines a partitional approach to pitch-class inversion. Part II explores analytical implications of the partitional model and outlines a methodology for the analysis of note-against-note and free inversional settings. The analyses use the set-class inventories for even and odd index numbers...
Journal Article
Journal of Music Theory (2007) 51 (1): 5–49.
Published: 01 April 2007
... Rameau, he, too, developed an overarching explanatory model of harmony that involves coherent concepts of harmonic functionality and chord morphology. Heinichen's and Rameau's “systems,” however, rest on opposing assumptions. However many speculative aspects it may embrace, Heinichen's music theory...
Journal Article
Journal of Music Theory (2018) 62 (1): 1–39.
Published: 01 April 2018
...Jonathan De Souza This article develops a transformational approach to the fretboard, starting from the intersection of frets and strings. To overcome formal limitations of earlier models, it extends these two dimensions without limit and then defines varied intervals and transformations...