1-20 of 129 Search Results for

metric

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Journal of Music Theory (2021) 65 (1): 39–80.
Published: 01 April 2021
...Rebecca Simpson-Litke Abstract This article examines some of the complex interactions between salsa music and dance by focusing on physical interpretations of specific types of metric ambiguities and disruptions. It explores both the fairly frequent displacement dissonances that arise when...
FIGURES | View All (16)
Journal Article
Journal of Music Theory (2009) 53 (2): 305–328.
Published: 01 October 2009
...David Temperley is associate professor of Music Theory at Eastman School of Music. His book Music and Probability was published in 2007 by MIT Press. Danuta Mirka Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 Oxford University Press, 2009: 332 pp...
Journal Article
Journal of Music Theory (2009) 53 (1): 1–56.
Published: 01 April 2009
...Scott Murphy The metric cube is a kind of graph of meters proposed as a complement to the types of metric spaces that have already been put forth in music-theoretic scholarship, particularly by Richard Cohn. Whereas Cohn's most recent kind of metric space (2001) can compare meters only...
Journal Article
Journal of Music Theory (2019) 63 (2): 231–260.
Published: 01 October 2019
...Stephen Guerra Pitch spaces such as the circle of fifths model change through time in a composition, recording, or improvisation. Metric spaces theorized over the past twenty years do the same for changes (notated or not) in meter. Trajectories in either space and their potentially reinforcing...
Journal Article
Journal of Music Theory (2000) 44 (2): 261–322.
Published: 01 October 2000
... : 5 –44. Geiringer, Karl. 1982 . Brahms: His Life and Work . 3d ed., rev. and enlarged. New York: Da Capo Press. Goldman, Richard. 1951 . “Current Chronicle.” Musical Quarterly 37 : 87 –89. Grave, Floyd K. 1985 . “Metrical Displacement and the Compound Measure in Eighteenth-Century...
Journal Article
Journal of Music Theory (2007) 51 (2): 211–243.
Published: 01 October 2007
...Daphne Leong Building upon recent geometric models of metric states by Richard Cohn and Scott Murphy, this article proposes a complementary model that expands the metric states that can be considered, relates states by symmetries , and creates systems of such states. Application of the model...
Image
Published: 01 April 2021
Example 7. Franco-Italian metric type and displacement dissonance in the trio. Tchaikovsky, Nutcracker , act 1, no. 9, Waltz of the Snowflakes, mm. 148–56. Example 7. Franco-Italian metric type and displacement dissonance in the trio. Tchaikovsky, Nutcracker, act 1, no. 9, Waltz More
Journal Article
Journal of Music Theory (2013) 57 (1): 87–118.
Published: 01 April 2013
...Channan Willner Hemiolas are by definition metrically dissonant, in durational disagreement with the notated meter. But when extended metrical shifts (known also as afterbeats or afterbeat displacement ) displace a composition in part or in whole to the right (in order to emphasize the closing beat...
Journal Article
Journal of Music Theory (2013) 57 (1): 47–85.
Published: 01 April 2013
... to ground these schemas in a cognitive, listener-oriented framework, the article also introduces the concept of metrical orientation. Metrical orientation involves heard measures, measures that are organizationally similar to notated measures but that may differ from the notated measures of the score...
Journal Article
Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
...Alan Dodson This is an analytical study on metrical structure in Chopin's Mazurka op. 17/4 (complete) and excerpts from his Mazurkas opp. 59/2 and 63/3, and on the effects of expressive details in Paderewski's recordings upon that structure. The methodology is based mainly on Harald Krebs's theory...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2021) 65 (1): 107–137.
Published: 01 April 2021
...Example 7. Franco-Italian metric type and displacement dissonance in the trio. Tchaikovsky, Nutcracker , act 1, no. 9, Waltz of the Snowflakes, mm. 148–56. Example 7. Franco-Italian metric type and displacement dissonance in the trio. Tchaikovsky, Nutcracker, act 1, no. 9, Waltz...
FIGURES | View All (18)
Image
Published: 01 April 2021
Example 2. Metrical dissonance in the panorama . Tchaikovsky, Sleeping Beauty , act 2, no. 17, mm. 1–6. Example 2. Metrical dissonance in the panorama. Tchaikovsky, Sleeping Beauty, act 2, no. 17, mm. 1–6. More
Image
Published: 01 April 2021
Example 1. Metrical consonance in the berceuse theme (Lilac Fairy motif). Tchaikovsky, Sleeping Beauty , introduction, mm. 28–33. Example 1. Metrical consonance in the berceuse theme (Lilac Fairy motif). Tchaikovsky, Sleeping Beauty, introduction, mm. 28–33. More
Image
Published: 01 April 2021
Figure 2. Enhanced metrical map of variation 1 (Blue Bird). HC, half cadence; IAC, imperfect authentic cadence; PAC, perfect authentic cadence. Figure 2. Enhanced metrical map of variation 1 (Blue Bird). HC, half cadence; IAC, imperfect authentic cadence; PAC, perfect authentic cadence. More
Image
Published: 01 April 2021
Figure 3. Metrical map of variations 1–5 from the prologue pas de six . IAC, imperfect authentic cadence; PAC, perfect authentic cadence Figure 3. Metrical map of variations 1–5 from the prologue pas de six. IAC, imperfect authentic cadence; PAC, perfect authentic cadence More
Journal Article
Journal of Music Theory (2008) 52 (2): 273–320.
Published: 01 October 2008
...Brent Auerbach Tiered polyphony describes segments of music that manifest rhythmic/metric layering (Lester 1986) in the presence of polyphony. This texture, though a hallmark of the baroque era, is capable of generating a variety of musical effects over many style periods. This article establishes...
Image
Published: 01 April 2021
Figure 1. A time-line pattern often referred to as the standard pattern , shown with the main beat (metrical interpretation). Figure 1. A time-line pattern often referred to as the standard pattern, shown with the main beat (metrical interpretation). More
Image
Published: 01 April 2021
Example 5. Bach's 4-eighth-pulse accompaniment pattern in the first movement, where it appears in a metrically consonant context (2/2). BWV 1043, mvt. 1, mm. 63–66. Example 5. Bach's 4-eighth-pulse accompaniment pattern in the first movement, where it appears in a metrically consonant context More
Journal Article
Journal of Music Theory (2014) 58 (1): 1–24.
Published: 01 April 2014
... for keyboard. It turns out that the subject of this fugue is so marked in rhythm and contour that it seems to motivate—and even demand—its own transformation as the fugue unfolds. One consequence of such transformation is a series of metric shifts from triple hypermeter during expositions to duple hypermeter...
Journal Article
Journal of Music Theory (2016) 60 (1): 23–50.
Published: 01 April 2016
... inclusive. This not only systematically eliminates the distortions and inconsistencies that crop up with respect to mixed cardinality csegs but also provides a considerably more nuanced metric for intervallic distances in contour space. Using analytical case studies juxtaposing the two notational systems...