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mazurka

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Journal Article
Journal of Music Theory (2009) 53 (1): 57–94.
Published: 01 April 2009
...Alan Dodson This is an analytical study on metrical structure in Chopin's Mazurka op. 17/4 (complete) and excerpts from his Mazurkas opp. 59/2 and 63/3, and on the effects of expressive details in Paderewski's recordings upon that structure. The methodology is based mainly on Harald Krebs's theory...
Includes: Supplementary data
Journal Article
Journal of Music Theory (1999) 43 (1): 165–190.
Published: 01 April 1999
... in chapter 11 concerning Novaes’s performance of the Chopin A-minor Mazurka, op. 17, no. 4. In his words: “I took the six pos- sible ground beats as performed by Novaes in the first phrase of the Ma- zurka—since ground beats are performed lengths, they differ in every phrase—and I chose two extremes...
Journal Article
Journal of Music Theory 9930889.
Published: 08 September 2022
.../Trumpet fanf­ are Fantasia Fate/Fatum Follia Horn call/Hunting call Hung­ ari­ an/Gypsy Hymn Impromptu Improvisation Intermezzo Lament (or Lamento) Lied Lullaby March (and spec­ ific varie­ t­ ies thereof, such as funeral, tri­um­ phal, sports, etc.) Mazurka Méditation (or cont­ em­plat­ ion) Musical...
Journal Article
Journal of Music Theory (2000) 44 (1): 100–126.
Published: 01 April 2000
... of the antithetic portion of the measure in the mazurka rhythm.48 [66] So far we have seen the metric concept of minor only in forms produced by the concept itself—in cadences that had other metric divi- sions when understood in connection with the major concept. Now we shall see how the minor concept...
Journal Article
Journal of Music Theory (2010) 54 (1): 61–74.
Published: 01 April 2010
... in the Culture Industry .'' Journal of Cultural Economics 19 : 321 – 31 . Cavell Stanley . 1969 . Must We Mean What We Say? A Book of Essays . New York : Scribner . Cook Nicholas Sapp Craig . 2007 . `` Purely Coincidental? Joyce Hatto and Chopin's Mazurkas .'' CHARM...
Journal Article
Journal of Music Theory (2020) 64 (1): 63–103.
Published: 01 April 2020
... 93. (c) Massenet, Thaïs, act II, Meditation, mm. 21 26. (d) Prokofiev, prelude in C major, op. 12/7 ( Harp mm. 55 63. (a) (b) 93Julian Hook Generic Sequences 35 Among many other examples of this sequence type in Chopin s works, see the prelude in A major, op. 28/17, mm. 19 24; mazurka in B...
Journal Article
Journal of Music Theory (2016) 60 (1): 23–50.
Published: 01 April 2016
...- paign: University of Illinois Press. Ohriner, Mitchell S. 2012. “Grouping Hierarchy and Trajectories of Pacing in Performances of Chopin’s Mazurkas.” Music Theory Online 18/1. Polansky, Larry, and Richard Bassein. 1992. “Possible and Impossible Melody: Some Formal Aspects of Contour...
Journal Article
Journal of Music Theory (2020) 64 (1): 37–61.
Published: 01 April 2020
... Hierarchy and Trajectories of Pacing in Performances of Chopin’s Mazurkas .” Music Theory Online 18 , no. 1 . mtosmt.org/issues/mto.12.18.1/mto.12.18.1.ohriner.php . Ravenscroft Brenda . 2017 . “ An Adventure in Form: Elliott Carter’s ‘Like a Bulwark’ (2009) .” Elliott Carter Studies...
Journal Article
Journal of Music Theory (2004) 48 (1): 25–68.
Published: 01 April 2004
..., discussed for its role as a dramatic, man- nerist work in Petty’s 1995 dissertation, 360–68. 23. Schachter 1994, 60–61. Schachter 1999 proceeds to investigate the expressive value of other sorts of “suppression of structural notes.” Writing of Schubert’s “Ihr 62 Bild” and Chopin’s Mazurka...
Journal Article
Journal of Music Theory (2014) 58 (2): 179–233.
Published: 01 October 2014
... nonconformist hearings 198 JOURNAL of MUSIC THEORY Example 11.  Chopin, Mazurka no. 13 (op. 17/4, mm. 5–12), analyzed on tetradic plane/tube/ donut dance of music featuring seventh chords. As a simple illustration, consider the eight...
Journal Article
Journal of Music Theory (2019) 63 (2): 231–260.
Published: 01 October 2019
... the A and B of a mazurka, for example, follow the same, similar, or different paths in metric space? Do different for- mal sections of a piece activate different areas of metric space? Do remote metric changes accompany remote key changes? Are the metric and pitch 1 My introduction assumes Cohn s (forthcoming...
Journal Article
Journal of Music Theory (2001) 45 (1): 31–71.
Published: 01 April 2001
... neighboring embellishment (see Cadwallader and Gagné, Analysis, 272–287, particularly 280); Barber’s song (recall our Example 10) provides an analogous situation in an extended tonal work; (b) mixture: in Chopin’s Mazurka in A≤ major, op. 17, no. 3, the primary tone £ is subjected to mixture...
Journal Article
Journal of Music Theory (2004) 48 (2): 219–294.
Published: 01 October 2004
... Example 32. Maximally-intersecting scales in Chopin’s Mazurka Op 41,Example 32. Maximally-intersecting scales in Chopin’s no. 1 272 posers looking to explore new musical techniques. Certainly, my own compositional practice has been enriched by this perspective. I will conclude with a few final...
Journal Article
Journal of Music Theory (2017) 61 (1): 59–109.
Published: 01 April 2017
... 1987a, 57, ex. 44, analysis of Chopin, Mazurka op. 24 no. 2,Pankhurst mm. 25–28 Ex. 2 PankhurstViolin I Ex. 2 ™ œ. œ b b 2 ™ ™ ™ nœ œ. œ Violin&b b I 4 œ œ œ œ œ œ œ J...
Journal Article
Journal of Music Theory (2013) 57 (1): 159–191.
Published: 01 April 2013
... bias, a problem he acknowl- edges elsewhere (160) but not here. Harmonic language varies even within a single composer’s repertoire, so including, say, the écossaises but not the mazurkas could skew the results. Even less reassuringly: “The methodology...
Journal Article
Journal of Music Theory (2017) 61 (1): 29–57.
Published: 01 April 2017
... from Chopin’s Mazurka in A minor, op. 17/4, and the opening phrase from Brahms’s “O süßer Mai,” op. 93a/3. Diego Cubero    Downward Arpeggiations 57 Burstein, L. Poundie. 2005. “Unraveling...
Journal Article
Journal of Music Theory (2013) 57 (2): 321–371.
Published: 01 October 2013
... the delightfully convoluted 60 Cohn makes this comparison on the heels of several conclusion to Dmitri Tymoczko’s discussion of Chopin’s other correlations of music-theoretical thought (that of F-minor Mazurka op. 68/4 (2011, 293). Rameau and Momigny) with then-contemporaneous sci- 358 JOURNAL...