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Journal Article
Modal Spelled Pitch Class, La-Minor Solfège, and Schubert’s Third Relations
Available to Purchase
Journal of Music Theory (2020) 64 (2): 241–281.
Published: 01 October 2020
...Nathan L. Lam This article develops the notion of modal spelled pitch class by combining Julian Hook’s theory of spelled heptachords and Steven Rings’s heard scale degree. Modal spelled pitch class takes the form of an ordered triple that includes the key signature, the generic pitch classes...
Journal Article
Modality and Death as Racism
Available to Purchase
Journal of Music Theory (2024) 68 (1): 157–163.
Published: 01 April 2024
... broadly in agreement with Yust about the problems with the work that tonal and tonality have been involved with, my own work led me toward more upset with tonal 's frequent opposite: modal . What is “modal music”? To riff on Tymoczko's proposal of defining tonal as simply “not atonal,” 2 one...
FIGURES
Journal Article
Interpreting Hucbald on Mode
Available to Purchase
Journal of Music Theory (2008) 52 (1): 13–40.
Published: 01 April 2008
... considered rather routine. Through scrutiny of modal references and explanatory rhetoric within the treatise, this study corrects some modern readings of Hucbald's teaching on mode and offers a new assessment of the relationship between modal lore and venerable Boethian theory in Hucbald's theoretical...
Journal Article
Diatonic and Chromatic Tonicization in Rock Music
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Journal of Music Theory (2019) 63 (1): 1–34.
Published: 01 April 2019
..., modality, chord succession, and harmonic function. In demonstrating these concepts, four categories of tonicization are illustrated: primary diatonic , in which a tonicization employs only diatonic chords of the mode; primary chromatic , which occurs due to chromatic inflection or modal borrowing...
Journal Article
Lutosławski's Mid-Century Harmony: Reconceptualizing Chordal Space in the Five Iłłakowicz Songs
Available to Purchase
Journal of Music Theory (2023) 67 (2): 209–249.
Published: 01 October 2023
... qualities to single chordal entities but are also implicated in strategies of harmonic progression, relatedness, complementarity, and contrast. These analytical goals prompt a reconceptualization of chordal elements, which are understood as combinations of pitch class and modal quality rather than simply...
FIGURES
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Journal Article
Hildegard, Hermannus, and Late Chant Style
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Journal of Music Theory (2008) 52 (1): 123–149.
Published: 01 April 2008
... appeared first in the eleventh century. Detailed analysis and comparison of the music (and theory) of Hermannus Contractus (1013-1054) with Hildegard's demonstrates a shared emphasis on Hermannus's modal nodes of final, fifth, and octave. Further analyses of antiphons from the later Middle Ages for Saints...
Journal Article
Bartók's Polymodality: The Dasian and Other Affinity Spaces
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Journal of Music Theory (2015) 59 (2): 273–320.
Published: 01 October 2015
..., harmonic functions, or pitch centricity. The Dasian space is a closed, nonoctave repeating scalar cycle, where each element is identified by a unique coordination of pitch class and modal quality. The dual description of each element enables both the specification of location in a given cycle...
Journal Article
Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock
Available to Purchase
Journal of Music Theory (2005) 49 (2): 333–357.
Published: 01 October 2005
... . “Bitonality, Mode, and Interval in the Music of Karol Szymanowski.” Journal of Music Theory 29 : 61 –84. Miller, Ron. 1996 . Modal Jazz: Composition and Harmony . 2 vols. Rottenburg: Advance Music. Perle, George. 1995 . The Right Notes . Stuyvesant, NY: Pendragon. Porter, Charles. 1989–90...
Journal Article
Greek and Latin Music Theory: Principles and Challenges
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Journal of Music Theory (2022) 66 (2): 255–261.
Published: 01 October 2022
... distinguishes the theoretical concept of the confinalis as used from the ninth through fifteenth centuries—“a note in the gamut five steps above the finalis to which entire compositions could be transposed”—from a later concept of the confinalis —the fifth step of the modal octave and an alternative...
Journal Article
Schubert’s Drei Klavierstücke , D. 946, Nos. 1 and 2, and the Case of the Crossed-Out C Section
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Journal of Music Theory (2012) 56 (1): 53–86.
Published: 01 April 2012
..., as a means of
7 For further discussion of Schubert’s use of modal mix-
ture, see Tovey 1928 and Beach 1998.
58 JOURNAL of MUSIC THEORY
suggesting that his use of mixture in the Klavierstücke appears to be reflective
of a more general approach...
Journal Article
Adrian Willaert and the Theory of Interval Affect: The Musica Nova Madrigals and the Novel Theories of Zarlino and Vicentino
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Journal of Music Theory (2011) 55 (2): 271–281.
Published: 01 October 2011
... of California Press . McClary Susan . 2004 . Modal Subjectivities: Self-Fashioning in the Italian Madrigal . Berkeley : University of California Press . Mengozzi Stefano . 2010 . The Renaissance Reform of Medieval Music Theory: Guido of Arezzo between Myth and History . Cambridge...
