Search Results for mcclary

...Susan McClary mcclary@icloud.com Copyright © 2024 by Yale University 2024 as i sipped my morning coffee on May 16, James McWhorter's ( 2023 ) headline “Is Musicology Racist?” assailed me from the pages of the New York Times . 1 With this opinion piece, McWhorter joined...

..., and Susan McClary, eds. 1987 . Music and Society: The Politics of Composition, Performance, and Reception . New York: Cambridge University Press. Leys, Ruth. 2000 . Trauma: A Genealogy . Chicago: University of Chicago Press. Martinet, André. 1964 . elements of General Linguistics . Translated...

... dominant group—represented by the other characters. According to Susan McClary ( 1991 : 86), “A composer constructing a madwoman is compelled to ensure that the listener experiences and yet does not identify with the discourse of madness.” In Curlew River , though the Madwoman is assumed...

....2017.01314 . Maus Fred Everett . 1989 . “ Agency in Instrumental Music and Song .” College Music Symposium 29 : 31 – 43 . McClary Susan . 2004 . Modal Subjectivities: Self-Fashioning in the Italian Madrigal . Berkeley : University of California Press...

... of California Press . McClary Susan . 2004 . Modal Subjectivities: Self-Fashioning in the Italian Madrigal . Berkeley : University of California Press . Mengozzi Stefano . 2010 . The Renaissance Reform of Medieval Music Theory: Guido of Arezzo between Myth and History . Cambridge...

... & Härtel. McClary, Susan. 1986 . “A Musical Dialectic From the Enlightenment: Mozart's Piano Concerto in G Major, K. 453, Movement 2.” Cultural Critique 4 ( 1986 ): 129 –69. Picton, Howard J. 1982 . The Life and Works of Joseph Anton Steffan (1726-1797) With Special Reference to His Keyboard...

... 10 : 273 – 92 . ———. 1993 . “ Masculine Discourse in Music Theory .” Perspectives of New Music 31 : 264 – 93 . McClary Susan . 2000 . Conventional Wisdom: The Content of Musical Form . Berkeley : University of California Press . Momigny Jérôme-Joseph de . [1805...

... . Leppert Richard . 1993 . The Sight of Sound: Music, Representation, and the History of the Body . Berkeley : University of California Press . Mcclary Susan . 1989 . `` Terminal Prestige .'' Reprinted in Reading Music: Selected Essays , 85 – 112 . Aldershot : Ashgate , 2007...

... tonality; Western listeners, on the other hand, could not hear in any other way. 5 Hence, the task of understanding early music is often framed as one of “rewiring” our brains; Susan McClary ( 2004 : 12), for instance, writes, “Our contemporary ears—all long since oriented toward the tonal strategies...

... ]” (1775: 192). Martini prints the piece a fourth lower (with a sharp in the signature), where high-clef pieces like this one were to be transposed. 8 David Gagné ( 1987 : 61–64) and Susan McClary ( 1989 : 209–12; and 2004: 179) have found Romanesca patterns underlying music by Monteverdi. 11...

.... Maus, Fred. 1988 . “Music as Drama.” Music Theory Spectrum 10 : 56 -73. ____. 1991 . “Music as Narrative.” Indiana Theory Review 12 : 1 -34. ____. 1997 . “Narrative, Drama, and Emotion in Instrumental Music.” Journal of Aesthetics and Art Criticism 55/3 : 293 -303. McClary...

... : 239 – 60 . Mcclary Susan . 1991 . Feminine Endings: Music, Gender, and Sexuality . Minneapolis : University of Minnesota Press . McCreless Patrick . 1989 . '' Reading Schenker's Kontrapunkt. '' Intégral 3 : 201 – 25 . Moreno Jairo . 2001 . '' Schenker's...

... of Feeling in Seventeenth-Century Cultural Expression , ed. McClary Susan , 60 – 89 . Toronto : University of Toronto Press . Cohen H. Floris . 1984 . Quantifying Music: The Science of Music at the First Stage of the Scientific Revolution, 1580–1650 . Dordrecht : Reidel . Dear...

... and speculative idea. The omission of any reference to Susan McClary here and elsewhere is regrettable.) What Patel recounts of the scientific perspectives on music’s meanings, however, is a bit rudimentary. Studies appear to simply confirm (as science of course must...

...-isomorphisms between Pitch and Time.” Journal of Music Theory 46 : 127 -51. ———. 2004 . Hearing in Time: Psychological Aspects of Musical Meter . New York: Oxford University Press. Mason, Daniel Gregory. 1933 . The Chamber Music of Brahms . New York: Macmillan. McClary, Susan. 1993...

... Maniates 1979 , McClary 2004 , and Watkins 1991 , 2010 . Carl Dahlhaus ( 1967 : 81–82, 86) resorts to inversional concepts even though he chastises John Clough for using anachronistic triadic concepts. A notable exception is Leeman L. Perkins's ( 1998 : 685–87) nuanced discussion of Luzzaschi's setting...

... : 233 – 54 . Long Michael . 2008 . Beautiful Monsters: Imagining the Classic in Musical Media . Berkeley : University of California Press . Malherbe Claudy . 1989 . “ L’enjeu spectrale .” Entretemps 8 : 47 – 53 . McClary Susan . 2000 . Conventional Wisdom...