Search Results for minor

Example 3. Chopin, Nocturne in C minor, op. 48/1, mm. 1–4. More

Example 4. Liszt, Piano Sonata in B minor, mm. 105–10 (subordinate theme 1, segment). More

Example 5. Chopin, Nocturne in C minor, op. 48/1, mm. 25–42 (segment of the middle section). More

Example 6. Chopin, Nocturne in C minor, op. 48/1, mm. 49–52 (segment of the “dynamized” reprise, fusing four topics: recitative-declamation, chorale, march, and tempest/whirlwind). More

Example 7. Liszt, Piano Sonata in B minor, mm. 8–17. More

Example 8. Liszt, Piano Sonata in B minor, mm. 153–60 (ST2). More

Example 1a. Brahms, Violin Sonata no. 3 in D minor, op. 108, i, start of exposition More

Example 1b. Brahms, Violin Sonata no. 3 in D minor, op. 108, i, start of development More

Example 6a. Brahms, Piano Trio no. 3 in C minor, op. 101, i, start of exposition More

Example 6b. Brahms, Piano Trio no. 3 in C minor, op. 101, i, start of development More

Figure 3.4. A reduction of the opening of Stockhausen's Klavierstücke III. Approximate intervals are labeled above the staff, using “tt” for tritone and 7 and 9 for sevenths and ninths. Italics represent minor sevenths and minor ninths; regular type, major sevenths and ninths. More

Example 1. Mediated consonances. The octave at a is divided at b into a perfect fifth below a perfect fourth. The fifth at c is divided at d into a major third below a minor third. At e an octave is divided into a major third below a minor sixth. At f an octave is mediated as at b More