Journal Article
Song Means: Analysing and Interpreting Recorded Popular Song
Available to Purchase
Journal of Music Theory (2016) 60 (2): 281–294.
Published: 01 October 2016
... of the degree) and extensive (because of the number
Reviews Doll on Moore 289
of times harmony figures in the discussions).7 Harmony first appears as a
major topic in the “Form” chapter, where the author posits a “harmonic
modal system” in which...
Image
in Lutosławski's Mid-Century Harmony: Reconceptualizing Chordal Space in the Five Iłłakowicz Songs
> Journal of Music Theory
Published: 01 October 2023
Example 2. Lutosławski's “Morze,” from Iłłakowicz Songs : opening and closing measures of the song (mm. 1–4 and mm. 54–58); transformation of modal quality ( f −2 ) and reversal of semitonal association for the common pc D, from C♯–D to D–E♭.
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Journal Article
What's in a Name?
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Journal of Music Theory (2024) 68 (1): 99–105.
Published: 01 April 2024
... . New York : Oxford University Press . Powers Harold . 1992 . “ Modality as a European cultural construct .” In Secondo convegno europeo di analisi musicale. Atti , edited by Dalmonte Rossana and Baroni Mario , 207 – 19 . Trento, Italy : Università degli Studi di Trento...
Journal Article
What Do Signatures Signify?: The Curious Case of Seventeenth-Century English Key
Available to Purchase
Journal of Music Theory (2020) 64 (2): 147–201.
Published: 01 October 2020
...
. 1940 . English Song-Books, 1651–1702 . London : Oxford University Press .
Dodds
Michael R.
1998 . “ Tonal Types and Modal Equivalence in Two Keyboard Cycles by Murschhauser .” In Tonal Structures in Early Music , edited by
Judd
Cristle Collins
, 341 – 72 . New York...
Journal Article
A Sarah Fuller Bibliography
Available to Purchase
Journal of Music Theory (2008) 52 (1): 9–12.
Published: 01 April 2008
...
Middle Ages to 1300, ed. Richard Crocker and David Hiley, 485–556.
Oxford: Oxford University Press.
1990. “ Modal Tenors and Tonal Orientation in Motets of Guillaume de
Machaut.” In Studies in Medieval Music: Festschrift for Ernest Sanders...
Journal Article
Understanding Rock: Essays in Musical Analysis Edited by John Covach and Graeme M. Boone New York: Oxford University Press, 1997 Xiii, 219 Pp.
Available to Purchase
Journal of Music Theory (2000) 44 (2): 495–498.
Published: 01 October 2000
... Graeme Boone’s analysis of modal ambiguity in the Grateful
Dead’s “Dark Star” provides a summary for some of the problems en-
countered in the weaker chapters. After providing a detailed study of
shifting modality and motivic structure for a live performance of the
song, as released on 1970’s Live...
View articletitled, Understanding Rock: Essays in Musical Analysis Edited by John Covach and Graeme M. Boone New York: Oxford University Press, 1997 Xiii, 219 Pp.
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for article titled, Understanding Rock: Essays in Musical Analysis Edited by John Covach and Graeme M. Boone New York: Oxford University Press, 1997 Xiii, 219 Pp.
Journal Article
Undisciplining Tonality
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Journal of Music Theory (2024) 68 (1): 117–124.
Published: 01 April 2024
... harmony and uses so-called retrogressive motions like V–IV, although these characteristics are also found in nineteenth-century concert music (Cutler 2016 ; Schmalfeldt 2022 ; Stein 1983 ). Dmitri Tymoczko asserts that harmonic motion in rock music can be either tonal or modal, conventionally...
Journal Article
Characteristic Tonality in the Balletti of Gastoldi, Morley, and Hassler
Available to Purchase
Journal of Music Theory (2015) 59 (2): 235–271.
Published: 01 October 2015
... . Harley John . 2005 . William Byrd's Modal Practice . Burlington, VT : Ashgate . Harman Alec R. , ed. 1952 . A Plain and Easy Introduction to Practical Music. New ed. of A Plaine and Easie Introduction to Practicall Musicke , by Morley Thomas . London : Dent . Harrison...
Journal Article
Inventing a Melody with Harmony: Tonal Potential and Bach's “Das alte Jahr vergangen ist”
Available to Purchase
Journal of Music Theory (2006) 50 (1): 77–101.
Published: 01 April 2006
..., trans. Cornelius Cardew, 189 –204. New York: Harcourt, Brace, and World. Brinkman, Alexander. 1980 . “The Melodic Process in J. S. Bach's Orgelbüchlein.” Music Theory Spectrum 2 : 46 –73. Burns, Lori. 1995 . Bach's Modal Chorales . Harmonologia Series 9. Stuyvesant, NY: Pendragon...
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