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ligeti

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Journal Article
Journal of Music Theory (2010) 54 (1): 75–90.
Published: 01 April 2010
...Amy Bauer Stanley Cavell's 1965 article “Music Discomposed” argues that modernist works have become codependent on the philosophical justification surrounding their production and consumption. The writings and compositions of two contemporary composers, György Ligeti and Helmut Lachenmann, echo...
Journal Article
Journal of Music Theory (2013) 57 (1): 1–45.
Published: 01 April 2013
... of György Ligeti .” Ph.D. diss. , Yale University . Becker Howard . 1984 . Art Worlds . Berkeley : University of California Press . Bergeron Katherine . 1992 . “ Prologue: Disciplining Music .” In Disciplining Music: Musicology and Its Canons , ed. Bergeron Katherine Bohlman...
Journal Article
Journal of Music Theory (2001) 45 (2): 345–433.
Published: 01 October 2001
.... ____. 1993 . “Schubert's Experiments with Sonata Form: Formal-Tonal Design versus Underlying Structure.” Music Theory Spectrum 15/1 : 1 -18. Bernard, Jonathan. 1994 . “Voice Leading as a Spatial Function in the Music of Ligeti.” Music Analysis 13/2-3 : 227 -253. Bharucha, Jamshed J. 1987...
Journal Article
Journal of Music Theory (2018) 62 (1): 1–39.
Published: 01 April 2018
... of Chicago . Rockwell Joti . 2009 . “ Banjo Transformations and Bluegrass Rhythm .” Journal of Music Theory 53 / 1 : 137 – 62 . Shaffer Kris , n.d. “ Overtones, Intervals, and Generative Transformations in György Ligeti’s Hamburg Concerto .” Unpublished manuscript . Tymoczko...
Journal Article
Journal of Music Theory (2017) 61 (2): 243–287.
Published: 01 October 2017
... . “ Continuous Transformations .” Music Theory Online 10 / 3 . Callender Clifton . 2004. 2007 . “ Interactions of the Lamento Motif and Jazz Harmonies in György Ligeti’s Arc-en-ciel ”. Intégral 21 : 41 – 77 . Callender Clifton Quinn Ian Tymoczko Dmitri . 2008 . “ Generalized...
Journal Article
Journal of Music Theory (2000) 44 (1): 231–236.
Published: 01 April 2000
... (Piano Sonata no. 2), and Birtwistle (Carmen arcadiae mechanicae perpetuum). In chapter three, Cross investigates the layering of “Structural Rhythms” in the Rite of Spring and adaptations of this device in works by Varèse, Messiaen, Ligeti, Birtwistle, and Carter. Chapter four, “Ritual Theatres...
Journal Article
Journal of Music Theory (2020) 64 (2): 283–291.
Published: 01 October 2020
... Hildegard of Bingen to György Ligeti (and even includes a brief composition by Hatten himself). While it mainly focuses on instrumental works, Hatten considers songs by Robert Schumann, Debussy, and Fauré often bringing out agen- tial roles for the accompaniment and operas by Wagner, Shostakovich...
Journal Article
Journal of Music Theory (2008) 52 (2): 251–272.
Published: 01 October 2008
... transform. I conclude with a few thoughts about realism and relativism in music theory. twentieth-century music often moves flexibly between contrasting harmonic regions: in the music of Stravinsky, Messiaen, Shostakovich, Ligeti, Crumb, and John Adams, we find diatonic passages alternating...
Includes: Supplementary data
Journal Article
Journal of Music Theory (2010) 54 (1): 5–23.
Published: 01 April 2010
..., or for that matter even György Ligeti. Instead, the faculty was almost uniformly devoted to a kind of music that—as I put it to myself—sounded bad. I can well remember sitting in the music library, listening again and again to Arnold Schoenberg’s string trio, straining to hear what might have led my freshman...
Journal Article
Journal of Music Theory (2000) 44 (1): 171–229.
Published: 01 April 2000
... and Applications to Works by Boulez, Cage, Xenakis, Ligeti, and Babbitt.” Computers in Music Research 5 : 1 -37. SEGMENTATION IN MUSIC: GENERALIZING A PIECE-SENSITIVE APPROACH David S. Lefkowitz and Kristin Taavola Segmentation—the process...
Journal Article
Journal of Music Theory (2004) 48 (2): 219–294.
Published: 01 October 2004
... fille aux cheveux de lin,” shows a passage in which diatonic fourths (left hand, m. 34) give way to penta- tonic thirds (right hand, m. 35). (Related Debussian passages can be found in Examples 23 and 28 below.) Example 6(b), from the second movement of Ligeti’s Piano Concerto, features diatonic...
Journal Article
Journal of Music Theory (1999) 43 (2): 193–230.
Published: 01 October 1999
.... The notion of lag time and the harmonic realizations of first-species canons is an avenue that warrants further study, especially considering the fre- quent use of canons in the twentieth century by composers such as Bartok, Carter, Dallapiccola, Ligeti, Noncarrow, Schoenberg, and Webern. I...
Journal Article
Journal of Music Theory (2007) 51 (2): 277–332.
Published: 01 October 2007
... of Harry Partch and Lou Harrison, the various equal tempered systems of Eas- ley Blackwood, the spectral music of Tristan Murail and Gérard Grisey, or the more freely composed nontempered work of György Ligeti and others. In other words, we wish to compare chords drawn from continuous pitch...